Os jovens e a máscara: políticas de representação de jovens autores de atos infracionais no cinema brasileiro
The general objective of this thesis is to understand which and how some of the representation policies critical to the stigma of young offenders are articulated in Brazilian cinema from 2002 onwards. By mask is understood the representations that tend to homogenize those who are referenced, and against which the featured films in this research work. To achieve the proposed objective, it is assumed that some of these policies can be divided into three main axes: revealed faces, in which the young people's face is visible in the narrative, enabling sympathy and empathy between the audience and the characters; bonds of affection, in which these subjects are represented as children, brothers and friends; youth cultures, in which such young people are represented as members and agents of these cultures. All these axes articulate, in their discursive, audiovisual and sometimes intermedial materiality, processes of humanization, recitizenship and valorization of identities, expanding the conception of these subjects beyond the pejorative attributes that shape them in the social imaginary. Considering a broad conceptual framework, in dialogue with authors from different fields of knowledge such as language sciences, social sciences, cinema, communication and philosophy, four films are particularly analyzed: Behave (Juzo, Maria Augusta Ramos, 2007), Brder (Jefferson De, 2011), Antnia In an approach that alternately seeks internal and external elements to the films, it was verified how they are part of the same discursive horizon, with the construction of solidarity approaches to young people, in which the strong presence of the musical score and performances of masculinity are sometimes included.
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