Even When You Are a Solution You Are a Problem: An Uncomfortable Reflection on Feminist Data Ethics
Research Article| March 31 2021 Even When You Are a Solution You Are a Problem: An Uncomfortable Reflection on Feminist Data Ethics Collections: Special Collection: Cross-cultural Feminist Technologies , Section: Communication and Media Anna Lauren Hoffmann Anna Lauren Hoffmann Search for other works by this author on: This Site PubMed Google Scholar alho@uw.edu Global Perspectives (2021) 2 (1): 21335. https://doi.org/10.1525/gp.2021.21335 Article history Received: June 21 2020 Accepted: December 14 2020 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Anna Lauren Hoffmann; Even When You Are a Solution You Are a Problem: An Uncomfortable Reflection on Feminist Data Ethics. Global Perspectives 1 February 2021; 2 (1): 21335. doi: https://doi.org/10.1525/gp.2021.21335 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentGlobal Perspectives Search Topics Communication and Media, Cross-cultural Feminist Technologies Keywords: data, feminism, justice She is Ella—a survivor of chattel slavery, a veteran of the Underground Railroad, and a key character in Toni Morrison's novel Beloved. She is "a practical woman" (301). A center of gravity, Ella keeps both the book and its characters grounded whenever outside forces threaten to unmoor them. She trusts lightly, if at all. She understands power and its violent machinations. She refuses reduction and rejects simple binaries. She teaches us that the conditions of life escape reductive binaries of fair and unfair, problems and solutions, past and present. When confronted with epistemological and juridical frameworks grounded in such binaries, Ella refuses their terms. Instead, she shows us how to engage the world through an active and avowed uneasiness, a discomfort with "past errors taking possession of the present" (302). Following Ella, this essay is about unease. It seeks to register a discomfort with both emerging ideals of "data... You do not currently have access to this content.
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