Australian Film, Television and Radio School

Another concept having root in Marshallian atmospherics and important in creative and cultural clusters is the concept of buzz which was first used by The concept is widely used in the subsequent studies One of the first studies for the elaboration of the buzz effect with particular reference to a cultural cluster, namely the Leipzig media industry cluster, can be found in

The death of a stuntman while filming a music video in Brisbane has thrown a spotlight on film set safety. Licensed armourers follow strict safety procedures while filming - but firing blanks can still be dangerous.

Don Lamberton’s research interests were broad. They centred on information and innovation, those elusive drivers of growth and change in the economy, as well as life. Information and innovation require some degree of receptiveness – openness – and Don was always open. His openness permitted me to become his student, as a mid-career practitioner in the film industry. It was, in a sense, his principal teaching. Under his tutelage, I began a reading program that led me a long way from my starting point, and taught me to question views that had seemed settled. Openness, of course, is a fundamental issue in information policy. To what extent should information be proprietary? And when should it be free? These questions were central to my research, which was about copyright and its consequences for authors. The policy tensions in copyright turn exactly on this question of degree of openness. As I studied the question, Don’s example came to matter. I mean the way he personally modelled scholarship: his willingness to listen, his constant sifting, his mode of freely sharing books, data and connections. This was scholarship as openness, and it was persuasive.

This paper presents the research design and preliminary findings from a study on supporting online students in a collaborative design project. The Collaborative Investigation, Design, Evaluation and Revision (CIDER) approach was used to scaffold the learning activities. CIDER is a learn-technology-by-design approach for collaborative resource design and development. This phase of the study was conducted in a Graduate Certificate in Higher Education unit at an Australian university. Participants, working in small groups, collaboratively developed electronic teaching resources, including a digital story and a website. Data sources for this study include student artefacts, evaluation data, survey data and peer-review feedback from two unit cohorts. The results indicate that geographical proximity was not the key factor in the group's success; rather, a shared disciplinary area was a better indicator of the students' ability to develop an online resource. Moreover, the results indicate that formative evaluation via a peer review process offered a practical way of determining the quality or potential quality of a web-based learning resource before it is published.

As was the case with the FCC task force initiative on localism between 2004 and 2006, members of Congress are again taking an interest in the effects of localism in broadcasting. Broadcast radio, the last vestige of “free” broadcasting, has done well in maintaining local service even in the era of consolidation and the competition of satellite delivered radio. This article investigates the current status of broadcast radio and how localism is its saving grace across the nation.

It's a Wonderful Business: The Art of Production Sound is a documentary film that offers an inside look at what it takes to record the dialog of actors and diegetic sounds on a movie set. This is the job of the production sound crew, in charge of recording the voices of some of the most talented and prominent performers in the motion picture industry. The documentary features interviews with former and current production sound mixers and boom operators from some of the most acclaimed films in the history of cinema. The film also explores the personal demands, the working conditions, and the sacrifices sound crews have endured to succeed in the always challenging, but very exciting, world of film making.

The screen business encompasses all creative and management aspects related to film, television, and new media content, from concept to production and distribution. Companies in this industry face increasing competition due to market globalization. To stay competitive, they're turning to contemporary technology-enabled business improvement methods, such as business process management. Despite its potential benefits, the use of workflow systems for automating film production processes is largely unexplored. The authors' case study highlights some of the key challenges that lie ahead for Web-scale workflows for film production.

Session: Phenomenology and Film Session: “Narration” Sessions: Parody and Bakhtin Session: EARLY CINEMA Session: Approaches to Interpretation Session: Trends and Concepts in Chinese Cinema Session: Narrative in Japanese Cinema Classical German Film Theory Session: Hitchcock and Authorship Session: JERRY LEWIS Session: Women and the Avant garde Sessions: Television and Reception Theory. Theorizing Television: Text, Textuality, Intertextuality. Session: Legal Issues in Film/Video Workshop Session: Intertextuality and Ideology Session: The Promotional Text SCS Cinematheque/Videotheque