Ayuntamiento de Madrid

Despite the economic, social, and symbolic importance of urban consumption, its study has been constrained by the lack of sources with sufficient spatial and temporal resolution until the emergence of new Big Data sources. Based on data from bank card transactions, this study examines the temporal, spatial, and spatiotemporal distribution of consumption in the city of Madrid, according to consumer type and commercial sector. Likewise, through the use of time series clustering techniques and Sequence Alignment Analysis, different types of consumption spaces have been identified according to the daily spending patterns and the sequence of the predominant commercial sectors, respectively. The results reveal different hourly distributions depending on the day of the week, as well as varying spatial distributions by sector, consumer type, and time of day. Furthermore, the combination of clustering techniques has made it possible to define spatial typologies and highlight the importance of factors such as the distribution of consumption peaks, the predominant commercial sector at different times, and behaviour during the night and weekends are of great importance in characterising these spaces. The study demonstrates that analysing bank card transaction data and incorporating a spatiotemporal approach provides highly valuable insights for urban managers and planners.

Este trabajo analiza las preferencias y la DAP de los consumidores por consumir fruta producida de forma orgánica y producida localmente. Los datos se obtuvieron mediante entrevista estructurada, aplicada cara a cara, a una muestra estadística de 501 consumidores. Se utilizó un modelo de regresión probit ordenado para estimar la DAP Y los efectos marginales. Los consumidores consideraron importante y muy importante que la fruta que consumen sea producida en México (66%), sin químicos (60%), y producida por pequeños productores locales (58%). El 21 y 28% de los entrevistados mostraron DAP entre 15-25% de sobreprecio si la fruta es producida localmente y de forma orgánica respectivamente. El precio y el ingreso de los consumidores fueron los principales determinantes en explicar la DAP (p≤0.05). La alta DAP revelada por los consumidores podría utilizarse para el diseño de una estrategia de comercialización de los productores organizados de la Sierra Nevada de Puebla

En este trabajo se reinterpreta el heroon de El Pajarillo, en el marco del mito de la katabasis o viaje del héroe al inframundo. Para esta lectura se han realizado estudios arqueoastronómicos y se ha integrado el heroon en un camino de pagus, que sigue las aguas del río Jandulilla. En este nuevo territorio se ha añadido un nuevo hito arqueológico, el Fontanar de Jódar, un monumento pétreo, con la representación de una hierogamia, único en la Cultura Íbera.

BackgroundInfluenza is a seasonal infection with a huge impact on morbidity and mortality in older adults, for whom vaccination is recommended. New influenza vaccines for this population have been introduced in Spain in the past 5 years, and a number of cost-effectiveness analyses (CEA) have been published to aid healthcare decision-making. The objective of this study was to assess possible sources of uncertainty in the CEAs of influenza vaccines for the older adults in Spain.MethodsA systematic review was performed to identify Spanish CEAs published since 2016. Potential sources of structural, methodologic and parametric uncertainty in CEA results were systematically analysed using the TRansparent Uncertainty ASsessmenT (TRUST) Tool, quality assessment checklists, and the WHO guidance on economic evaluations of influenza vaccine strategies. The primary sources of efficacy/effectiveness were analysed in depth to ascertain whether they could support the conclusions of the respective CEAs.ResultsSeven CEAs were included. Overall, they were designed and performed in accordance with the applicable guidelines; however, some critical sources of uncertainty were detected, mainly: (1) the choice and use of efficacy/effectiveness data (real-world single season studies, meta-analyses including studies with high risk of bias and/or high heterogeneity with biased interpretation); (2) use of fewer than 5 seasons to estimate influenza burden; (3) generalized use of influenza-like illness data to estimate effectiveness and burden, among others.ConclusionsSeemingly well-designed studies may conceal important sources of uncertainty that affect the results. This must be taken into account when interpreting results to support decision-making.

other artists and professionals were added, both new and of specific trajectories throughout their careers until today. For over a decade, until 2005, David Ojeda served as Artistic Director, currently Ángel Negro. Throughout these almost thirty years, the scenic languages of theatre and dance have constituted his inclusive artistic work. Authors such as Fernando Arrabal, Marco Antonio de la Parra, the nascent choreographic work of Patricia Ruz, the exchanges with Patricia Torrero and Florencio Campos of the Arrieritos Company, as well as many other performing arts professionals crossed and intersect today. Artists with and without disabilities have always been the artistic engine. However, being a benchmark company at the beginning of artistic creation and disability in Spain, it has manifested itself as a carrier of professionalizing work since its inception, something unusual at that time. The document brings together different references to the aesthetic work of the company, between the grotesque, transgression, the search for artistic paradoxes in the contexts of contemporary scenic language, and finally, to contribute artists with diversity to the professional territory of the performing arts: Tomi Ojeda, Ángel Negro, Alberto Romera, Yolanda de las Heras, among others. In the play Inhabitants of Uranus, the attempt to transgress, to provide a diverse look, and to generate a critical metaphor from the smile stays upfront. It serves as a link that will combine other proposals for theatre and dance shows where the use of sarcasm and irony also takes over the show's record and the scenic realization of the performers, direction, and choreography.