Benaki Museum

The “Crucifixion with the twelve Apostles”, a unique Coptic embroidered panel, was on display at the Benaki Museum (Athens, Greece). The representation of the “Crucifixion” with Christ in the center and six Apostles on either side, standing next to each other in frontal poses, is quite a rare one. This rare iconographic image of the twelve Apostles could be linked to the Ascension or the Pentecost. This unique representation of the Crucifixion with the twelve Apostles, which also involves the Ascension, is a one-of-a-kind compositional formula representing Christ’s Death as a triumph over Death, emphasizing, along with the other factors, its non-Chalcedonic origin. Moreover, the interpretation of an inscription, written in at least three languages embroidered in black silk thread, is a matter which confuses the issue even more. In the present study, we will attempt a comprehensive investigation, a detailed description, and interpretation of this rare iconography, based on written and iconographic evidence traced in the history of art heritage objects.

This article examines various intellectual and physical challenges of exhibiting costumes and textiles in European and North American museum settings where artifacts cannot be handled or physically experienced by visitors. It describes different museological and commercial solutions and suggests reasons for the various approaches taken to collections and on-going rotating displays. It also describes the author's own experiences with costume and textile displays in different institutions in the USA and Canada since the 1980s.