Detroit Institute of Arts

O uso de cigarros eletrônicos tem aumentado consideravelmente, principalmente, entre os jovens. A Associação Médica Brasileira (AMB) alerta para os riscos como doenças respiratórias, além de um novo diagnóstico denominado e-cigarette, or vaping, product use associated injury (EVALI). Os sintomas de EVALI incluem tosse, dor torácica e dispneia. A metodologia relata o caso de uma paciente, 19 anos, sexo feminino e sem doenças prévias. Paciente é, inicialmente, diagnosticada com gripe, mas após a persistência dos sintomas e piora no quadro, foi realizada internação e solicitado exame laboratorial (hemograma) e TC de tórax. Após análise dos exames, foi considerado diagnóstico de pneumonia, observando-se na TC cavitação pulmonar com paredes levemente espessadas no lobo inferior esquerdo e opacidade em vidro fosco. Após administração de predinilosona 20 mg, 4 x ao dia, paciente reage com melhora ao medicamento. Nova TC de tórax foi realizada para fins de comparativos de evolução, sendo observados melhora na opacidade de vidro fosco no lobo inferior esquerdo. Por fim, paciente relata uso de cigarro eletrônico por 6 meses, evidenciando diagnóstico de EVALI.

<h3>ABSTRACT:</h3> This article explores the last six decades of visual art studies in Ghana. It focuses primarily on historic indigenous art genres. For strategic reasons, and because of space constraints, it excludes contemporary idioms like studio-based painting and sculpture as well as videography, photography, and performance art. The essay reviews the historical and recent scholarship dealing with traditional Ghanaian art, highlighting the most relevant research and the significant gaps in knowledge. The exploration concludes with a list of the challenges facing the field, among them the striking unevenness in the representation of the ethnic groups that comprise the nation, the predominance of Akan art studies, and the need to refine the methodologies deployed for studying the arts of Ghana. It also advocates for a paradigm shift that broadens the existing canon and encourages interdisciplinary scholarly collaboration and cross-ethnic comparative studies to achieve a more complete art history of Ghana.

Previous articleNext article No AccessDeconstructing an Ancient Egyptian Mummy PortraitChristina Bisulca, Ellen Hanspach-Bernal, Aaron Steele, and Caroline RobertsChristina BisulcaConservation Department, Detroit Institute of Arts Search for more articles by this author , Ellen Hanspach-BernalConservation Department, Detroit Institute of Arts Search for more articles by this author , Aaron SteeleConservation Department, Detroit Institute of Arts Search for more articles by this author , and Caroline RobertsDepartment of Conservation, Kelsey Museum of Archaeology, University of Michigan Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Bulletin of the Detroit Institute of Arts Volume 95, Number 12021 A journal of the Detroit Institute of Arts Article DOIhttps://doi.org/10.1086/718825 Views: 98Total views on this site © 2021 The Detroit Institute of Arts. All rights reserved.PDF download Crossref reports no articles citing this article.

Previous article No AccessSacred and Profane A Silver Wine Cup in Puritan New EnglandBenjamin ColmanBenjamin ColmanAssociate Curator of American Art, Detroit Institute of Arts Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Bulletin of the Detroit Institute of Arts Volume 94, Number 12020 A journal of the Detroit Institute of Arts Article DOIhttps://doi.org/10.1086/714903 Views: 88Total views on this site © 2021 The Detroit Institute of Arts. All rights reserved.PDF download Crossref reports no articles citing this article.

A Iluminação dos Mortos, realizado no município de Salinópolis (PA) – e em alguns municípios do nordeste do Pará –, consiste em um ritual de homenagens aos mortos, que ocorre anualmente por ocasião do Dia de Finados, no dia 02 de Novembro. Neste município, há uma maneira muito particular de prestar tributo aos mortos, na qual seus túmulos, no período da noite, são iluminados com o acendimento de velas para, em sequência, ocorrer um momento de confraternização entre os familiares dos falecidos. Dessa maneira, os principais aspectos que problematizo neste trabalho dizem respeito às questões simbólicas subjacentes a este ritual de homenagens aos mortos. Assim, a iluminação dos mortos funciona como um dispositivo que aciona sociabilidades em torno da morte, reintegrando, simbolicamente, os mortos à vida social e os vivos à vida espiritual.

Thus Suzanne Muchnic characterizes my thirty-eight-month tenure as director of the Los Angeles County Museum of Art in her concise and highly readable unofficial history, LACMA So Far: Portrait of ...

Comparison Understanding of Icma (Concensus) in Abdulcebbar and Gazali Icma (concensus) is one of the sources of Islamic Law so that it has great important. Since early terms islamic law scholars had saw it very important sources of law. It is not mean that there is not confilict about concensus. At about all terms of islamic history we can see different approaches about concensus. In this artile we try to examine understanding of concensus in Kadi Abdulcebbar and Gazali’s. After that we compoarise Abdulcebbar’s and Gazali’s point wiev of concensus similar and different sides

Extended abstract of a paper presented at Microscopy and Microanalysis 2013 in Indianapolis, Indiana, USA, August 4 – August 8, 2013.