National Army Museum

The World Health Organisation (WHO) calculated in 2019 that as many as 970 million people across the globe had a mental illness. 1 Despite its prominence today and its enduring presence throughout human history, leading scholars in the field acknowledge the immense challenges in researching the history of mental health.Borrowing lexicon from the ancient Greek myth of Sisyphus, whom the gods condemned to roll a heavy boulder to the top of a hill for all eternity, Andrew Scull described writing histories of mental illness as a 'Sisyphean task' . 2 Edward Shorter similarly labelled the history of psychiatry as 'a minefield' . 3 The challenges of writing such histories reflect the contentious nature of mental illness itself.Despite supposed advances in medical research, the mass production of psychopharmaceutical drugs and the increase in people undergoing therapy, contemporary societies remain uncertain about how to clearly demarcate an unhealthy mind from a healthy one. 4 There is no uncontested and universally agreed upon definition of what constitutes mental health and mental ill health.As British-based health sociologist Peter Morrall points out, for example, the National 1 These figures were taken from the World Health Organisation's website; https://www.who.int/health-topics/mental-health

"Hongkongers in the British Armed Forces, 1860–1997." History: Reviews of New Books, 51(5), pp. 103–104

Increasingly, cultural heritage professionals (CHPs) (including curators, museum directors, and education officers) are becoming more involved in designing interactive technologies. Specifically, growing access to and availability of digital technology enables CHPs, who may have limited experience with interactive technologies, to create content for and integrate these technologies into their museums. With these developments, there is a growing importance in investigating how CHPs build understandings of these tools in context; this is particularly since curators aim to learn how those tools can support their audiences. In this paper, we highlight how CHPs formed understandings for integrating an interactive tool to support an intended visitor experience into the museum environment through experimentation. Inspired by lessons learned, we propose design recommendations for interaction designers and HCI experts in designing tools and resources that support CHPs to experiment with various ways these technologies could service their interpretation goals.

William E. Leach, and not Frederick Smith, Ernest André has it, was the first to establish the family Mutillidœ but none of these gentlemen correctly defined it, and all have included genera which do not belong to it. Some of the genera belong to the Bethylidœ, one belongs to the Thynnidœ, one to the Cosilidœ, and others to the Myrmosidœ.