- Book Chapter
- 10.1093/oxfordhb/9780198846246.013.19
Birth of a Collection
- Feb 22, 2024
- David Hopes
Abstract In April 1814, five gentlemen resolved to raise subscriptions for the building of a ‘Monument to the Memory of Burns in His Native County’. This was to be a cenotaph erected in the neoclassical style high on the banks of the River Doon, within sight of the cottage where Burns ‘first drew breath’ half a century before. However, what started out as an empty temple dedicated to the poet’s memory (and reputation) had, by the end of the century, metamorphosed into Scotland’s earliest literary museum and the world’s most significant museum collection about Burns, including the largest artefact of all, his birthplace. How did this happen? This paper charts the course of the movement to commemorate Burns in stone and how this developed into the collection and display of literary artefacts and, eventually, the acquisition of Burns Cottage and the construction of a purpose-built museum nearby. It examines the context and motives behind the collecting activity of Burns Monument Trust through three broad phases of development: conservatism, revisionism, and expansionism.
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