Pacific Northwest College of Art

Tendo como ponto de partida um sonho relatado em uma sessão por uma paciente, a autora interroga, neste trabalho, o advento do real que viria com a introdução do discurso analítico, por via da transferência, não sem passar pelo momento de emergência primeiro, o advento primeiro, traumático e maldito. Tomando o Seminário 18 de Lacan, De um discurso que não fosse semblante, como norteador, o artigo busca acompanhar a mudança de posição do sujeito perante o gozo, mudança essa advinda do encontro com o discurso do analista.

Introduction: What Shakes Loose When We Imagine Otherwise/She Made the Vision True: A Journey Toward Recognition and Belonging/Isha Black or Isha White? Racial Identity and Spatial Development in Warren County, NC/Colonial City Design Lives Here: Questioning Planning Education’s Dominant Imaginaries/Say Its Name – Planning Is the White Spatial Imaginary, or Reading McKittrick and Woods as Planning Text/Wakanda! Take the Wheel! Visions of a Black Green City/If I Built the World, Imagine That: Reflecting on World Building Practices in Black Los Angeles/Is Honolulu a Hawaiian Place? Decolonizing Cities and the Redefinition of Spatial Legitimacy/Interpretations & Imaginaries: Toward an Instrumental Black Planning History

Based on the context of higher life expectancy and lower pregnancy rate, ageing society is unavoidable. Technological response is necessary. Hormone Couture exhibition presents two wearable technologies that aesthetically respond to women's reproductive hormone and body temperature changes. The designs address how technology creates a biopolitical issues whether the wearable technology empowers women by giving her access to biological information, or creates gendered oppression by having a technology that monitors, controls, and influences sexual behavior on the body. Both of these arguments cannot be separated as they altogether exist at the same time as two sides of the same coin. This contradictory relationship between technological advancement and gender politics was materialized into the work aiming to criticize and speculate the future of wearable technology, and how it reinforces dynamics of gender tension in society.

Using analytic tools developed by the literary critic, James Phelan, the author investigates frame narrative organization in three animated films. Zbig Rybczynski’s Tango uses addition and subtraction to frame mini-stories layered one over the other; Wendy Tilby and Amanda Forbis’s When the Day Breaks uses an A–B–A structure with repetitive events mirroring and revealing each other; and Yuri Norstein’s Tale of Tales uses character narrators that serve as observer/participants, allowing the film to cross narrative genres. This article also investigates the layered viewer response that frame narration requires. All three animations, while not digitally produced, demonstrate the ontological montage Lev Manovich ascribes to the aesthetic logic of digital compositing, which he maintains is layered and ‘first and foremost a conceptual [and] not only a technological operation’.

Abstract The following specific names are recommended for conservation: Olivea tectonae (T.S. Ramakr. & K. Ramakr.) R.L. Mulder against O. tectonae (Racib.) Thirum.; Craterellus cinereus (Pers. : Fr.) Donk with a conserved type against Craterellus cinereus Pers.; Botrytis brongniartii Sacc. with a conserved type; Buellia subcanescens against B. leptina, Lichen flavicans Sw. against Lichen flavicans Lam.; and it is recommended that Cortinarius speciosissimus not be conserved against C. rubellus. Conservation of Boletus applanatus against B. lipsiense, reconsidered in light of a published rebuttal, remains strongly recommended. The withdrawn proposal to conserve the name Aspicilia farinosa with a conserved type is removed from further consideration. In light of an even split on three ballots, the proposal to conserve Agaricus rachodes with that spelling is referred to the General Committee for a final decision. Finally, the Committee notes the need for the correction of "Lecidea euphorea (Flörke) Nyl.", nom. cons. (1858) to L. euphorea (Flörke) Sommerf. (1826) to reflect an earlier combination.

Recensão à obra T1 / Se o mundo não fosse assim, de José Maria Vieira Mendes (Lisboa, Artistas Unidos, Colecção Livrinhos de Teatro, 2004).