Samara State Institute of Culture

Materials published in 1920-1928 in the central newspaper of the Samara Province The Kommuna covered various events that took place in the printing industry, book publishing and book trade in Samara. The article reveals the value of newspaper articles and notes as a meaningful source for studying the history of the Samara printing industry, the Provincial Branch of the State Publishing House, the activities of shops and authorized representatives of the Trade Sector of the State Publishing House, as well as the trade union movement of Samara printers in the specified period.

One of the tasks of Foreign Language teaching at a creative university is the implementation of an interdisciplinary approach. The article is devoted to the possibility of integrating foreign language teaching with the professional training of specialists in the field of 51.03.02 “Folk art culture”, Directing amateur theater. According to the authors, the basis for such integration can be dramatic performances in foreign language classes. Research methods included the synthesis and analysis of pedagogical experience, which showed that in the vast majority of cases, dramatization technologies are considered in terms of developing students’ speech skills, communication skills, creativity, thinking and increasing motivation for the subject under study. In addition, describing different forms and types of work with dramatic productions, the researchers talk about dramatizations of works written in the language studied. The article describes the experience of staging K.I. Chukovsky’s poem “Fedora’s Grief” by students of the 2nd year of the Theater faculty and the subsequent survey of students regarding the effectiveness of using this form of work in the course of teaching the discipline “Foreign language”. The study reveals the integration of the development of language and speech skills with the formation of professional competencies of an amateur theater director. The novelty, according to the author, lies precisely in the appeal to the text written in Russian. The article describes the stages of work on the stage production, as well as tasks and exercised based on the poem. Conclusion is made that staging of works of Russian classics in a foreign language can serve a basis for the implementation of an interdisciplinary approach to the formation of universal and professional competencies of future directors of amateur theater.

The article is devoted to the cultural code of the Russian folk tale "Emelya the Fool" and its transformation in the metalanguage of modern Russian cinema using the example of animated and feature films. The 2023 film "At the Behest of the Pike" was created in the 21st century. Unlike the 1936 film adaptation, it retained only the title, although the original tale was named differently. The tale of Emelya attracts modern viewers, among other things, because they have a visual experience from the last century. The adventures of the fairy–tale hero are connected with a meeting with the enchantress pike, which shows how close the experience of fishing is to a Russian person. Hence the repetition of the plot: fish are caught at sea and in the river, it is a part of human life, inextricably linked with his everyday life."The Tale of the Goldfish,"capable of fulfilling the three wishes of the fisherman who caught it, recalls another heroine– the pike. And although Emelya made no effort to catch fish, it came to him miraculously, but obviously only because to emphasize one of his traits – laziness, unwillingness to work. In addition to the various images presented in the two filmed feature films, three animated films have been shot. We are interested in them because they are united by the name of the main character and the presence of the enchantress pike.

РЕДАКЦИОННЫЙ СОВЕТБолдырев Николай Николаевич, доктор филологических наук, профессор (Тамбовский государственный университет им.Г. Р. Державина, Россия); Бубнов Юрий Александрович, доктор философских наук (Воронежский государственный университет, Россия); Бузгалин Александр Владимирович

The creative uniqueness of the musicians personality is revealed in the space of dialogue in the process of musical co-creation. Dialogic connections between participants, formed at different levels of interactive informative and existential interaction, have an extremely wide and penetrating range of influence. The article analyzes the features of dialogic connections and their dependence on the levels and nature of the flow of co-creative polylogue in musical communication using practical examples.

The article analyzes approaches to understanding the essence of technological culture and the patterns of its development from the methodological positions of the design culture and the theory of selforganization. The phenomenon of technological culture is studied in the unity of the conceptual, praxeological and organizational aspects. The process of formation and development of technological culture is cyclical. Cyclicity is appearing in the periodic reiteration of the stages of cultural reproduction and cultural variability. The study gives a description of the three-phase structure of the cultural cycle, taking into account the role of self-organization processes at each formative stage. At the first formative stage the specificity of the self-organization mechanism is reduced to the formation of rigid links (structures) that measure and fasten images, signs and objects that are useful for the cultural formation. At the second stage a fundamental livelihood of the developing object as a whole is created. Usually this is a fundamental principle that sets coherence, synchronization of processes in a sociocultural system. At the third stage the processes of self-organization provide a livelihood for the components of the object which leads to the achievement of morphological and axiological integrity and uniqueness of the object, the system enters into symbiotic relationships with objects of another type, completes development and prepares the transition to a new three-part cycle of shaping. The article deals with the first historical cycle of formation and development of technological culture: "Hellenism – Ancient Rome – Byzantium". Each phase of the cultural cycle is characterized by the originality of subject, target and organizational factors. In future the undertaken research will reveal the features of technological culture on its modern "digital" stage basing on the logic of cyclic patterns developed within the framework of the proposed methodology.

The article deals with topical issues of inclusive theatrical creativity, defines the role of a theatre for special people in the sociocultural space. Performing arts are seen as a means of integrating people with developmental disorders into a full life and cultural environment. The authors consider various aspects of inclusive creativity, the means of expression and the artistic language of the theatre where actors with some disabilities (mental disorders, Down syndrome and others) perform. The results of the study can be used in the staging of an inclusive performance and in the training process of a special performer.

The article considers the architectural and urban planning complexes of Samara squares, named after the aircraft designer S.V. Ilyushin and the creator of space technology D.I. Kozlov, as components of «les lieux de mémoire», which include, along with sculptural, technical, museum components, also archival documents. These documents are not only stored in the Russian State Archives in the same city («RGA in Samara»), but they are also presented at its public exhibitions, including virtual ones. Thus, the artistic and emotional impact is combined with the scientific and educational effect, emphasizing the importance of «les lieux de mémoire» in the visible historical and cultural space of the Volga metropolis, which has become the bearer of aviation glory and space power of Russia.