State Conservatory of Uzbekistan

The aim of the study was to develop a methodology for the process of developing sets of exercises aimed at solving specific tasks on the basis of unified classification and evaluating physical exercises. Based on this methodology, a set of exercises was developed and tested, based on the use of a psycho-emotional factor using physical exercises from a wide range of classical and non-traditional training systems.

This article investigates the cultural and social significance of folk musical instruments in ancient human societies. It examines how traditional instruments were used not only for entertainment but also in rituals, religious ceremonies, communication, and everyday life. Drawing on archaeological findings and historical records, the study highlights the symbolic meanings attributed to various instruments and their role in expressing communal identity and spiritual beliefs. The article also emphasizes how music, through folk instruments, served as a means of preserving oral history and transmitting cultural values across generations.

The article talks about the choral work of Mustafa Bafoev, especially about works dedicated to the life and work of historical scientists. Methods: analysis, consideration of the use of Uzbek melodies and rhythms in this work The article talks about the work of composer M. Bafoev "Frescoes", dedicated to the life and work of the great thinker, scientist Abu Ali ibn Sina. The work describes the difficult life of a scientist and his incomparable service to science. in addition, the musical material of the work is described on the basis of Uzbek melodies and rhythms. Scientific novelty: M. Bafoev's choral works are analyzed from the point of view of their composition, harmony, choral texture, harmony of voice and orchestra, embodiment of national melodies, manifestation of status, embodiment of our national traditions and values in the work, as well as its use in performance. Practical significance: It can be used for studying oriental music, studying the history of Uzbek music, educational presentations, conferences, scientific conferences.

Objectives: This article explores the historical roots of interethnic harmony and tolerance in Uzbekistan, a country situated in Central Asia. Uzbekistan has a rich and diverse cultural heritage, with a long history of different ethnic groups coexisting and interacting within its borders. The paper examines key historical periods and events that have shaped the foundations of interethnic harmony in the region. Methods: The article begins by delving into the ancient history of Uzbekistan, highlighting the influence of various civilizations and empires, such as the Persian, Greek, and Arab empires. These interactions fostered cultural exchange, religious pluralism, and linguistic diversity, laying the groundwork for a society that embraced differences and valued coexistence. Furthermore, the paper explores the legacy of the Silk Road, which played a pivotal role in connecting different regions and facilitating trade and cultural exchange. The Silk Road brought together merchants, scholars, and artisans from diverse backgrounds, fostering cross-cultural understanding and tolerance. Results: The article also examines the impact of Islam on interethnic relations in Uzbekistan. Islam arrived in the region during the 8th century and became a unifying force, transcending ethnic boundaries. The spread of Sufism, a mystical branch of Islam, further promoted a spirit of harmony and acceptance, emphasizing the importance of spirituality over divisions based on ethnicity or social status. Moreover, the article discusses the Soviet era and its effect on interethnic relations. During this period, the Soviet government implemented policies aimed at promoting equality and unity among different ethnic groups. Education and employment opportunities were made accessible to all, fostering a sense of shared identity and promoting social cohesion. Finally, the article examines contemporary Uzbekistan, highlighting the efforts of the government in promoting interethnic harmony and tolerance. The country has adopted policies that protect minority rights, encourage cultural diversity, and foster dialogue among different ethnic groups. Initiatives such as language and cultural festivals, interethnic marriages, and inclusive education programs contribute to a society where diversity is celebrated and valued. Conclusion: In conclusion, Uzbekistan's historical roots of interethnic harmony and tolerance can be traced back to its ancient civilizations, the Silk Road, the influence of Islam, and the policies implemented during the Soviet era. These factors have shaped a society that embraces diversity and promotes peaceful coexistence among its various ethnic groups. Understanding and appreciating these historical foundations are crucial for fostering continued harmony and tolerance in Uzbekistan and beyond.

В данной статье рассматривается история создания и функционирования Научного совета Государственной консерватории Узбекистана за период с 2018 по 2023 годы. Отмечается вклад доктора искусствоведения, профессора Тухтасына Гафурбекова в инициировании и создании диссертационного совета, в определении научных направлений, по которым осуществляется подготовка и защита диссертаций. Деятельность Научного Совета отражает современное состояние отечественной музыкальной науки, приоритеты разработок исторических и теоретических аспектов в современном узбекском музыкознании. This article attempts to review and summarize the history of the creation of the Scientific Council of the State Conservatory of Uzbekistan for the period from 2018 to 2023. The contribution of the doctor of art history, professor Tukhtasyn Gafurbekov in initiating and creating a dissertation council, in determining the scientific areas in which the preparation and defense of dissertations is carried out is noted. The activity of the Scientific Council reflects the current state of domestic musical science, the priorities of the development of historical and theoretical aspects in modern Uzbek musicology.

<pre><em>The place of opera art in Uzbekistan and the historical description of its development stages were covered by biographical information.</em></pre>

<pre><em>Elucidation of the important performance technology in the performance of the piano instrument on the example of the specific aspects of the work of Claude Achille Debussy and his fantasy for piano and orchestra.</em></pre>

The puppet theater of Karakalpakstan has a peculiar rich history. This article discusses the emergence and development of the Karakalpak puppet theater.

The article is devoted to the analysis of the mastery of the use of folklore elements in the poems of Atoyi, a truly popular poet. Turkish literature up to Alisher Navoi, in particular, the works of Atoyi, Sakkoki, Lutfi, Gadoi, Yakin, Muqimi, Amir, is simple and clear in terms of language, fluent in style and resonant. This is explained by the widespread use of folk proverbs and figurative expressions in their poems. Compatibility for the people is also a key feature of Atoyi's poems.