Upplandsmuseet

Abstract Metal wire is in modern society manufactured by drawing metal rods through dies with conical holes of decreasing diameters, until the desired thickness is obtained. The history and origin of this technique remains unclear, although it was likely developed from earlier wire-making techniques such as strip-drawing and roll-drawing. Proper wire-drawing was an established technology in Europe during the High Middle Ages, and numerous draw-plates have been found at Scandinavian trading centres or hoards from the Viking Age. Here, we report the technical examination of an iron draw-plate found in Uppsala in central Sweden. The draw-plate was excavated in a Vendel Period fine metals workshop, located immediately next to the royal hall in Old Uppsala, an important religious centre during pagan times. X-ray and scanning electron microscopy (SEM) analysis of the draw-plate revealed silver particles in the plate’s holes, indicating drawing of silver wire. The plate is dated to the 6th – 8th c., which makes it one of the oldest confirmed tools for wire-drawing so far encountered. The presence of this tool in the workshop indicates that some high-quality jewellery in this region was locally produced. Thus, the finding of this draw-plate increases our understanding of Vendel Period jewellery production, and of the social organization of this craft.

Title: Who kicks the cockerel? Body language and narrativity in 12th century art This article examines a series of 12th century stone reliefs attributed to the so-called Skara-Forshem master who was active in the Swedish province of Västergötland. Dating from the 1130s and 1140s, these reliefs are among the earliest extant examples of Romanesque stone carving in medieval Sweden. Scholars have pointed out the importance and the vivid expressiveness of this work. The aim of the present study is to demonstrate how the Skara-Forshem master also makes use of feudal body language and continental fashion in order to create vivid narrative scenes.