현대패션에 나타난 Trompe l'oeil 표현에 관한 연구 - 2000년 이후를 중심으로 -

With the development of society, people’s aesthetic needs for clothing are also changing. The emergence of national style has become a new trend in the field of clothing design. Yao costume language and modern fashion elements have many common features. Yao costume can be integrated from the details of costume elements, costume color matching, decorative techniques and costume elements. Modern fashion design is carried out in style and other aspects. Virtual reality technology is a technology of human-computer interaction using virtual technology. Modern virtual clothing design is that clothing designers use virtual reality design technology through vision, hearing and touch to design clothing under the virtual reality environment displayed by computer. A comprehensive technology integrating computer graphics, artificial intelligence, concurrent engineering, network technology, multimedia technology and virtual reality technology. Retain and develop the essence of national costume and apply it in modern society, which reflects the artistic expression and national cultural charm in modern costume design, improves the position of national costume elements in modern costume design, and plays an important role in promoting the excellent costume culture of ethnic minorities.

As a free creature that can fly in the sky, the bird has been an object of admiration and mystery and a mediator between human beings and the heavens. This study aims to clarify the aesthetic value of birds through study of the various expressions of the bird image on clothing and by the formative will of designers. Based on the general examination of the bird image through the study of documents, this study is composed of a case analysis, which reveals on modern fashion designs. Additionally, the forms of expression of the bird image are organized according to the stereoscopic expression of shaping, the relief expression of handicraft decoration, the flat expression of surface design, and the characteristic expression of wings and feathers. The aesthetic characteristics revealed by the expression patterns are metaphorical symbolism, surrealistic humor, lyrical naturalness, and fantastical femininity. Since antiquity, the bird image continuously recreated by artists has offered aesthetic value in terms of formativeness in the external form and symbolism in the internal form. This study would help to understand the diversity of creation in contemporary fashion design.

Traditional Chinese cultures are formed along the line of social development and reflect the developing situations of this aspect. The artistic concepts and charms of the intangible cultural heritages of arts and crafts in China strongly signify the history and cultures accumulated throughout 5000 years. The fashion design industry is currently confronted with a bottleneck due to the continuous development of social economy; hence, its development has been restricted to a certain extent. In regard to that, the related sectors in Shanxi emphasized on the integration and innovation of intangible cultural heritages of arts and crafts with modern fashion designs to lay the foundation for creation of modern arts. Therefore, this paper expounds the relationship between the intangible cultural heritages of arts and crafts and modern fashion design in addition to the significance and strategies for their integration.

This creative research aims to produce deluxe ready-to-wear fashion by elevating local culture into modern fashion designs that have aesthetic and exclusive value. The main focus of the creation is to enrich the variety of Indonesian culture-based fashion designs through a practice-led research approach. The traditional house of the Tengger Tribe was chosen as the main source of ideas because of its unique architectural form and the philosophical values contained therein, which are still rarely explored in the fashion world. The creation process consists of four stages, namely: exploration of the source of ideas, design, realization of the work, and presentation of the work. In the exploration stage, visual studies and literature studies were conducted regarding the visual characteristics and philosophy of the traditional house of the Tengger Tribe. Next, these ideas were translated into fashion designs with an artistic and functional approach. The resulting works are three ready-to-wear deluxe characters, consisting of two women's outfits and one men's outfit. The techniques used in the realization process include semi-couture and fabric manipulation with stylized embroidery applications that represent the architectural elements of the traditional Tengger house. The results of the work were presented in a theatrical fashion show with the theme "BHUMIBRAMA" held in the courtyard of the Rectorate of Surabaya State University. This performance showcases the synergy between fashion, local culture, and artistic expression, which not only presents visual aesthetics but also builds a cultural narrative about the cultural heritage of the Tengger Tribe through the medium of fashion.

This study examines the correlation between the characteristics of sustainable slow design, The outcome derived from the pro-environmental consciousness in fashion design, and the trends of modern fashion design. The conclusion of this study is as follows. First, slow design for sustainability shows an environmental consciousness and stresses the ethical aspects of fashion design that take into account the wellbeing and sustainable development of human society. It also focuses on the continuos present in which the consistent pace of life endures, rather than pursuing speedy changes of fashion by titillating desire. Second, the five characteristics of slow design have been extracted from the analysis of the examples of fashion industry and other fashion-related areas. They are sustainability, recyclibility, handicraft, naturalness, and simplicity. Third, these characteristics of slow design have much to do with modern fashion genres. For instance, classical style fashions such as Chanel suit and Burberry coat have the same qualities of sustainability, while at the same time the Vintage fashion, which reinterprets the fashions from bygone eras in modern style, has the tendency of recyclibility, and the Hippie style, a resurrection of hand-touch spirit that emerged as a secondhand style expressionism resisting uniform mass production, has not only the quality of handicraft but also recyclibility.

It has been suggested that goal-directed actions performed under full vision are immune to certain visual illusions, while movements relying on perception-based visual information are deceived by them (Milner & Goodale, 1995). Consequently, pointing movements should be deceived by visual illusions when a delay is introduced (memory demands) or when antipointing (spatial imagery) is required. In 2 experiments, participants performed either propointing or antipointing movements to different versions of the Müller-Lyer illusion in 2 vision conditions (open-loop vs. delay). Apart from open-loop propointing, all conditions should rely on perceptual processing and should therefore yield similarly illusion effects. While we observed illusion effects in all conditions, their magnitude varied in unexpected ways. Most surprisingly, introducing a delay seemed to reduce illusion effects in antipointing. We show that this decrease can be explained by the fact that pointing after delay is less responsive to physical size changes. After correcting for this, illusion effects in antipointing were similar in both vision conditions but still twice as large as in the delayed propointing task. Our findings highlight the necessity of employing a correction procedure when comparing illusion effects across tasks and do not conform well to the predictions derived from the perception-action model.

Visual illusions occur around us all the time, which present in nature and appear when you least expect it. It is well known that visual illusions can have a dramatic effect upon our visual perception of an object 's size and position. However, whether visual illusions have a similar influence on visual guided action or not, it remains the subject of much debate. The purpose of this study is to explore whether the visual information used to identify and categorize an object would be similar to the visual information used to plan and control visually guided movements directed toward that object. The outcome of this study will be helpful for designers to understand our visual information system and apply that knowledge to the design practice. In order to achieve the purpose of this study mentioned above, three visual illusions as the experiment's apparatus are applied to examine the relative effect of visual illusions on both the visual perceived center of an object and the position of a grasp on that object when a balanced lift is required. The results of the experiment show that (1) Illusions influence both the perceived and the grasped estimates of the center position, but the grasp center is more veridical; (2) Judd-illusion, one of the three visual illusions, has a bigger degree of effect than two other illusions on both the perceived and the grasped estimates of the center position; (3) By providing the participants with a mean to guide their visual perception of these illusions, the errors from the estimation of the center position can be significantly reduced.

The tie-dyeing art has experienced a perfect evolution from the traditional craft to the modern application until today. The tie-dyeing art is full of resplendence and glamour due to both the aesthetic perception retaining of traditional craft and the creation and the blending of modern sc ience. The pattern of tie-dyeing is full of excellent color match, which is natural and unsophisticated; the style of tie-dyeing is rich and coordinate. The application of tie-dyeing contains not only in modern clothes and costume accessories, but also in ornamentation, home textiles and soft furniture. The craft of tie-dyeing makes the combination of elegance and time in fashion design.

With the increasing demand of consumers for personalized fashion design, the traditional fashion design method has been unable to meet the diversified needs of the market, which leads to improving the intelligent level of fashion design through technical means has become an urgent problem to be solved in the industry. This paper aims to use 3D anthropometry technology to provide accurate body shape data for clothing design, and combined with hrnet network structure and other in-depth learning methods to achieve style transfer technology and generation, which can meet the needs of personalized and customized clothing design. In this paper, Poisson reconstruction algorithm is used to reconstruct the surface of 3D point cloud, and the high-quality migration of clothing style is realized through the hrnet network structure, which can realize the seamless integration of pattern and clothing by optimizing the pattern style migration loss function. This paper designs a 3D anthropometric system, which can obtain accurate 3D point cloud data of human body, including extracting the size features of key parts such as shoulder, waist, hip, etc., which can realize the conversion between different styles and the accurate integration of patterns in combination with multi view style migration. The research results show that the method of clothing style migration and generation based on hrnet network structure can realize the effective conversion of clothing style and the optimization and integration of pattern on the basis of accurate body size, which can realize personalized customization on pattern style.

Body shape is about proportion, and fashion style is all about dressing those proportions to look their very best. Figuring out the styles to suit a body shape can be a daunting task for many people. It is, therefore, essential to develop a framework for learning the compatibility of body shapes and clothing styles. Though fashion designers and fashion stylists have analyzed the correlation between human body shapes and fashion styles for a long time, this issue did not receive much attention in multimedia science. In this paper, we present a novel style recommender, on the basis of the user's body attributes. The rich amount of fashion styling knowledge from social big data is exploited for this purpose. We first construct a joint embedding of clothing styles and human body measurements with deep multimodal representation learning on a reference dataset that has been sorted to meet the fashion rules. We then discover the relevant semantic features by propagation and selection in clothing style and body shape graphs. Experiments demonstrate the effectiveness of the proposed framework when compared with several baseline methods.

This research analyzes the late Joseon`s variously developed characteristics of women`s underwear and its formative elements, and ultimately aims to apply such characteristics to designing modern outfits. The main purpose of the presented work is to give guidelines on utilizing the fashion legacy in a various way, and inheriting the traditional concept of beauty by developing it into modern fashion designs. The designing and producing of the work is based on the analysis of previous researches, genre paintings, and traditional costumes in museums. Based on this research, the application of traditional underwear design to today`s outfits involves the following points. First, the presented work features the formative outlines of traditional underwear as an inspiration for outer garments. Secondly, various traditional textiles are used such as ramie fabrics, damask silk, silk fabrics, fur, etc. for four seasons and they are turned to practical use for modern outfits. Third, colors of choice are white and low saturation colors to create an elegant and serene atmosphere. Finally, traditional sewing techniques are specifically applied to modern fashion designs. Included are: Nubim technique, Gob-sol technique, and the patching method. This work pursues the design of practical use by tying up clothes with straps and knots to prevent them from falling off.

This paper analyzes the Chinese folk children’s and adult women’s bellyband, in order to explore it’s cultural connotation and artistic characteristics, and dig out useful elements for modern clothing design. This paper adopts the research methods of literature analysis, physical investigation, and modern works analysis. Through the analysis of the children’s bellyband, mainly by its summarized origin and customs, we believe that the bellyband not only has practical function and rich artistic elements, but also is the carrier of thick family love and has reference value for modern children’s clothing design. For the adult female bellyband, through the analysis of the traditional culture from the perspective of emotion, this paper believes that the shape of adult female bellyband is constrained by feudal etiquette, but its sewing process reflects women’s wisdom. At the same time, the color matching and pattern composition of bellyband are the expression and catharsis of women’s emotion. Based on this, this paper puts forward suggestions for modern clothing design, innovating the embroidery and patchwork process of bellyband, bionic modeling design. We believe that the embroidery technology, patchwork technology and pattern cultural connotation of bellyband can be combined with modern fashion design.

Whether you’re adapting a Regency, American Civil War, Victorian or early Belle Époque pattern, costume designer and historian M. Elaine MacKay guides you through creating a historically accurate garment perfectly fitted for the modern wearer. Illustrated with clear diagrams of bodice, skirt, and sleeve blocks, this step-by-step guide demonstrates how to alter modern pattern blocks to achieve authentic period designs for various modern body shapes. With techniques that can be easily transferred to any garment, each chapter details the techniques distinctive to each decade – from dramatic changes in the use of panels and bias, through the crinolines and bustles of the 1850s and 1870s, to the gored skirts and swept hems of the elegant 1890s – and features: - photographs of a historical garment from the decade - an in-depth garment analysis to help you understand how the cut of the period garment differs from a modern one - instructions to alter the modern pattern blocks provided in Chapter 1 to achieve the period silhouette. You'll also find examples of finished mock-up garments created using the book’s techniques, historical context on the society in which each dress might have been worn, and an accompanying online resource providing basic pattern blocks to download and adapt. Using tried and tested methods developed over M. Elaine MacKay’s 35-year career drafting and fitting historical patterns for theatre, film, and museums, this guide is essential for anyone interested in creating period silhouettes for historical dress, fantasy costumes, cosplay, or modern fashion design.

The purpose of this study is to contribute to the role of lines in creative design development by analyzing the expression types and aesthetic characteristics of modern fashion using geometric formativeness of symmography. A literature study was conducted of works since 2009 to examine the general consideration of lines together with analysis of the concept and characteristics of symmography in the formative arts field, and to analyze the expression types and aesthetic characteristics of modern fashion design using the formativeness of symmography. The infinite sense of formativeness and original expression of symmography are used in formative arts such as space design, installation art, and industrial design. Expression types of modern fashion design using geometric formativeness of symmography can be classified into the following three types: two-dimensional graphic pattern, relief surface, and threedimensional spatial. First, the two-dimensional graphic pattern type forms an optical pattern, providing individuality and visual interest to the textile design. Second, the relief surface type expresses the plane in various ways, so that the thickness changes according to how lines overlap. Third, the three-dimensional spatial type expands the boundaries of clothing and creates a fantastic spatial beauty. Next, the aesthetic formativeness of fashion design using symmography can be classified into repetitive rhythmicity, geometric self-similarity, and optical spatiality. Symmography enables a myriad of geometric patterns to be developed depending on material, color, and the designer’s imagination, and helps inspire a variety of designs in fashion that sculpt a three-dimensional human body.

In the globalized fashion market, a growing number of fashion brands and designers are utilizing Chinese cultural elements as a branding strategy to create competitive differentiation and attract Chinese consumers. Nevertheless, Chinese consumers’ attitudes towards different styles of clothing that incorporate Chinese cultural elements remain uncertain. Therefore, the present study aimed to investigate Chinese consumers’ attitudes towards clothing that incorporate Chinese cultural elements. The study also explored the factors that influence their attitudes. A mixed method approach was employed to survey 189 Chinese consumers aged 18–30. The survey encompassed attitude scales and open-ended questions. Paired samples t-tests and inductive coding were used in the data analysis. The study’s findings indicated that Chinese consumers illustrated a significantly positive attitude towards Chinese-style clothing incorporating Chinese cultural elements, compared to global-style clothing incorporating Chinese cultural elements. Moreover, five factors influence Chinese consumers’ attitudes, namely cultural experience with Chinese cultural elements, symbolism of Chinese cultural elements, nationalist sentiments, cultural aesthetics and innovation of clothing, and the harmony between the clothing style and Chinese cultural elements. Practical implications to fashion brands and fashion designers are discussed.