Abstract Part object study, part theater history, and part performance theory, this book locates in early modern English stage practices the origins of a theater of the Anthropocene. In addition to endorsing the unpredictability of performance and allowing both non-human players and unplanned accidents to enhance the meaning of a play in the context of early globalization, the Shakespearean stage also continues to offer modern audiences strategies for confronting a rapidly changing global environment. Anthropocene Theater and the Shakespearean Stage revises the anthropocentric narrative of early globalization from the perspective of the non-human world in order to demonstrate nature’s agency in determining ecological, economic, and colonial outcomes. It welcomes readers to reimagine theater history in broader terms, and to account for more non-human and atmospheric players (weather events) in the otherwise anthropocentric history of Shakespearean performance. This book analyzes plays, horticultural manuals, cosmetic recipes, Puritan polemics, and travel writing in order to demonstrate how the material practices of grafting, blackface performance, and pyrotechnics both catalyze and resist early forms of globalization in an ecological arena. Furthermore, this book addresses the role of an understudied ecological performance history in determining Shakespeare’s iconic cultural status, and models how non-human players have undermined Shakespeare’s authoritative role in colonial discourse. Finally, this book makes a celebratory argument for the humanities in the age of climate change, and invites interdisciplinary engagement from students and scholars who are compelled to find strategies for cultivating a hopeful tomorrow amidst unprecedented anthropogenic environmental changes.