Applying Grey Relational Analysis in KANSEI Engineering for Cluster Analysis in Local Cultural Museum

Zhao, C.; Zhang, Y.; Xue, Y., and Niu, T., 2020. Development of coastal city port cultural and creative industries and its key technologies. In: Yang, Y.; Mi, C.; Zhao, L., and Lam, S. (eds.), Global Topics and New Trends in Coastal Research: Port, Coastal and Ocean Engineering. Journal of Coastal Research, Special Issue No. 103, pp. 194–198. Coconut Creek (Florida), ISSN 0749-0208.In order to enhance the economic benefits of the cultural and creative industries of coastal cities and ports, the relevant technologies are used to realize the development of the port cultural and creative industries. Based on the financial support and talent support for industrial development, the basic route for the development of port cultural and creative industries is determined. According to the composition elements of the port cultural and creative industries, the port industrial structure is divided, and the factors affecting industrial development are analyzed. Utilizing technologies such as multimedia cultural processing, cultural and creative industrial park environment development, online cultural industry promotion, and SWOT industry assessment and other technologies to develop port cultural and creative industry development strategies. After applied research and analysis, it was found that the applied design of port cultural and creative industry development strategies can effectively increase the economic benefits of coastal cities by about 27%.

“Nezha: Birth of the Demon Child” has been popular all over China in the summer of 2019, which is a milestone in the development of China's cultural industry. Since the reform and open policy, foreign cultures and cultural industries have taken root and sprouted in China. There are more and more audience groups in China. The age and scope of the audience are more and more wide, which enriches the spiritual life of Chinese people. However, the local culture and cultural industry need to be developed and protected. Today, with the economic globalization, multi polarization of international politics and more frequent exchanges among countries around the world, how to make our own culture and cultural industry occupy a place in the national spiritual world, and play out the signboard of “Chinese culture”, make Chinese culture and cultural industry “blossom everywhere”, and make more and more people in the world identify with Chinese culture and culture Industry will eventually build China into a socialist cultural superpower with strong economy and technology. There is still a long way to go. In this paper, we will discuss the potential and problems of cultural development in China.

The cultural industry has long been an important force driving domestic GDP growth. However, in today’s rapidly changing world of science and technology, consumer demands are becoming increasingly diversified, and the goods and services provided by traditional art industries are no longer sufficient to meet the market. Faced with this challenge, the cultural and creative industries have emerged and rapidly flourished in the 21st century. This industry cleverly integrates traditional culture with innovative art forms, opening up broader development space for creators and artists. Taking Beijing as an example, the cultural and creative industries have a profound and extensive impact on the regional economy, not only significantly increasing the GDP contribution rate, but also creating a large number of employment opportunities and enhancing the vitality of the regional economy. At the same time, the rise of cultural and creative industries has greatly enhanced Beijing’s attractiveness for investment. This article adopts a combination of literature research and case studies to explore this phenomenon in depth. In summary, the improvement of cultural and creative industries, especially driven by advanced technology, has indeed injected strong impetus into Beijing’s regional economic growth.

The development of cultural and creative industries has maintained a good momentum and an important role in the socio-economic system.It is becoming increasingly prominent.Based on the particularity of cultural and creative industries, we believe that it is necessary to learn from the advanced experience of foreign countries on the basis of innovation and development, the development path with Chinese characteristics of cultural and creative industries.In this paper, the design development of cultural and creative industries at home and abroad to sort out study on the sustainable development of design theory, hoping to explore the future development of China's sustainable cultural and creative industries, which have great significance for the promotion of cultural and creative industries to achieve sustainable development.Therefore, based on the study of sustainable development of cultural and creative industries design, design strategy and practice is the focus of this study.

In the context of sustainable ecological environment, strengthening the scientific management of cultural industry can promote the rapid development of China's cultural industry and further promote the construction of spiritual civilization in China. Starting from culture and art management, this study expounds its position in the development of cultural economy industry and its impact on the development of cultural economy. Through two different methods of culture and art management and conventional management, this paper discusses the social and economic market benefit value, the demand for the healthy development of industry, and the impact of innovative cultural industry resources on the development of cultural industry. It can be concluded that culture and art management plays a certain role in promoting the healthy development of cultural economy industry; we should constantly sum up experience in the actual process of cultural industry management, find and solve problems in time, and gradually form a set of scientific and complete cultural and art management mode, which can realize the transformation of cultural and art industry faster and better promote the sustainable development of cultural economy and industry.

Achievements of Chinese manufacturing industries are well known and thoroughly studied. Less analyzed are the achievements of China in advanced sectors of the post-industrial economy, namely in creative and cultural industries. Whereas the development of creative and cultural industries within the context of the modern knowledge-based and creative economy is well researched, the role and place of creative industrial parks is to great extent neglected, despite the fact that they are actively used in developed countries as tools to stimulate creative sectors of economies. The article investigates the role of creative industrial parks in the successful development of creative and cultural industries in China. The authors show that the development of the infrastructure for creative and cultural industries in China is accompanied by the establishment of many creative clusters. In many cases, in the center of a creative cluster there are one or several industrial creative parks, which attempt to combine the focus on high technologies and creative sectors. The authors found that governmental agencies in China stimulate decentralized, open to foreign influences and private initiatives approach to creative and cultural industries regulation. The most interesting trend, identified in the article, is that regional and municipal authorities stimulate technological advancements of creative parks, which leads to the transformation of creative parks to creative technological parks. These creative technoparks encourage integration of creative and cultural industries with telecommunications and information technologies and enhance the spillover effect of the innovative potential of creative technological parks in traditional sectors of the economy

The article discusses an ontological approach to solving the problem of forming state policy of economic development of cultural and creative industries and the corresponding intellectual-information management systems. The purpose of this article is to develop an effective toolkit (based on ontologies) for making optimal decisions in the field of state regulation of the cultural and creative industries, taking into account the dynamic factors of the external environment. The ontological approach considered in the article assumes the presence of three levels of models: meta-ontology, models of subject areas of cultural and creative industries and models of making appropriate management decisions on the formation of economic development policy of cultural and creative industries. The novelty of the proposed approach lies in the purposeful nature of ontological modeling of such complex system as the state policy of economic development of cultural and creative industries. The system under consideration has certain goals, tasks, resources, processes, factors of influence, risks and other characteristics. These characteristics include, in particular, the structure of the model, the ability to highlight the essential objects of real relations of the considered subject areas, the ability to represent knowledge for the joint work of specialists in computer modeling, the processing of expert knowledge and the generation of management decisions within the framework of the corresponding intellectual-information systems.

Urgency of the research. In the context of the Ukraine’s integration into the European Union, it is necessary to take into account the advanced western experience in the development of the cultural sector, to rethink it taking into account our native, ethno-mental specifics. Target setting. The study of the processes of social transformation in modern Ukraine involves the development and analysis of new concepts that can reproduce them and comprehensively present them theoretically. They include the concept of cultural and creative industries. Actual scientific researches and issues analysis. The theme of the culture-creating potential of creative industries is developed by such scientists as Ye. Bohatyrova, O. Lazarieva, S. Oliinyk, I. Petrova, V. Solodovnyk et al. Uninvestigated parts of general matters defining. Consequently, the priority for the research are the concept, prerequisites for the emergence and prospects of the formation of creative industries. The research objective. The purpose of the publication is the study of the role of creative (cultural) industries with the analysis of the origin and semantic layers of the concept "culture", "creativeness", "creativity" and derivatives of the terms "cultural industries" and "creative industries", which today are often used in scientific studios. The statement of basic materials. There are significant differences in the interpretation of the term "creative industries" even at the initial stage of its study. The great attention of scientists to the problems of the creative economy and creative industries, a wide range of approaches and the phenomena under investigation generate the ambiguity of this concept, which is relatively new in the Ukrainian scientific discourse. An analysis of the semantic load of the term “creative industry” and the peculiarities of its interpretation by foreign and domestic scientific thought allows us to state that the problem of interaction between culture and economics at the present stage of social transformation becomes common in the aforementioned studies. Conclusions. A comprehensive study of the phenomenon of creative industries is possible only if we take into account the multiplicity of approaches to the interpretation of culture in Western European philosophy and the peculiarities of the interpretation of culture in the context of domestic worldview tradition.

Tourism is an association between the development of strong industry, the tourism industry as the main tourist attraction and tourism product development the merits or not is one of the key factors that influence the development of their industry, and the cultural and creative industries with its high added value, high integration, high brand influence, sustainable updates and other characteristics of the development of tourism provides a new value-added points. Tourism industry and the further integration of cultural and creative industries development, as the direction of future development of tourism and the most advanced form. From the perspective of integration and cultural creative industries, this paper explores the current bottleneck in the development of travel industry solution.

In the development of the cultural and creative industry, popular cultural and creative attractions are reviewed for integrating local architecture, history, and culture into products to promote local economy and culture. We conducted a field investigation at the Xiaojia ancient house in Jiadong Township, Pingtung County, and found that there was a cultural cognitive gap between local cultural and creative products and consumers, which was a dilemma in promoting the development of the local cultural and creative industry. Through the design thinking of cultural and creative products, the spirit of Hakka culture can be delivered and expanded into local specialty products. In the design of cultural and creative products, we used the KJ method to analyze, summarize, and extract the most representative architectural features as the source of design elements. At the same time, combined with the principles of design semiotics, deep cultural symbols were integrated into the product design of the pen holder with richer local spiritual meaning. The traditional and modern elements of the Xiao family’s ancient house were combined to design a multi-functional cultural and creative pen holder. It brought a unique cultural experience and promoted the local cultural and creative industries and the Hakka culture of Xiaojia Ancient House to develop related culture and tourism. Semiotics and the KJ method in theory and practice were useful in product design and programming to develop local cultural and creative products. In the future, we apply this design method to different cultures and cross-domains to achieve wider research and application.

Cultural and creative industries are a kind of practice which canonizes innovation and emphasizes blend of culture and economy at the background of knowledge economy. Cultural and creative industries not only promote economy development and exalt urban competitiveness, but also engender community consciousness in psychology and shapes urban whole image. Cultural and creative industries are the new points of growth in the economic development of the city. With the economic system switch, industries upgrade, city functional shift, the independent innovation has becoming the national strategy. The creative industry has brought the huge benefit for the society and economic development. At present, many cities and areas already started to develop the creative industry. Against the backdrop of the industry tend toward gathering, Guangxi's creative industries keep continuous rising, industrial development obtains the new environment, shows the new features, faces the new problems and expects the new idea, and shows the new development direction and development tendency under the guidance of the party's “China's 17th Communist Party Congress”. Against this major background, the article maintains that Guangxi should conform to historical, energetically develop creative industries, and give top priority to the development of cultural and creative industries. The paper analyzes the conditions, advantages, methods and others of Guangxi's cultural and creative industries.

This paper analyses the development of China's creative and cultural industries using the city of Shanghai as a case study. The authors argue that while the difficulty of applying a uniform policy to the whole of China has created ambiguities which creative workers can exploit for their own ends, the opportunities that these afford are more economic in orientation as creativity still takes place within the parameters laid down by the Chinese government.

China is celebrated as a cradle of civilization, particularly Henan Province, which is the heartland of Chinese heritage. This region's traditional culture is the cornerstone of our national identity and underpins our cultural confidence, essential for sustainable, high-quality development. In today's rapidly evolving world, the demands for preserving and propagating traditional culture have escalated. Addressing the challenge of how to innovatively transform and develop traditional culture is crucial. The cultural and creative industries, a burgeoning economic sector, offer substantial potential. Through the development of cultural and creative industries, it can spur local economic growth, create jobs, enhance incomes, and promote cultural diversity and inclusivity, thereby igniting innovative and creative energies across society. This study uses a SWOT analysis to explore the current landscape of Henan's traditional cultural and creative industries. It pinpoints the constraints hindering their growth and suggests strategies for fostering innovative and sustainable development in this sector.

The research uses the grey correlation analysis method to study the impact of cultural and creative industries on regional economic growth. This article selects Beijing and Shanghai as the objects to explore the specific role of the sub-sectors in the cultural and creative industry. The conclusion of the study is that from the perspective of its impact on economic growth, the correlation between Beijing's cultural and creative industries and economic growth is higher than that of Shanghai as a whole, indicating that Beijing's cultural and creative industries are more effective in driving economic growth than Shanghai. From the comparison between industries, it is found that Beijing's internal development is more uneven. From the perspective of specific sub-sectors, the media industry in Beijing has a significant advantage over Shanghai, and the culture and art industry in Shanghai has a more prominent development than Beijing. The calculation results show that Beijing's overall strength is stronger, while Shanghai's creativity and divergence are stronger. In order to promote the healthy and sustainable development of cultural and creative industries, it is of practical significance to analyze the impact of regional cultural and creative industries on economic growth from an empirical perspective. Finally, a comparative analysis is used to make recommendations for the future development of these two cities.

The purpose of the article is an analysis of the results of cultural and creative industries implementation in small towns of Ukraine. A methodology of the research is based on using the methods: search method, comparative, analysis, and synthesis. A source base consists of the appropriate documents (regulations, programs of development strategies of the united local communities, statistical and sociological researches) using which allowed us to reveal and justify an expediency of cultural and creative industries implementation in small towns. A scientific novelty of the research lies in the systematization of knowledge about cultural and creative industries as a way of small-town revitalization. Conclusions. In the article there were disclosed the definitions: «cultural industries», «creative industries», «small town»; researched and analyzed efficiency of cultural and creative industries implementation in small towns of Ukraine; proved that the small towns of Ukraine, having a potential for effective social and cultural development, do not use their possibilities. There was justified an opinion that an active community position of town residents; cooperation of community and representatives of state power and business plays a leading role in the development of small towns. There was proved that using the possibilities of cultural and creative industries in small towns will promote the revitalization of regions, in particular, positively affect the quality increase of the life of residents, the increment of working places, and the decrease of working migration.