Bibliography of Works by John Wolfe Dardess

Gods, Priests, and Warriors: The Bhrgus of the Mahābhārata. By Robert P. Goldman. New York: Columbia University Press (Studies in Oriental Culture No. 12), 1977. xii, 195 pp. Bibliography, Index. $9.00 - Volume 37 Issue 2

The concept of a postcolonial Gothic has rapidly gained currency in the last few years. In addition to a special issue of the journal Gothic Studies, an edited essay collection devoted to the topic...

Bibliography of John Dewey. By M. H. Thomas, Columbia University Press, New York. 246 pages, 3. - Psychology and the Cosmic Order, 185 pages; Logic and the Cosmic Order, 92 pages; God and the Cosmic Order, 157 pages. Three books by Louis F. Anderson, Society for the Elucidation of Religious Principles, New York. - Cosmo-Retardation. By I. Ziporyn, Dexter Publishing Co., Detroit, Mich. 251 pages. - Volume 7 Issue 3

The Decline of Aristocracy in the Politics of New York. By Dixon Ryan Fox, Ph.D., Assistant Professor of History, Columbia University. [Studies in History, Economics and Public Law, vol. LXXXVI., whole no. 198.] (New York: Columbia University Press. 1919. Pp. xiii, 460. $3.50) The Decline of Aristocracy in the Politics of New York. By Fox Dixon Ryan, Ph.D., Assistant Professor of History, Columbia University. [Studies in History, Economics and Public Law, vol. LXXXVI., whole no. 198.] (New York: Columbia University Press. 1919. Pp. xiii, 460. $3.50.) William Trimble William Trimble Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 25, Issue 4, July 1920, Pages 725–726, https://doi.org/10.1086/ahr/25.4.725 Published: 01 July 1920

Journal Article An Introduction to the History of History. By James T. Shotwell, Ph.D., Professor of History in Columbia University. [Records of Civilization: Sources and Studies.] (New York: Columbia University Press. 1922. Pp. xii, 339. $4.00.) Get access An Introduction to the History of History. By Shotwell James T., Ph.D., Professor of History in Columbia University. [Records of Civilization: Sources and Studies.] (New York: Columbia University Press. 1922. Pp. xii, 339. $4.00.) W. S. Ferguson W. S. Ferguson Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 28, Issue 2, January 1923, Pages 286–287, https://doi.org/10.1086/ahr/28.2.286 Published: 01 January 1923

Journal Article The Agrarian Foes of Bolshevism: Promise and Default of the Russian Socialist Revolutionaries, February to October 1917. By Oliver H. Radkey. [Studies of the Russian Institute, Columbia University.] (New York: Columbia University Press. 1958. Pp. xiv, 521. $8.50.) Get access The Agrarian Foes of Bolshevism: Promise and Default of the Russian Socialist Revolutionaries, February to October 1917. By Radkey Oliver H.. [Studies of the Russian Institute, Columbia University.] (New York: Columbia University Press. 1958. Pp. xiv, 521. $8.50.) Alexander Gerschenkron Alexander Gerschenkron Harvard University Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 64, Issue 4, July 1959, Pages 959–960, https://doi.org/10.1086/ahr/64.4.959 Published: 01 July 1959

Public Schools and British Opinion, 1780–1860: The Relationship between Contemporary Ideas and the Evolution of an English Institution. By Edward C. Mack. [Columbia University Studies in English and Comparative Literature.] (New York: Columbia University Press. 1939. Pp. xvi, 432. $3.75.) Public Schools and British Opinion, 1780–1860: The Relationship between Contemporary Ideas and the Evolution of an English Institution. By Mack Edward C.. [Columbia University Studies in English and Comparative Literature.] (New York: Columbia University Press. 1939. Pp. xvi, 432. $3.75.) G. T. Hankin G. T. Hankin New York City Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 45, Issue 4, July 1940, Pages 870–872, https://doi.org/10.1093/ahr/45.4.870 Published: 01 July 1940

Journal Article A Judgment of the Old Régime: Being a Survey by the Parlement of Provence of French Economic and Fiscal Policies at the Close of the Seven Years' War. By Paul H. Bcik, Instructor in History, Columbia University. [Studies in History, Economics, and Public Law, Number 509.] (New York: Columbia University Press. 1944. Pp. 290. $3.00.) Get access A Judgment of the Old Régime: Being a Survey by the Parlement of Provence of French Economic and Fiscal Policies at the Close of the Seven Years' War. By Bcik Paul H., Instructor in History, Columbia University. [Studies in History, Economics, and Public Law, Number 509.] (New York: Columbia University Press. 1944. Pp. 290. $3.00.) Beatrice F. Hyslop Beatrice F. Hyslop Hunter College Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 50, Issue 2, January 1945, Pages 320–322, https://doi.org/10.1086/ahr/50.2.320 Published: 01 January 1945

Culture plays an important role in determining the approach to handle business matters, way of dealing and meetings with subordinates and colleagues and other business communications and decisions. Therefore it is important and worthy to explore the interethnic culture orientation of business managers in any multicultural society such as Pakistan. Pakistan is a blend of several ethnicities leading to variety of living patterns and changing languages and their dialects almost every 30 kilometers. This study explores the culture orientation of business managers in Pakistan from different ethnic groups working at different levels in different companies and explains their behavior on different dimensions of culture orientation. This is an empirical study of culture orientation, scenario based scale was used to measure each dimension of culture orientation. This study tried to determine how different ethnic groups of Pakistan behave in different dimensions of culture orientation at the work place, taking Punjabi, Muhajir, Sindhis, Saraiki, Baloch and Pashtoon as target participants as business managers in corporate sector of Pakistan. These ethnic groups can be found easily working at managerial level in different companies across Pakistan. SPSS software has been used for statistical analysis of survey responses. Results of the study indicate that there is meaningful difference in terms of culture orientation among managers of different ethnicities working in corporate sector of Pakistan, thus providing useful insight to industry professionals to devise strategic pattern while managing workforce in different parts of the country. Researcher provided tabulated conclusion at the end of the article for an analysis in a glance. Limitation which struck this study has also been elaborated by the author.

Center for Migration Studies special issuesVolume 11, Issue 1 p. 46-72 Free Access Immigration to New York City in the Post–1965 Era: Sex Selectivity and the Economic Role of Women Joseph J. Salvo, Joseph J. Salvo Population Division, New York City Department of PlanningSearch for more papers by this author Joseph J. Salvo, Joseph J. Salvo Population Division, New York City Department of PlanningSearch for more papers by this author First published: January 1994 https://doi.org/10.1111/j.2050-411X.1994.tb00102.xCitations: 2AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat References Arnold, F., B. V. Carino, J. T. Fawcett, and I. H. Park 1989 Estimating the Immigration Multiplier: An Analysis of Korean and Filipino Immigration to the United States,” International Migration Review 23: 813– 838. Bouvier, L. F., and V. M. Briggs Jr.. 1988 The Population and Labor Force of New York: 1990 to 2050. Washington, DC: The Population Reference Bureau, Inc. Bryce-LaPorte, R. 1979 New York City and the New Caribbean Immigration,” International Migration Review 13: 214– 233. Donato, K. M. 1990 Recent Trends in United States Immigration: Why Some Countries Send Women and Others Send Men?” Paper presented at 1990 Population Association of America meetings. Toronto, Canada. Donato, K. M., and A. Tyree 1986 Family Reunification, Health Professionals and the Sex Composition of Immigrants to the United States,” Sociology and Social Research 70: 226– 230. Garcia, J. A. 1986 Caribbean Migration to the Mainland: A Review of Adaptive Experiences,” ANNALS 487: 114– 126. Gordon, L. W. 1990 Asian Immigration Since World Wat II.” In Immigration and the U.S. Foreign Policy. Eds. R. Tucker, C. B. Keely, and L. Wrigley. Boulder, CO: Westview Press. Herold, J. M. 1979 Female Migration in Chile: Types of Moves and Socioeconomic Characteristics,” Demography 16: 257– 278. Houstoun, M. F., R. G. Kramer, and J. M. Barrett 1984 Female Predominance of Immigration to the United States since 1930: A First Look,” International Migration Review 18: 908– 963. Keely, C. B. 1989 American Immigration: The Continuing Tradition. Washington, DC: The Portfolio Project – The Coordinating Committee for Ellis Island, Inc. Keely, C. B. 1975 Effects of U.S. Immigration Law on Manpower Characteristics of Immigrants,” Demography 12: 179– 192. Keely, C. B. 1971 Effects of the Immigration Act of 1965 on Selected Population Characteristics of Immigrants to the United States,” Demography 8: 157– 170. Khoo, S-E., P. C. Smith, and J. T. Fawcett 1984 Migration of Women to Cities: The Asian Situation in Comparative Perspective,” International Migration Review 18: 1247– 1263. Kraly, E. P. 1987 U.S. Immigration Policy and the Immigrant Populations of New York.” In New Immigrants in New York City. Ed. N. Foner. New York: Columbia University Press. Massey, D. S. 1988 Economic Development and International Migration in Comparative Perspective,” Population and Development Review 14: 383– 410. New York City Department of City Planning 1992 The Newest New Yorkers: An Analysis of Immigration Into New York City During the 1980s. New York: New York City Department of Planning. Pessar, P. R. 1987 The Dominicans: Women in the Household and Garment Industry.” In New Immigrants in New York City. Ed. N. Foner. New York: Columbia University Press. Reimers, D. M. 1985 Still the Golden Door: The Third World Comes to America. New York: Columbia University Press. Stafford, S. B. 1987 The Cultural Meaning of Race and Ethnicity.” In New Immigrants in New York City. Ed. N. Foner. New York: Columbia University Press. Stark, O., and J. E. Taylor 1989 Relative Deprivation and International Migration,” Demography 26: 1– 14. Stepick, A., and A. Portes 1986 Flight into Despair: A Profile of Recent Haitian Refugees in South Florida,” International Migration Review 20: 329– 350. Tyree, A., and K. Donato 1985 The Sex Composition of Immigrants in the United States,” Sociology and Social Research 69 (July). U.S. Bureau of the Census 1975 Historical Statistics of the United States, Colonial Time to 1970. Washington, DC: U.S. Government Printing Office. U.S. Immigration and Naturalization Service (INS) 1990 Statistical Yearbook of the Immigration and Naturalization Service, 1989. Washington, DC: U.S. Government Printing Office. Citing Literature Volume11, Issue1Special Issue: The Immigration Experience in the United States: Policy ImplicationsJanuary 1994Pages 46-72 ReferencesRelatedInformation

Ryusaku Tsunoda and others (comp.): Sources of the Japanese tradition. Compiled by Ryusaku Tsunoda, Wm. Theodore de Bary, Donald Keene. (Records of Civilization: Sources and Studies, No. LIV. Introduction to Oriental Civilizations.) xxvi, 928 pp. New York: Columbia University Press; London, etc.: Oxford University Press, 1958. 60s. - Volume 22 Issue 3

Reviewed by: Viral Modernism: The Influenza Pandemic and Interwar Literature by Elizabeth Outka Bridget English (bio) Elizabeth Outka. Viral Modernism: The Influenza Pandemic and Interwar Literature. New York: Columbia University Press, 2019. 344 pp. Paperback, $35.00. The eerily prescient publication of Viral Modernism—a book that interrogates the conspicuous absence of direct references to the pandemic of 1918 in British and American interwar literature—mere months before the outbreak of COVID-19 could be read as a fortuitous coincidence. But as Elizabeth Outka warns in her chilling coda, scientists and researchers have been telling us for years that "we are not ready for the next severe global pandemic, which—as they also remind us—is most assuredly coming" (254). Outka could not have known as she wrote those words how soon the COVID pandemic would overwhelm the world. However, this book is not simply a precursor to the scholarship on the history of pandemics and their literary manifestations that will undoubtedly follow the present pandemic: it is instead part of a substantial subfield of health humanities scholarship that emerged in the early 2000s and focuses on historical and literary accounts of the 1918 flu pandemic. The question that underlies much of this scholarship is why, despite the fact that the flu killed between 50 and 100 million people, it is not directly referenced in the literature of that period. Viral Modernism succeeds in remapping modernist studies by placing the pandemic at its center, a move that requires a reframing of certain assumptions about this period, such as why the lives lost in war were more grievable than those lost to illness.1 Outka's point is that the pandemic dead were ungrievable because they could not be made meaningful through the guise of sacrificial death, and therefore were not politically useful. Viral Modernism provides a crucial frame for [End Page 191] literary and cultural studies more widely by reading modernist texts and films through two inventive tropes: "miasma" and "viral resurrection." The first of these, miasma, focuses on the "spectral realities" of the pandemic's "absent presence" in novels like Mrs. Dalloway or poems like "The Second Coming" (5-6). "Viral resurrection" describes the embodied illness apparent in the resurfaced corpses, zombies, and disfigured bodies of literature and culture in this period, which highlight the pandemic's lasting effects on survivors who often experienced a feeling of living death. Outka's larger point here is that analyzing an experience of illness that is "simultaneously widespread and hidden" offers a model for the recuperation of voices that have been ignored because "the viral, dust-like form at the heart of the story was itself invisible and silent" (37). Viral Modernism is effectively divided into an introductory chapter and three parts: one focused on the realist novels of Willa Cather, Katherine Anne Porter, Thomas Wolfe, and William Maxwell; the second concentrated on major modernist writers Virginia Woolf, T. S. Eliot, and W. B. Yeats; and a final chapter addressing the pandemic in popular culture, examining spiritualism, proto-zombies, and the return of the dead in the work of Arthur Conan Doyle, H. P. Lovecraft, and Abel Gance's film J'accuse. Outka's choice of largely canonical authors might initially seem predictable, but she offers surprisingly original insights into well-known texts such as The Waste Land, with famous lines such as "I had not thought death had undone so many" becoming suddenly more haunting when read as a reference to flu victims. The introductory section displays Outka's meticulous research on the lived experiences of survivors of the virus and points to her ethical commitment to interrogating the human tendency to describe illness by using metaphors. Viral Modernism opens with a striking list of modernist writers whose lives were deeply impacted by the flu. Some, like Porter and D. H. Lawrence, became so ill that they barely survived, while others, like Woolf, turned her own experiences into a reflection on illness. Eliot worried about the effects the flu would have on his brain, while Yeats agonized over the condition of his pregnant wife, who also had a near-fatal encounter with the virus. Individually these references provide interesting anecdotes; together...

Reviewed by: Internationalist Aesthetics: China and Early Soviet Culture by Edward Tyerman Emily Wilcox Edward Tyerman, Internationalist Aesthetics: China and Early Soviet Culture. New York: Columbia University Press, 2022. 353 pp. Hardcover ($140.00), softcover ($35.00), or e-book. In Internationalist Aesthetics: China and Early Soviet Culture, Edward Tyerman examines works of Soviet literature, performing arts, and film that, in his words, "mediated" China to Soviet audiences during the 1920s. He focuses on the period between 1924 and 1927, a high point of Comintern engagement in Chinese domestic politics before Chiang Kai-shek's anti-Communist purge in April 1927. Through this material, Tyerman successfully explores larger questions about the history of socialist internationalism and how cross-cultural solidarity is pursued through aesthetic choices in artistic production. The central figure in Tyerman's narrative is Sergei Tretyakov, once a Futurist and a founding member of Left Front of Arts, who "from 1923…emerged as a central figure in the left avant-garde in Moscow" (22) and became one of the leading voices on China in the Soviet Union in the 1920s. Tretyakov first visited China in 1920 while fleeing the Japanese occupation of Vladivostok on his way to Siberia. From early 1924, Tretyakov spent 18 months teaching Russian at Peking University, during which time he began writing extensively on China for Soviet readers, publishing more than 130 articles on China over the next four years. After returning to Moscow in 1925, Tretyakov also engaged in creative projects in a variety of other media that sought to bring "new knowledge of China" (23) to the Soviet masses. Works by Tretyakov form the core of Tyerman's analysis, placed in conversation with closely related projects that either present contrasting approaches or contextualize Tretyakov's work within larger discourses. Part of what makes Tretyakov interesting as a central figure in this study is that his work complicates understandings of Soviet representations of China in the 1920s as Orientalist. Discussing two essays by Tretyakov—"Whence and Whither" (1923) and "Loving China" (1925)—in the introduction, Tyerman explains that Tretyakov's self-stated aim was to promote "a new sense of the world" through "the overcoming of exoticism" in representations of China (23–24). Tretyakov openly critiqued stereotyped and fantastical views of China, which he analyzed as a form of commodity fetishism and reification. Tyerman shows how Tretyakov's work employed avant-garde aesthetics to develop an alternative to Orientalist perception: what Tyerman calls an "internationalist aesthetics" of solidarity, equality, and commensurability. According to Tyerman, this internationalist aesthetics also had "a specific political function: connecting Soviet and Chinese subjects within a single revolutionary present" (21; emphasis original). This new approach to China, Tyerman shows, was part of a larger critique of cultural Eurocentrism, which some Soviet writers described as a barrier to the globalization of revolution. It was also, Tyerman demonstrates, part of a new prioritization of the senses and direct bodily experience among the Soviet avant-garde. Building on Jacques Rancière's concept of the "distribution of the sensible" (20), Tyerman argues that Tretyakov used an avant-garde emphasis on bodily knowing and the senses—particularly sight and sound—to portray China as a dynamic, contemporary society. Internationalist Aesthetics thus contributes to recent conversations about the senses in literary and cultural studies. [End Page E-9] Internationalist Aesthetics is primarily a work of literary and cultural criticism, and it will appeal most to readers interested in early Soviet literature, performance, and film studies, as well as those interested in China's international representations, Sino-Soviet relations, the global avant-garde, and the politics and aesthetics of socialist internationalism. What I found most stimulating was Tyerman's readings of diverse approaches to internationalist aesthetics. In chapter 1, Tyerman contrasts firsthand accounts of China by two traveling Soviet writers, Tretyakov and Boris Pilnyak, who both espoused internationalism and used "experiments with observation, aural experience, and translation as methods for producing knowledge about China" (71), but with differing results. In Tretyakov's poem "Roar China" (1924), whose vivid blend of "factographic" writing and affective sonic imagery forms a high point of the chapter, we find a rousing acoustic portrayal of China on the...

Reviewed by: The Spatiality of Emotion in Early Modern China: From Dreamscapes to Theatricality by Ling Hon Lam Jasmine Yu-Hsing Chen THE SPATIALITY OF EMOTION IN EARLY MODERN CHINA: FROM DREAMSCAPES TO THEATRICALITY. By Ling Hon Lam. New York: Columbia University Press, 2018. 360 pp. Ebook, $59.99; Hardcover, $60.00. Emotion is a seemingly inseparable, self-evident element of literature. In recent decades, new insights of affect have been explored in disciplines as diverse as anthropology, cultural studies, geography, psychology, philosophy, gender studies, and sociology. Along with [End Page 498] scholars' increased interest in theorizing the affective logic, emotion also has become a major concern in literary study. How does drama provide readers insight into the ways emotions are produced, experienced, and judged in history? How can emotion link to other conversations happening in the humanities? How would the rethinking of emotion shed light on theatre studies beyond the script and the written text? How could it advance a consideration of the performing and spectating movement, the staging, the atmosphere, or the space? In The Spatiality of Emotion in Early Modern China: From Dreamscapes to Theatricality, Ling Hon Lam challenges the assumption that emotion is an interior state of mind in response to external factors. Lam proposes a radical rethinking of emotion in terms of space. Instead of taking the external space as a projection of people's feelings or treating emotion as prior to the "realm," Lam argues that "emotion per se is spatial" (p. 4). By reconceptualizing emotion as not a state of mind within oneself but as a spatial structure Lam suggests this structure undergoes and indexes significant historical changes. He concentrates on a specific spatial structure of emotion—theatricality—pertaining to Chinese society during China's early modern period. Theatricality, according to Lam, refers to "an early mode of spatiality in which emotion is not interior to oneself but performed by others" (p. 6), and conversely, it was conceivable only as exhibited to an audience. The historical peculiarity of theatricality, however, must be understood in the sedimentation of earlier modes of spatiality—namely, "dreamscapes"—from which theatricality emerged. Lam offers a new account of the term "emotion-realm" (qingjing) which centers on the idea of emotion as space. In the Chinese language qingjing describes the relationship between a subject's feeling and the object's reality, situation, or circumstance. This book focuses on how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth, seventeenth, and eighteenth century China. Through figuring out the genealogy of emotion-realms, Lam remaps China's moral, theatrical, and knowledge production histories. These histories converge at the emergence of sympathy, redefined by Lam as the dissonance among the dimensions of the emotion-realm pertaining to theatricality. The first chapter "Winds, Dreams, Theatre: A Genealogy of Emotion-Realms" looks into one of the most well-known Chinese drama, Mudan ting (The Peony Pavilion, 1598). Lam provides a revisionist history of emotion in Chinese literature and culture. Reading The Peony Pavilion in this "archaeological" way, Lam looks into the subtle transformation of Chinese theatre and subject formation. He explores the multiple layers of dreams and dreamscapes in the play by examining [End Page 499] the realization of dreaming after awakening, dreams shared between the two leading characters, and the projection of the heroine Liniang's dream in film. Lam believes that if The Peony Pavilion is the romantic play par excellence in early modern China, it is not because it celebrates emotion as the innermost essence of a liberated individual; rather, it is because the play eloquently encapsulates the three major historical regimes of the spatiality of emotion—winds, dreamscapes, and theatricality. In early modern China, "theatricality emerged as a new spatial mode of emotion following the ancient and medieval topoi of winds and dreamscapes" (p. 46). Incorporating these regimes, this play has deployed them in an anachronistic juxtaposition, obliterating their timeline and structural differences. In Chapter 2 "The Heart Beside Itself: A Genealogy of Morals," Lam looks into the different relationships to theatre in The Water Margin and The Journey to the West; the former "derives the motifs of playacting from Yuan drama," and the latter "departs...

Soviet Criminologists and Criminal Policy: Specialists in Policy-Making. By Peter H. Solomon, Jr. Studies of the Russian Institute, Columbia University. New York: Columbia University Press, 1978. x, 253 pp. $15.00. - Volume 38 Issue 1