author(s) JPEG, glitch, portrait, perfection, digitization keywords This paper examines the role of intentional error and unpredictable outcomes in digital image manipulation as a means of commenting on aspects of perfection, aesthetics, design process and technology. Glitched: Portraits of Transformation is a series of photographic human portraits that have been altered by performing JPEG images at the level of code bits. Intense bands and blocks of color, unorthodox textures, odd overlaps and crops – combined with machine-readable alphanumeric typography and philosophical quotes – are the result of a creative, collaborative design process. Informed by theories of ‘research through design,’ ‘design authorship,’ and ‘failure studies,’ the Glitched project operates at the intersection of representation, expression and intervention. While the results can be considered as artworks, the images address deeper concerns about the confluence of digitization and the human condition through design. The images, therefore, can be interpreted as visualizations of science’s nascent field of ‘synthetic biology’ and its oncoming ethical and moral considerations. Additionally, the series represents the potential effects of physiological and behavior transformations. The designers begin with critical commentary on perfection in design followed by descriptions of their technical process in a theoretical context. Parallels of the Glitched series are drawn with the human condition, and the designers conclude with suggestions for viewer interpretation and further exploration. Human Pixels in Glitched: Portraits of Transformation Jessica Barness jbarness@kent.edu Kent State University Steven McCarthy smccarthy@umn.edu University of Minnesota strand 2 materials, techniques and processes Design often works towards an absolute of perfection: exquisite craftsmanship, high quality manufacturing, appropriately targeted function and ideal outcomes serve to propel design’s progressive agenda. This notion is expressed within the design process by beginning at the divergent thinking and creating stage (lateral, exploratory, messy, ambiguous) and progressing through the latter convergent stage (refined, linear, focused and reductive). Digitization has furthered the expectations of perfection. Binary code is stable, infinitely reproducible and widely accessible through computing devices, resulting in the delivery – assuming equal hardware and software – of near perfect images, sounds and experiences on screens from Minneapolis to Milan to Mumbai. This preoccupation with perfection can be found in modern industrial and information companies’ manufacturing credo of Six Sigma. As a means to achieve nearperfect results, Six Sigma is a “disciplined, data-driven approach and methodology for eliminating defects (driving toward six standard deviations between the mean and the nearest specification limit) in any process – from manufacturing to transactional and from product to service.” (‘What is Six-Sigma’ n.d.) Using Six Sigma’s tenets, a company strives for a manufacturing rate of 99.99966% perfection, or no more than 3.4 imperfect parts Blucher Design Proceedings Dezembro de 2014, Numero 5, Volume 1 www.proceedings.blucher.com.br/evento/icdhs2014 Barness, Jessica; McCarthy, Steven; Performing Human Pixels in Glitched: Portraits of Transformation, p. 499-504 . In: Tradition, Transition, Tragectories: major or minor influences? [=ICDHS 2014 9th Conference of the International Committee for Design History and Design Studies]. Sao Paulo: Blucher, 2014. ISSN 2318-6968, DOI 10.5151/despro-icdhs2014-0071 500 strand 2 materials, techniques and processes theme 4 technology
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