Comparative early modernities, 1100-1800

Teaching and Learning Guide for: ‘Representing the Duke of Buckingham: Libel, Counter-Libel and the Example of The Emperor’s Favourite’

Notes on Contributors

Reviewed by: Renaissance Earwitnesses: Rumor and Early Modern Masculinity Jennifer C. Vaught Keith M. Botelho . Renaissance Earwitnesses: Rumor and Early Modern Masculinity. New York: Palgrave Macmillan, 2009. Pp. xiv + 199. $80.00. In this excellent study of rumor and early modern masculinity, Keith M. Botelho begins by contextualizing Renaissance earwitnessing, or judicious listening, in terms of the importance of discerning truth in our noisy, modern world. In the preface, "Listening in an Age of Truthnapping," he contends that our auditory and visual senses are continually subjected to cell phones, the Internet, radio programs, and the nightly news that spins stories as if they were entertainment. These multiple, rapidly changing sources of news contain unverified information that can generate devastating rumors, a distortion and garbling of the truth distinct from gossip because of their large-scale social and political implications. In the Renaissance, "Rumor or Fama" is "an ambiguously gendered figure" that relentlessly undermines masculine and feminine authority, onstage and off (3). In the introduction, "Buzz, Buzz: Rumor in Early Modern England," Botelho outlines the literary, historical, and theoretical implications of his innovative [End Page 361] argument about earwitnessing in plays by Marlowe, Shakespeare, Jonson, and Cary. Throughout this well-executed, carefully constructed, and witty book, he examines a wide range of texts about rumor and related subjects like cautionary aural discernment. His accessible, detailed analyses of dramatic works are impressive in a project that contributes to existing criticism on sound studies by Bruce Smith, Kenneth Gross, Wes Folkerth, and Gina Bloom (22). He makes an important contribution to early modern scholarship by complicating the restrictive alliance of hearing and its accompanying ideas of "obedience and receptivity" with femininity. Instead, he focuses on dramatists who feature men whose informational authority is based on their earwitnessing when subjected to male rumormongers (3). Despite the vilifying and scapegoating of the tongues of women allied with gossip in Renaissance dramatic works, conduct books, and marriage manuals, Botelho presents the ear as an alternative site of female resistance to their disempowerment in a number of Shakespeare's plays (75). Botelho makes effective use of recent, compelling works on masculinity such as Mark Breitenberg's Anxious Masculinity in Early Modern England, Bruce Smith's Shakespeare and Masculinity, and Jennifer A. Low's Manhood and the Duel: Masculinity in Early Modern Drama and Culture, among others. The study as a whole could benefit from the inclusion of even more theoretical, secondary sources about gender, masculinity, and femininity to further illuminate the large number of plays he discusses. Nevertheless, his historicizing of early modern concepts of masculinity in relation to earwitnessing and rumor is strong. He deals insightfully with Elizabeth I, whom he calls the "paradigmatic earwitness of the period" (23), Francis Bacon, and humanist education theorists such as Juan Luis Vives and Roger Ascham. Though he sometimes blurs the distinctions between literary and historical men and women with respect to earwitnessing, he points out the common link between historia and storia in an early modern age when opposing and alternative interpretations of current events were printed rapidly and distributed widely like pulp fiction (54). In fact, the rise of print culture and relatively high literacy rates in Renaissance England markedly increased one's vulnerability to rumor and gossip (21). He concludes that "perhaps this pastiche of voices—an historical and theatrical babel—becomes a more accurate representation of truth than any one particular account" (54). In chapter 1, "Table Talk: Marlowe's Mouthy Men," Botelho sets the stage by examining the playwright's rumor-filled life and humanist education treatises that emphasize careful discernment. He then analyzes Dido, Queen of Carthage, The Massacre at Paris, and Edward II in terms of male rumormongers and failures of earwitnessing. Botelho concludes that in these plays, "the uncontrolled speech of men" threatens "to undermine and destroy male authority" despite the fact that multiple early modern discourses tend instead to stigmatize women as gossipers [End Page 362] (36). Yet in Dido, Marlowe relies on "gendered binaries" of male "controlled speech" and "silence" and female "raving" (39). Dido reinforces the stereotype of "the woman who attempts to destroy a man's fame with her loose tongue" (39). In Edward II, Queen Isabella...

Volume 51 (2021)

Varieties of seventeenth- and early eighteenth-century English radicalism in context, edited by Ariel Hessayon and David Finnegan, Famham & Burlington, VT, Ashgate, 2011, xiv + 271 pp., £65.00/$124.95 (hardback), ISBN 978-0-7546-6905-0The rule of moderation: violence, religion and the politics of restraint in early modern England, by Ethan H. Shagan, Cambridge, MA, Cambridge University Press, 2011, xiii + 381 pp., £19.99/$32.99 (paperback), ISBN 978-0-521-13556-6Despite their repeated efforts, historians are never immune to making anachronisms and misinterpretations. We either use modern terms to designate early modern phenomena or, conversely, we too often understand early modern terms in their modern sense, which inevitably influences our approach to a given subject. These two books aim to rectify this each in their own way and ought as a result to be read together. Both came out the same year and are arranged chronologically; they respectively cover the first and second half of the early modern period, with an overlap on the seventeenth century and the English Revolution in particular. Both brilliantly challenge our understanding of two key-related notions characterising the turmoils of the early modern period: radicalism and moderation. Since one can hardly go without considering the other, a combined reading seems more appropriate and fruitful in the present case.Shagan's Rule of Moderation focuses on the English Reformation and therefore should be considered first. Right from the introduction, the author debunks our modern idea of by looking at contemporary definitions of the term. Moderation, as he demonstrates, denoted an exertion of authority through restraint and often proved aggressive, coercive, brutal, and violent. In other (modern) words, early modern was immoderate, a definition that the editors of Varieties find sometimes unnecessarily restrictive (12).After considering the moral of sin, the passions, and women in Part I, Shagan examines its political implementation in Tudor England. His account of the execution of six priests (three Catholics and three Evangelical reformers ) by Henry VIII in 1540 is a fascinating case in point of royal via media in a heterodox religious landscape. The Anglican middle way was not one of compromise and negotiation between two extremes or radicalisms, but rather a powerful weapon enforcing Royal authority and public order. Subsequent chapters explore the rhetoric of in a religious context in the Elizabethan period, showing how Anglicans used to enforce their authority, whilst nonconformists did the same to emphasise self-discipline as part of a moderation (177).Although some of its contributors also draw on early Reformation heterodoxy, Varieties does not begin until the English Civil Wars. The book is the product of an interdisciplinary conference held in 2006 at Goldsmiths, London. It offers a fresh and much needed look at the subject with twelve essays challenging modern semantics applied to early modern case studies. The editors do a remarkable job at surveying definitions and approaches to radicalism in their introduction. They successively examine the nominalist approach to radicalism (2), which advocates purging modern concepts from the early modern reality, and a substantive approach, especially favoured by Marxist historians seeking to legitimise their own political views by constructing an English radical tradition (13-17). Hessayon and Finnegan object to these two approaches, settling instead for a third one called functional. Despite the risk of anachronisms and inconsistencies it involves, this functional approach uses radicalism as a workable term easily understood by the modern reader, but also calls in return for greater and systematic contextualisation in order to truly grasp its practical implications.Like Tudor and Stuart moderation, the twelve case studies in Varieties suggest not one, but many forms of radicalism in the seventeenth century. …

Green in early modern England did not mean what it does today; but what did it mean? Unveiling various versions and interpretations of green, this book offers a cultural history of a color that illuminates the distinctive valences greenness possessed in early modern culture. While treating green as a panacea for anything from sore eyes to sick minds, early moderns also perceived verdure as responsive to their verse, sympathetic to their sufferings, and endowed with surprising powers of animation. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. The first two chapters consider the value placed on two ways of taking green into early modern bodies and minds-by seeing it and breathing it in-while the next two address the manipulation of greenery by Orphic poets and medicinal herbalists as well as grafters and graffiti artists. A final chapter suggests that early modern modes of treating green wounds might point toward a new kind of intertextual ecology of reading and writing. Reading Green in Early Modern England mines many pages from the period - not literally but tropically, metaphorically green - that cultivate a variety of unexpected meanings of green and the atmosphere and powers it exuded in the early modern world.

<i>Jennifer Summit</i>, Memory’s Library: Medieval Books in Early Modern England<i>Memory’s Library: Medieval Books in Early Modern England</i>. Jennifer Summit. Chicago: University of Chicago Press, 2008. Pp. x+343.

Translation was a critical mode of discourse for early modern writers. &lt;i&gt;Gifting Translation in Early Modern England: Women Writers and the Politics of Authorship&lt;/i&gt; examines the intersection of translation and the culture of gift-giving in early modern England, arguing that this intersection allowed women to subvert dominant modes of discourse through acts of linguistic and inter-semiotic translation and conventions of gifting. The book considers four early modern translators: Mary Bassett, Jane Lumley, Jane Seager, and Esther Inglis. These women negotiate the rhetorics of translation and gift-culture in order to articulate political and religious affiliations and beliefs in their carefully crafted manuscript gift-books. This book offers a critical lens through which to read early modern translations in relation to the materiality of early modern gift culture.

This book investigates the influence of the 1855 Ansei Edo earthquake in the context of major earthquakes of Japan's early modern and modern eras. It argues that the Ansei Edo earthquake played a pivotal role in a process of shaping conceptions of Japan in the realms of politics, religion, geography, and natural science. Furthermore, it produced new ideas about human agency vis-à-vis earthquakes that have affected notions of seismicity and society in modern Japan. The book also examines the relevance of time in a society's vulnerability to natural hazards and connects both factors to the Ansei Edo earthquake in terms of when it began and when it ended. This chapter provides some basic information about earthquakes that struck early modern and modern Japan and describes early modern Japanese society by focusing on social and political geography, the nature of bakufu power, mass media and literacy, religious and intellectual milieu, and the belief that earthquakes were caused by catfish living under the earth.

Frances E. Dolan, Marriage and Violence: The Early Modern LegacyMarriage and Violence: The Early Modern Legacy. Frances E. Dolan. Philadelphia: University of Pennsylvania Press, 2008. Pp. 235.

Notes on Contributors

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Harry R. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.

Since the publication of Nabil Matar’s Islam in Britain 1558-1685 in 1998, much scholarly effort has been devoted to the study of representation of Islam in early modern English writings. The major focus of such studies has been drama and travel writing. Because of this, our understanding has much advanced concerning approaches to Islam in the period. In the recent years, scholars have paid attention to the early modern works dealing with the Prophet Muhammad and the Holy Qur’an in England and have demonstrated the early modern ways of engaging with the figure of the Prophet and the Holy Qur’an. There is, however, a need to look at more deeply at early modern English texts and analyse the content for some fundamental terms and beliefs of Islam. Therefore, this paper looks at the occurrences of word ‘Allah’ and its context in early modern English works that are included in EEBO. The paper highlights the depth of our understanding concerning the conception of Muslim ‘God’ in early modern England.

In 1712 the poet Elkanah Settle (1648–1724) published a funeral poem, Threnodia Apollinaris , dedicated to the memory of Dr Martin Lister.[1][1] Settle had a good deal of material to draw upon, because Lister had been Vice-President of the Royal Society, a physician to Queen Anne, and the first

In 1895, the failure of Sino-Japanese prompted the trend of comprehensive and systematic study of western pattern in China. In urban planning and construction, urban reform movement sprang up slowly, which aimed at renovating and reconstructing the traditional cities into modern cities similar to the concessions. During the movement, Chinese traditional city initiated a process of modern urban planning for its modernization. Meanwhile, the traditional planning morphology and system started to disintegrate, on the contrary, western form and technology had become the paradigm. Therefore, the improvement of existing cities had become the prototype of urban planning of early modern China. Currently, researches of the movement mainly concentrate on large cities, concessions, railway hub cities and some special cities resembling those. However, the systematic research about the large number of traditional small and medium-sized cities is still blank, up to now. This paper takes the improvement constructions of small and medium-sized cities in Southern region of Jiangsu Province as the research object. First of all, the criteria of small and medium-sized cities are based on the administrative levels of general office and cities at the county level. Secondly, the suitability of taking the Southern Jiangsu as the research object. The southern area of Jiangsu province called Southern Jiangsu for short, was the most economically developed region in Jiangsu, and also one of the most economically developed and the highest urbanization regions in China. As the most developed agricultural areas in ancient China, Southern Jiangsu formed a large number of traditional small and medium-sized cities. In early modern times, with the help of the Shanghai economic radiation, geographical advantage and powerful economic foundation, Southern Jiangsu became an important birthplace of Chinese national industry. Furthermore, the strong business atmosphere promoted the widespread urban improvement practices, which were incomparable of other regions. Meanwhile, the demonstration of Shanghai, Zhenjiang, Suzhou and other port cities became the improvement pattern of small and medium-sized city in Southern Jiangsu. This paper analyzes the reform movement of the small and medium-sized cities in Southern Jiangsu (1895-1927), including the subjects, objects, laws, technologies and the influence factors of politic and society ,etc. At last, this paper reveals the formation mechanism and characteristics of urban improvement movement in early modern China. According to the paper, the improvement of small-medium city was a kind of gestation of the local city planning culture in early modern China，with a fusion of introduction and endophytism.