Distillation by Retort

Review| December 01 1995 Last Dance Survival and the Arts: Ecology vs. Economy and Rethinking the Political, Bard College, Annandale-on-Hudson, New York, September 30, 1995Amazon of the North: James Bay Revisited by Rainer Wittenborn and Claus Biegert, Centre International d’Art Contemporaine, Montréal, Quebec, Canada, February 15-April 14, 1996 Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, September 30-December 22, 1995 Center for Contemporary Arts, Santa Fe, New Mexico, August 4-September 9, 1995 Karen Vanmeenen Karen Vanmeenen Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1995) 23 (3): 3. https://doi.org/10.1525/aft.1995.23.3.3 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Karen Vanmeenen; Last Dance. Afterimage 1 December 1995; 23 (3): 3. doi: https://doi.org/10.1525/aft.1995.23.3.3 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAfterimage Search This content is only available via PDF. © 1995 by The Regents of the University of California1995 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| October 10, 2018 Deadly Intraslab Mexico Earthquake of 19 September 2017 (⁠Mw 7.1): Ground Motion and Damage Pattern in Mexico City S. K. Singh; S. K. Singh aInstituto de Geofísica, Universidad Nacional Autónoma de México, Circuito de la Investigación s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico, krishnamex@yahoo.com Search for other works by this author on: GSW Google Scholar E. Reinoso; E. Reinoso bInstituto de Ingeniería , Universidad Nacional Autónoma de México, Circuito Interior s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico Search for other works by this author on: GSW Google Scholar D. Arroyo; D. Arroyo cDepartamento de Materiales, Universidad Autónoma Metropolitana, Avenida San Pablo 180, Reynosa Tamaulipas, Azcapotzalco, 02200 Mexico City, Mexico Search for other works by this author on: GSW Google Scholar M. Ordaz; M. Ordaz bInstituto de Ingeniería , Universidad Nacional Autónoma de México, Circuito Interior s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico Search for other works by this author on: GSW Google Scholar V. Cruz‐Atienza; V. Cruz‐Atienza aInstituto de Geofísica, Universidad Nacional Autónoma de México, Circuito de la Investigación s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico, krishnamex@yahoo.com Search for other works by this author on: GSW Google Scholar X. Pérez‐Campos; X. Pérez‐Campos aInstituto de Geofísica, Universidad Nacional Autónoma de México, Circuito de la Investigación s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico, krishnamex@yahoo.com Search for other works by this author on: GSW Google Scholar A. Iglesias; A. Iglesias aInstituto de Geofísica, Universidad Nacional Autónoma de México, Circuito de la Investigación s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico, krishnamex@yahoo.com Search for other works by this author on: GSW Google Scholar V. Hjörleifsdóttir V. Hjörleifsdóttir aInstituto de Geofísica, Universidad Nacional Autónoma de México, Circuito de la Investigación s/n, Ciudad Universitaria, Coyoacan, 04510 Mexico City, Mexico, krishnamex@yahoo.com Search for other works by this author on: GSW Google Scholar Seismological Research Letters (2018) 89 (6): 2193–2203. https://doi.org/10.1785/0220180159 Article history first online: 10 Oct 2018 Cite View This Citation Add to Citation Manager Share Icon Share MailTo Twitter LinkedIn Tools Icon Tools Get Permissions Search Site Citation S. K. Singh, E. Reinoso, D. Arroyo, M. Ordaz, V. Cruz‐Atienza, X. Pérez‐Campos, A. Iglesias, V. Hjörleifsdóttir; Deadly Intraslab Mexico Earthquake of 19 September 2017 (⁠Mw 7.1): Ground Motion and Damage Pattern in Mexico City. Seismological Research Letters 2018;; 89 (6): 2193–2203. doi: https://doi.org/10.1785/0220180159 Download citation file: Ris (Zotero) Refmanager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentBy SocietySeismological Research Letters Search Advanced Search ABSTRACT In the wake of death and destruction left by the 2017 earthquake in Mexico City, it is natural to ask whether the event was unexpected and anomalous. Although such an intraslab earthquake (⁠Mw 7.1; depth=57 km⁠; epicentral distance = 114 km from the city) was considered likely, the recordings in the city during the last 54 yrs reveal that the ground motion during the 2017 earthquake was anomalously large in the critical frequency range to the city (0.4–1 Hz). The intraslab earthquakes occur closer to Mexico City, at greater depth, and involve higher stress drop than their interplate counterparts. Consequently, the ground motion is relatively enriched at high frequencies as compared with that during interplate earthquakes, which is dominated by lower frequency waves (⁠f<0.5 Hz⁠). This explains the observed difference in the damage pattern during the 2017 and the disastrous interplate earthquake of 1985 (⁠Mw 8.0). You do not have access to this content, please speak to your institutional administrator if you feel you should have access.

May 01 2023 Wrestlers Jola Idowu Jola Idowu Jola Idowu is a current Master of Architecture and Master of City Planning student at MIT. She is originally from Chicago, Illinois, and she holds a bachelor's degree with honors from the University of Chicago in Art History and Sociology. Search for other works by this author on: This Site Google Scholar Author and Article Information Jola Idowu Jola Idowu is a current Master of Architecture and Master of City Planning student at MIT. She is originally from Chicago, Illinois, and she holds a bachelor's degree with honors from the University of Chicago in Art History and Sociology. Online ISSN: 2572-7338 Print ISSN: 1091-711X © 2023 Jola Idowu2023Jola Idowu Thresholds (2023) (51): 62–63. https://doi.org/10.1162/thld_a_00791 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Jola Idowu; Wrestlers. Thresholds 2023; (51): 62–63. doi: https://doi.org/10.1162/thld_a_00791 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2023 Jola Idowu2023Jola Idowu Article PDF first page preview Close Modal You do not currently have access to this content.

HOW LITTLE IS ENOUGH? THE EVIDENCE FOR POST-VASECTOMY TESTING

Josh Kun, ed. The Tide was Always High: The Music of Latin America in Los Angeles . Oakland, CA: University of California Press, 2017. 275 pages. “One night we were performing at the Baked Potato [on the Cahuenga Pass in Studio City] with Lee Ritenour, Harvey Mason, Dave Grusin on piano, and

October 01 2020 Daniel P. Biebuyck: 1925–2019 Allen F. Roberts Allen F. Roberts Allen F. Roberts is Distinguished Professor of World Arts and Cultures at UCLA and a member of the African Arts editorial board. aroberts@arts.ucla.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Allen F. Roberts Allen F. Roberts is Distinguished Professor of World Arts and Cultures at UCLA and a member of the African Arts editorial board. aroberts@arts.ucla.edu Online Issn: 1937-2108 Print Issn: 0001-9933 © 2020 by the Regents of the University of California.2020The Regents of the University of California African Arts (2020) 53 (4): 15–16. https://doi.org/10.1162/afar_a_00547 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Search Site Citation Allen F. Roberts; Daniel P. Biebuyck: 1925–2019. African Arts 2020; 53 (4): 15–16. doi: https://doi.org/10.1162/afar_a_00547 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentAll JournalsAfrican Arts Search Advanced Search Daniel P. Biebuyck died on December 31, 2019, aged 94. First trained in philology and law at the University of Ghent, Dr. Biebuyck took advanced degrees in cultural anthropology at the London School of Economics. Working for the Belgian Institute for Scientific Research in Central Africa from 1949 to 1961, he undertook detailed ethnographic studies in east-central Belgian Congo among Lega, Nyanga, Bembe, and related peoples. He wrote monographs and scholarly articles from these experiences, and through shorter IRSAC projects, he visited more than fifty other Congolese ethnic groups, contributing to wide-ranging overviews such as Congo Tribes and Parties (1961) that he coauthored with Mary Douglas. Through a position at the University of Delaware in 1961, Dr. Biebuyck helped found the Department of Anthropology. After teaching anthropology at UCLA from 1964 to... © 2020 by the Regents of the University of California.2020The Regents of the University of California You do not currently have access to this content.

Discussion| December 18 2020 On Misencounters and Possibilities: Reflections on the Mexican Reception of George Kubler’s Theoretical Writings Karen Cordero Reiman Karen Cordero Reiman Karen Cordero Reiman is an art historian, curator, and writer based in Mexico City. She has published on twentieth- and twenty-first-century Mexican art; the relationship between “fine” and “popular” arts in Mexico; Mexican art historiography; body, gender, and sexual identity in Mexican art; and Mexican museological and curatorial discourses. Search for other works by this author on: This Site PubMed Google Scholar Latin American and Latinx Visual Culture (2020) 2 (4): 67–71. https://doi.org/10.1525/lavc.2020.2.4.67 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Karen Cordero Reiman; On Misencounters and Possibilities: Reflections on the Mexican Reception of George Kubler’s Theoretical Writings. Latin American and Latinx Visual Culture 18 December 2020; 2 (4): 67–71. doi: https://doi.org/10.1525/lavc.2020.2.4.67 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentLatin American and Latinx Visual Culture Search The work of George Kubler (1912–96) is of key importance for the historiography of Mexican art because, in a discipline that almost always refers to the European context for its methodological roots, he advanced theoretical positions founded in large part on his experience studying the pre-Columbian and viceregal art of Mesoamerica. His questions and conceptual observations are based on that research experience, and the ways in which he elaborated their implications led him to continually interrogate the limits of the art historical discipline and its modes of narration. His theoretical and methodological contributions allowed the aesthetic and art historical recognition of works outside the Western canon, and offered insight into how to describe the changing significance of forms and techniques in different political, cultural, and historical contexts. I had the opportunity to study with Kubler during my first year in graduate school at Yale University in 1980. In the course... You do not currently have access to this content.

Are Sugar-Sweetened Beverage Taxes a Cost-Effective Means of Reducing Weight?

June 01 2015 Reply to Jeremy Coote Kathryn Wysocki Gunsch Kathryn Wysocki Gunsch Kathryn Wysocki Gunsch is Teel Curator of African and Oceanic Art, Museum of Fine Arts, Boston. KGunsch@mfa.org Search for other works by this author on: This Site Google Scholar Author and Article Information Kathryn Wysocki Gunsch Kathryn Wysocki Gunsch is Teel Curator of African and Oceanic Art, Museum of Fine Arts, Boston. KGunsch@mfa.org Online ISSN: 1937-2108 Print ISSN: 0001-9933 © 2015 by the Regents of the University of California.2015 African Arts (2015) 48 (2): 9. https://doi.org/10.1162/AFAR_a_00214 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Kathryn Wysocki Gunsch; Reply to Jeremy Coote. African Arts 2015; 48 (2): 9. doi: https://doi.org/10.1162/AFAR_a_00214 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search This content is only available as a PDF. © 2015 by the Regents of the University of California.2015 Article PDF first page preview Close Modal You do not currently have access to this content.

October 01 1997 The Gulf War Debate Redux: Why Skill and Technology Are the Right Answer Stephen Biddle Stephen Biddle Stephen Biddle is a member of the research staff at the Institute for Defense Analyses in Alexandria, Virginia. Search for other works by this author on: This Site Google Scholar Author and Article Information Stephen Biddle Stephen Biddle is a member of the research staff at the Institute for Defense Analyses in Alexandria, Virginia. Online Issn: 1531-4804 Print Issn: 0162-2889 © 1997 by the President and Fellows of Harvard College and of the Massachusetts Institute of Technology.1997 International Security (1997) 22 (2): 163–174. https://doi.org/10.1162/isec.22.2.163 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Stephen Biddle; The Gulf War Debate Redux: Why Skill and Technology Are the Right Answer. International Security 1997; 22 (2): 163–174. doi: https://doi.org/10.1162/isec.22.2.163 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsInternational Security Search Advanced Search This content is only available as a PDF. © 1997 by the President and Fellows of Harvard College and of the Massachusetts Institute of Technology.1997 Article PDF first page preview Close Modal You do not currently have access to this content.

January 01 2023 Sol Worth, Film Theory, and the Politics of the Bio-Documentary Henning Engelke Henning Engelke Henning Engelke is a German Research Foundation Heisenberg Fellow in the Department of Media Studies at Philipps University Marburg. His publications include Metaphern einer anderen Filmgeschichte: Amerikanischer Experimentalfilm, 1940-1960 (Schüren, 2018). His current research focuses on the intersecting histories of film studies, visual anthropology, and film and video activism. Search for other works by this author on: This Site Google Scholar Author and Article Information Henning Engelke Henning Engelke is a German Research Foundation Heisenberg Fellow in the Department of Media Studies at Philipps University Marburg. His publications include Metaphern einer anderen Filmgeschichte: Amerikanischer Experimentalfilm, 1940-1960 (Schüren, 2018). His current research focuses on the intersecting histories of film studies, visual anthropology, and film and video activism. Online Issn: 1536-0105 Print Issn: 1526-3819 © 2023 Grey Room, Inc. and the Massachusetts Institute of Technology.2023Grey Room, Inc. and the Massachusetts Institute of Technology. Grey Room (2023) (89): 42–77. https://doi.org/10.1162/grey_a_00354 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Henning Engelke; Sol Worth, Film Theory, and the Politics of the Bio-Documentary. Grey Room 2023; (89): 42–77. doi: https://doi.org/10.1162/grey_a_00354 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2023 Grey Room, Inc. and the Massachusetts Institute of Technology.2023Grey Room, Inc. and the Massachusetts Institute of Technology. Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2007 Asen and Methodology in Art History Joseph C.E. Adande Joseph C.E. Adande JOSEPH C.E. ADANDE is an art historian at the Université d'Abomey-Calavi. joadande@yahoo.fr Search for other works by this author on: This Site Google Scholar Author and Article Information Joseph C.E. Adande JOSEPH C.E. ADANDE is an art historian at the Université d'Abomey-Calavi. joadande@yahoo.fr Online ISSN: 1937-2108 Print ISSN: 0001-9933 © 2007 by the Regents of the University of California.2007 African Arts (2007) 40 (3): 7. https://doi.org/10.1162/afar.2007.40.3.7a Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Joseph C.E. Adande; Asen and Methodology in Art History. African Arts 2007; 40 (3): 7. doi: https://doi.org/10.1162/afar.2007.40.3.7a Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search This content is only available as a PDF. © 2007 by the Regents of the University of California.2007 Article PDF first page preview Close Modal You do not currently have access to this content.

January 01 1998 Dayton Report Card Jane M.O. Sharp Jane M.O. Sharp Jane M.O. Sharp directs the Defence and Security Programme at the Institute for Public Policy Research and is a Senior Research Fellow at the Centre for Defence Studies at King's College in London. Search for other works by this author on: This Site Google Scholar Author and Article Information Jane M.O. Sharp Jane M.O. Sharp directs the Defence and Security Programme at the Institute for Public Policy Research and is a Senior Research Fellow at the Centre for Defence Studies at King's College in London. Online Issn: 1531-4804 Print Issn: 0162-2889 © 1997 by the President and Fellows of Harvard College and the Massachusetts Institute of Technology.1997 International Security (1998) 22 (3): 101–137. https://doi.org/10.1162/isec.22.3.101 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Jane M.O. Sharp; Dayton Report Card. International Security 1998; 22 (3): 101–137. doi: https://doi.org/10.1162/isec.22.3.101 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsInternational Security Search Advanced Search This content is only available as a PDF. © 1997 by the President and Fellows of Harvard College and the Massachusetts Institute of Technology.1997 Article PDF first page preview Close Modal You do not currently have access to this content.

May 01 2019 Marcel Breuer through a Multi-Lens Window: Agency in the Afterlife of Images Pep Avilés Pep Avilés Pep Avilés is Assistant Professor at the College of Arts and Architecture at Penn State University and editor of the journal Faktur: Documents and Architecture. He is currently working on the reception of Antoni Gaudí's work in the postwar years. Search for other works by this author on: This Site Google Scholar Author and Article Information Pep Avilés Pep Avilés is Assistant Professor at the College of Arts and Architecture at Penn State University and editor of the journal Faktur: Documents and Architecture. He is currently working on the reception of Antoni Gaudí's work in the postwar years. An earlier version of the present essay was presented at the Temple Hoyne Buell Center for the Study of American Architecture in 2015. The author would like to thank Reinhold Martin and the organizers of the Dissertation Colloquium for providing the opportunity to discuss his work. He also would like to recognize Beatriz Colomina, Denise Costanzo, Spyros Papapetros, David Smiley, and Claire Zimmerman's contributions as key to strengthening and clarifying the argument. Finally, Barry Bergdoll's remarks have proven invaluable. Online Issn: 2572-7338 Print Issn: 1091-711X © 2019 Pep Avilés2019Pep Avilés Thresholds (2019) (47): 105–118. https://doi.org/10.1162/thld_a_00678 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Pep Avilés; Marcel Breuer through a Multi-Lens Window: Agency in the Afterlife of Images. Thresholds 2019; (47): 105–118. doi: https://doi.org/10.1162/thld_a_00678 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2019 Pep Avilés2019Pep Avilés Article PDF first page preview Close Modal You do not currently have access to this content.

February 01 2020 Trompe L'oeil and Financial Risk in the Age of Paper Maggie M. Cao Maggie M. Cao Maggie M. Cao is the David G. Frey Assistant Professor of Art History at the University of North Carolina, Chapel Hill. She is the author of The End of Landscape in Nineteenth-Century America (University of California Press, 2018). Her research focuses on the intersections of art with histories of technology, natural science, and economics in the eighteenth and nineteenth centuries. Search for other works by this author on: This Site Google Scholar Author and Article Information Maggie M. Cao Maggie M. Cao is the David G. Frey Assistant Professor of Art History at the University of North Carolina, Chapel Hill. She is the author of The End of Landscape in Nineteenth-Century America (University of California Press, 2018). Her research focuses on the intersections of art with histories of technology, natural science, and economics in the eighteenth and nineteenth centuries. Online Issn: 1536-0105 Print Issn: 1526-3819 © 2020 by Grey Room, Inc. and the Massachusetts Institute of Technology.2020Grey Room, Inc. and the Massachusetts Institute of Technology. Grey Room (2020) (78): 6–33. https://doi.org/10.1162/grey_a_00287 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Maggie M. Cao; Trompe L'oeil and Financial Risk in the Age of Paper. Grey Room 2020; (78): 6–33. doi: https://doi.org/10.1162/grey_a_00287 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2020 by Grey Room, Inc. and the Massachusetts Institute of Technology.2020Grey Room, Inc. and the Massachusetts Institute of Technology. Article PDF first page preview Close Modal You do not currently have access to this content.