- Research Article
- 10.1353/esc.1999.0019
Historying The Book
- Jan 01, 1999
- ESC: English Studies in Canada
- Mary Jane Edwards
ED ITO RIA L Historying The Book CANADIAN LITERATURE, Bibliography and Textual Studies, and the History of the Book have been my chief areas of research throughout my career. Recently, however, with the establishment of such organizations as SHARP (Society for the History of Author ship, Readership, and Publishing) and the more modest CAHL (Cana dian/Australian Histoire du Livre), and with the production, or plans for production, of various national histories of the book, this subject has become particularly topical. I am very pleased, therefore, to be able to write a short introduction to ESC’s special double issue on the History of the Book. Inevitably in a journal produced in Canada, there is a good deal in this issue on Canadian publishing and the public policies that helped shape it. Robert Lecker’s article on the Canada Council’s Block Grant Progam and the constitution of Canadian literature has the most obvious political content, but George L. Parker’s discussion of the publishing trade in Canada during and just after World War n is also pertinent to a study of the ways in which such major historical events have influenced the development of Canadian culture. Sheila Latham’s analysis of the genesis of W.O. Mitchell’s The Kite serves as a reminder of the fluidity of text as it is transformed from one medium to another at the same time as her descriptive bibliography of the novel grounds it firmly in print. Richard Cavell’s image of typing Tay John plays with the notion of print itself as a cultural and colonizing signifier. Canadian literature is the primary focus of four of the articles in this issue. All eight reaffirm, however, just how much this country and its culture partake of the “beck’ning ghost(s),” to quote part of the title of Hugh Reid’s study of an eighteenth-century subscription list, of distant times and different spaces. Especially, I am tempted to add after going through Michael J. O’Driscoll’s work on Whitman and Janis Svilpis’s on pulp fiction, they emphasize the fact of our involvement, for better and for worse, in American time and American popular culture space. There were various ways to organize this special issue. We chose to begin the articles with Corey Coates’s piece on academic acknowl edgements because it highlighted a section of the book that may not be read carefully enough, even by professors, their partners, and their peers. Even though the issue was getting rather large, we decided to 251 EDITORIAL include a trio of reviews of books that themselves demonstrate the numerous approaches that studies in the history of the book encour age. Because this double issue represents both our September and December numbers, we had to end it with the index for Volume 25 and thus add another reminder of the apparatus that forms such an intrinsic part of most scholarly publications. Our real conclusion is, of course, the analysis of books in the English-speaking world by Wallace Kirsop, who is himself a distin guished practitioner of the history of the book in both English and French, a fact eloquently illustrated by the recent publication by the Bibliographical Society of Australia and New Zealand of The Cul ture of the Book: Essays from two Hemispheres in honour of Wallace Kirsop (1999). His wide-ranging summary of recent developments in book history in metropolises and on frontiers serves as both a suitable finale to this special double issue of English Studies in Canada and a significant signal of how, when, and where we might continue to study books in Canada and abroad. MARY JANE EDWARDS / Carleton University Acknowledgements For the illustrations on the cover of Volume 25, ESC wishes to thank Canadian Printer Magazine for permission to reproduce the picture of the compositor, and John Webster (Canadian, b. 1947) for per mission to reproduce his watercolour, “Carleton University, Ottawa” (1986), which was given to the Collection of Carleton University Art Gallery by Helen and Courtney Gilliat in 1987. Milton Acorn’s lines are replicated, with permission, from a cover produced by Carleton University Press. The cover for Volume 25 of ESC was designed...
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