Pano-NeRF: Synthesizing High Dynamic Range Novel Views with Geometry from Sparse Low Dynamic Range Panoramic Images

Artifact remains a long-standing challenge in High Dynamic Range (HDR) reconstruction. Existing methods focus on model designs for artifact mitigation but ignore explicit detection and suppression strategies. Because artifact lacks clear boundaries, distinct shapes, and semantic consistency, and there is no existing dedicated dataset for HDR artifact, progress in direct artifact detection and recovery is impeded. To bridge the gap, we propose a unified HDR reconstruction framework that integrates artifact detection and model optimization. Firstly, we build the first HDR artifact dataset (HADataset), comprising 1,213 diverse multi-exposure Low Dynamic Range (LDR) image sets and 1,765 HDR image pairs with per-pixel artifact annotations. Secondly, we develop an effective HDR artifact detector (HADetector), a robust artifact detection model capable of accurately localizing HDR reconstruction artifact. HADetector plays two pivotal roles: (1) enhancing existing HDR reconstruction models through fine-tuning, and (2) serving as a non-reference image quality assessment (NR-IQA) metric, the Artifact Score (AS), which aligns closely with human visual perception for reliable quality evaluation. Extensive experiments validate the effectiveness and generalizability of our framework, including the HADataset, HADetector, fine-tuning paradigm, and AS metric. The code and datasets are available at: https://github.com/xinyueliii/hdr-artifact-detect-optimize.

Existing single image high dynamic range (HDR) reconstruction methods attempt to expand the range of illuminance. They are not effective in generating plausible textures and colors in the reconstructed results, especially for high-density pixels in ultra-high-definition (UHD) images. To address these problems, we propose a new HDR reconstruction network for UHD images by collaboratively learning color and texture details. First, we propose a dual-path network to extract the content and chromatic features at a reduced resolution of the low dynamic range (LDR) input. These two types of features are used to fit bilateral-space affine models for real-time HDR reconstruction. To extract the main data structure of the LDR input, we propose to use 3D Tucker decomposition and reconstruction to prevent pseudo edges and noise amplification in the learned bilateral grid. As a result, the high-quality content and chromatic features can be reconstructed capitalized on guided bilateral upsampling. Finally, we fuse these two full-resolution feature maps into the HDR reconstructed results. Our proposed method can achieve real-time processing for UHD images (about 160 fps). Experimental results demonstrate that the proposed algorithm performs favorably against the state-of-the-art HDR reconstruction approaches on public benchmarks and real-world UHD images.

Due to limited camera capacities, digital images usually have a narrower dynamic illumination range than real-world scene radiance. To resolve this problem, High Dynamic Range (HDR) reconstruction is proposed to recover the dynamic range to better represent real-world scenes. However, due to different physical imaging parameters, the tone-mapping functions between images and real radiance are highly diverse, which makes HDR reconstruction extremely challenging. Existing solutions can not explicitly clarify a corresponding relationship between the tone-mapping function and the generated HDR image, but this relationship is vital when guiding the reconstruction of HDR images. To address this problem, we propose a method to explicitly estimate the tone mapping function and its corresponding HDR image in one network. Firstly, based on the characteristics of the tone mapping function, we construct a model by a polynomial to describe the trend of the tone curve. To fit this curve, we use a learnable network to estimate the coefficients of the polynomial. This curve will be automatically adjusted according to the tone space of the Low Dynamic Range (LDR) image, and reconstruct the real HDR image. Besides, since all current datasets do not provide the corresponding relationship between the tone mapping function and the LDR image, we construct a new dataset with both synthetic and real images. Extensive experiments show that our method generalizes well under different tone-mapping functions and achieves SOTA performance. The code/dataset is available at https://github.com/jqtangust/EPCE-HDR.git.

Due to the ongoing miniaturization of digital camera sensors and the steady increase of the “number of megapixels”, individual sensor elements of the camera become more sensitive to noise, even deteriorating the final image quality. To go around this problem, sophisticated processing algorithms in the devices, can help to maximally exploit the knowledge on the sensor characteristics (e.g., in terms of noise), and offer a better image reconstruction. Although a lot of research focuses on rather simplistic noise models, such as stationary additive white Gaussian noise, only limited attention has gone to more realistic digital camera noise models. In this article, we first present a digital camera noise model that takes several processing steps in the camera into account, such as sensor signal amplification, clipping, post-processing,.. We then apply this noise model to the reconstruction problem of high dynamic range (HDR) images from a small set of low dynamic range (LDR) exposures of a static scene. In literature, HDR reconstruction is mostly performed by computing a weighted average, in which the weights are directly related to the observer pixel intensities of the LDR image. In this work, we derive a Bayesian probabilistic formulation of a weighting function that is near-optimal in the MSE sense (or SNR sense) of the reconstructed HDR image, by assuming exponentially distributed irradiance values. We define the weighting function as the probability that the observed pixel intensity is approximately unbiased. The weighting function can be directly computed based on the noise model parameters, which gives rise to different symmetric and asymmetric shapes when electronic noise or photon noise is dominant. We also explain how to deal with the case that some of the noise model parameters are unknown and explain how the camera response function can be estimated using the presented noise model. Finally, experimental results are provided to support our findings.

New generations of display technologies provide signicantly improved dynamic range over conventional display devices. Current inverse tone mapping schemes require multiple exposure low dynamic range (LDR) images to generate high dynamic range (HDR) images. In this work, we propose an exposure dependent S curve to convert one optimized LDR image to multiple images with different brightness, which are then fused into a virtual real scene HDR image with wide dynamic range. According to our implementation results, the dynamic range can reach about 105. The synthesizer is robust and temporally coherent, and does not require image specific parameter adjustment. This paper also presents the image quality assessment with HDR visual difference predictor (HDR-VDP) and relative entropy contrast, and our work has better performance than other inverse tone mapping operators (iTMOs) for the both image quality assessments.

This paper presents a novel High Dynamic Range (HDR) tone mapping (TM) system based on sub-band architecture. Standard wavelet filters of Daubechies, Symlets, Coiflets and Biorthogonal were used to estimate the proposed system performance in terms of Low Dynamic Range (LDR) image quality and reconstructed HDR image fidelity. During TM stage, the HDR image is firstly decomposed in sub-bands using symmetrical analysis-synthesis filter bank. The transform coefficients are then rescaled using a predefined gain map. The inverse Tone Mapping (iTM) stage is straightforward. Indeed, the LDR image passes through the same sub-band architecture. But, instead of reducing the dynamic range, the LDR content is boosted to an HDR representation. Moreover, in our TM sheme, we included an optimization module to select the gain map components that minimize the reconstruction error, and consequently resulting in high fidelity HDR content. Comparisons with recent state-of-the-art methods have shown that our method provides better results in terms of visual quality and HDR reconstruction fidelity using objective and subjective evaluations.

A promising way for low-illumination (LI) remote sensing images high-dynamic range (HDR) reconstruction is to model the mapping function from the input LI images to the corresponding high-quality counterpart using deep convolution neural networks. Due to various image contents, the key for achieving pleasing performance lies on comprehensively exploit the image-specific long-rang (e.g., non-local similarity, low-rank) and short-range (e.g., local similarity, texture etc.) structures in the LI images using appropriate network architecture. However, most existing methods can only exploit either short-range or long-range structures that are contentagnostic shared across all images, thus limiting their generalization capacity. To tackle this problem, we propose a dynamic long-short range structure learning framework for LR remote sensing images HDR reconstruction. In contrast to existing methods, we introduce a novel two-branch network architecture including a pixel-aware dynamic module that can adaptively exploit the pixel-aware short-range structure surrounding each pixel depending on its feature representation, and a long-range transformer module that dynamically exploit the long-range correlation between image patchesin the deep feature space. Then, the learned long-short range structures are integrated and cast into pixel-wise scaling factors of an illumination enhance module to restore the LI image. It empowers us to effectively exploit the image-specific long-short range structures of each input IL images for accurate HDR reconstruction. Experimental results on remote sensing images with different levels of IL demonstrate the effectiveness of the proposed method.

High dynamic range (HDR) image generation had been studied for years. Due to the expense and rareness of HDR cameras, many works try to generate HDR images using several low dynamic range (LDR) images with different exposure conditions. To ensure high-quality HDR image generation, details of the scene should be retained in different LDR images and the exposure parameters of LDR image should be chosen carefully. In this paper, we propose a technique to dynamically determine the suitable exposure parameter for LDR images according to the property of each scene to be captured. Experimental results reveal that better HDR images are always generated with the LDR images captured by the determined exposure, compared to those created by the method with fixed exposures.

High Dynamic Range (HDR) images capture the full range of luminance present in real world scenes, and unlike Low Dynamic Range (LDR) images, can simultaneously contain detailed information in the deepest of shadows and the brightest of light sources. In order to render HDR image on LDR displayers, it is often necessary to create LDR depictions of HDR images at the cost of contrast information loss. To reduce the loss, this paper enables to render HDRI (High Dynamic Range Image) with multiple low-bit images periodically. From the viewpoint of a human, the pixel value is fractural. It does not adjust the tones but can reconstruct HDR images.

This paper presents a novel method to synthesise a high dynamic range (HDR) spherical radiance map (RM) from a single low dynamic range (LDR) legacy photograph of an outdoor scene. The synthesised HDR RM is then used for real-time image based lighting (IBL) to render 3D virtual objects with plausible illumination matching with the background outdoor scene. Seam Carving (SC) is utilised to extend the legacy photograph to a panoramic image having a wider field of view for both backdrop and RM. Since SC is a content-aware image resizing technique, it effectively preserves important details such as shape and location of the sun in the outdoor scene and minimises distortion while expanding. The boundary of the 360-degree panoramic image used as RM is refined to minimise the seam. The extended LDR RM is then converted into a HDR RM using our novel inverse tone mapping (ITM) that provides fine tuning to simulate sunlight fall-off for sunny outdoor scenes. The synthesised HDR RM provides believable real-world lighting for IBL. With the combination of extended backdrop and real-time IBL, our pipeline can provide a potential solution for augmented reality (AR) rendering via head mounted displays (HMDs), only from a single legacy photograph.

In this paper, we propose a bit-depth scalable lossless coding method for high dynamic range (HDR) images based on a reversible logarithmic mapping. HDR images are generally expressed as floating-point data, such as in the OpenEXR or RGBE formats. Our bit-depth scalable coding approach outputs base layer data and enhancement layer data. It can reconstruct the low dynamic range (LDR) image from the base layer data and reconstructs the HDR image by adding the enhancement layer data. Most previous two-layer methods have focused on the lossy coding of HDR images. Unfortunately, the extension of previous lossy methods to lossless coding does not significantly compress the enhancement layer data. This is because the bit depth becomes very large, especially for HDR images in floating-point data format. To tackle this problem, we apply a reversible logarithmic mapping to the input HDR data. Moreover, we introduce a format conversion to avoid any degradation in the quality of the reconstructed LDR image. The proposed method is effective for both OpenEXR and RGBE formats. Through a series of experiments, we confirm that the proposed method decreases the volume of compressed data while maintaining the visual quality of the reconstructed LDR images.

High dynamic range (HDR) images are highly desirable and widely applied in our daily life. However, most conventional digital cameras are only able to capture low dynamic range (LDR) images. To produce HDR images, a popular and effective method is to merge multiple LDR images with different exposure settings. To achieve high quality HDR images, determining the exposure settings when capturing the multiple LDR images is of great importance. Though many researchers have paid attention to the exposure determination issue for HDR imaging, most of them have focused on DSLR cameras and surveillance video cameras. Meanwhile, mobile devices nowadays have increasing use but few studies in literature focus on them. Since cameras of mobile devices have some features different from DSLR cameras and surveillance video cameras, many existing exposure determination methods may not be directly applied on them. To fill this research gap, this paper proposes a dynamic exposure determination method for HDR photography on mobile devices, in particular on iOS mobile devices. In the proposed method, three LDR images are captured on iOS devices, which are then merged to generate an HDR result image that can cover more details of the target scene. Considering the time and memory limits of mobile devices, the proposed method analyzes the histogram of the target scene thumbnail to determine the three exposure settings with suitable exposure gaps. Based on our proposed method, we have developed an iOS HDR Camera App. The experimental results demonstrate that the HDR result images of this App are capable to contain more details in both bright area and dark area than those of Apple's default HDR Camera App on iPhone 5s for real-world target scenes.

International audience

Due to the growing popularity of High Dynamic Range (HDR) images and HDR displays, a large amount of existing Low Dynamic Range (LDR) images are required to be converted to HDR format to benefit HDR advantages, which give rise to some LDR to HDR algorithms. Most of these algorithms especially tackle overexposed areas during expanding, which is the potential to make the image quality worse than that before processing and introduces artifacts. To dispel these problems, we . present a new,LDR to HDR approach, unlike the existing techniques, it focuses on avoiding sophisticated treatment to overexposed areas in dynamic range expansion step. Based on a separating principle, firstly, according to the familiar types of overexposure, the overexposed areas are classified into two categories which are removed and corrected respectively by two kinds of techniques. Secondly, for maintaining color consistency, color recovery is carried out to the preprocessed images. Finally, the LDR image is expanded to HDR. Experiments show that the proposed approach performs well and produced images become more favorable and suitable for applications. The image quality metric also illustrates that we can reveal more details without causing artifacts introduced by other algorithms.

High dynamic range (HDR) images are becoming pervasive due to capturing or rendering of a wider range of luminance, but their special display equipment is difficult to be popularized because of high cost and technological problem. Thus, HDR images must be adapted to the conventional display devices by applying tone mapping (TM) operation, which puts forward higher requirements for intellectual property protection of HDR images. As the robustness presents regional diversity in the low dynamic range (LDR) watermarked image after TM, which is different from the traditional watermarking technologies, a concept of watermarking activity is defined and used to distinguish the essential distinction of watermarking between LDR image and HDR image in this paper. Then, a novel robust HDR image watermarking algorithm is proposed against TM operations. Firstly, based on the hybrid processing of redundant discrete wavelet transform and singular value decomposition, the watermark is embedded by modifying the structure information of the HDR image. Distinguished from LDR image watermarking, the high embedding strength can cause more obvious distortion in the high brightness regions of HDR image than the low brightness regions. Thus, a perceptual brightness mask with low complexity is designed to improve the imperceptibility further. Experimental results show that the proposed algorithm is robust to the existing TM operations, with taking into account the imperceptibility and embedded capacity, which is superior to the current state-of-art HDR image watermarking algorithms.