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  • https://doi.org/10.1080/17540763.2024.2392144Copy DOI Icon

Photography, plants, and care in a changing Arctic

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Abstract

This article develops a theoretical analogy between photography and plants, engaging with contemporary ideas on care in a more-than-human world. The analysis is based on a selection of vernacular archival images from the Svalbard region, captured by temporary settlers in the mining towns between the 1920s and 1980s, now housed in the Arctic archives and made digital available to everyone. In the High Arctic, both plants and humans live under sparse climatic and social conditions, exacerbated by the pressures of modern extraction of natural and human resources. Despite these pressures, photographs bear witness to the relationships of care established by humans and plants. The article is influenced by Joanna Zylinska’s theories on posthuman photography and ‘fluid archive’, and engages with Maria Puig de la Bellacasa’s concept of care, exploring its ambiguity. The photographs in the Arctic archives raise ethical considerations, particularly regarding human exploitation and domination, the troubling legacy of colonialism, and the collapse of ecosystems. The notion of natureculture, and proposed parallels between the lives of plants and photography, contribute to the speculation about a future Arctic with migration of plants and peoples, and of the transforming of life forms.

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