Research on the application and evaluation of Mongolian saddle culture in kumis packaging design based on AIGC

Traditional culture is gradually gaining attention. Whether a country's cultural heritage is complete represents a country's cultural confidence. However, with the advent of the technological era and the impact of foreign cultures, some traditional Chinese cultural crafts have gradually been neglected. Although some are known by more people under the vigorous publicity of the country, young consumer groups often only pay attention to their appearance and photo effects, but ignore the process and cultural significance behind them. For example, the specific crafts of Miao batik and Miao silver have not received enough attention and inheritance. The rise of cultural and creative product design has brought new opportunities for traditional cultural publicity. By combining Miao costumes with cultural and creative design, it can effectively promote publicity and make it more widely recognized and inherited. This study mainly uses research methods such as literature review, case analysis and comparison, focusing on how to better spread the Miao costume culture on the basis of preserving traditional culture through natural integration with cultural and creative design, and enhance young people's recognition and interest in traditional culture. The survey shows that consumers show a high degree of acceptance and interest in products with Miao elements, and integrating Miao costume elements into cultural and creative product design can enhance the attractiveness of products, so the integration of traditional culture and modern design has great market potential. So in summary, the combination of Miao clothing elements and cultural and creative product design can not only promote the protection and inheritance of traditional culture, but also bring new vitality to economic development.

Lingnan Intangible Cultural Heritage (ICH) has a long history and contains rich and unique regional culture, which can provide new thoughts and ideas for cultural and creative product design. In this paper, firstly, the cVAE-GAN network model is utilized to extract the features of the modeling symbols of Lingnan intangible cultural heritage, which helps to obtain the modeling symbols of Lingnan intangible cultural heritage for cultural and creative product design. Secondly, the HSV color space model realizes the refinement of the color elements of Lingnan intangible cultural heritage, which promotes the application of color diversity in the design of Lingnan cultural and creative products. Then, the two methods are combined with artificial intelligence technology to construct the Lingnan emotional interactive cultural and creative product design framework, which enables the computer to integrate the designer’s design emotion on the basis of learning modeling and color and promotes the enhancement of the emotional value of Lingnan non-heritage cultural and creative products. Finally, to verify the effectiveness of the method described in this paper, a relevant test analysis was conducted. The results show that when the computational order is more than 60 orders, the cVAE-GAN network in this paper extracts the styling symbol features in only about 115ms, the PSNR improvement of the HSV color space model under different color blocks is more than 2dB, and the RSD of H-channel can be found to be in the range of 0.5% to 5.0% after performing color noise removal. Carrying out the cultural and creative product design of Lingnan intangible cultural heritage in the era of artificial intelligence needs to be more clear about the shape and color of the intangible heritage and fully combine with the designer’s emotion in order to make the Lingnan intangible cultural and creative products revitalized with new vitality.

This paper analyzes the traditional patterns of Fuyang paper-cutting by using the theory of shape grammar, and explores the application strategy of its pattern elements in modern cultural and creative product design, in order to promote the inheritance and development of Fuyang paper-cutting and explore its potential value in modern design. Through a comprehensive analysis of the elemental forms and artistic styles of Fuyang paper-cutting; combined with the literature method and computer-aided design technology, this paper analyzes the pattern elements of Fuyang paper-cutting in detail. On this basis, a series of novel derivative pattern elements are created by applying the shape grammar theory to the traditional patterns, and successfully applied in the design of cultural and creative products. The article finally summarizes the transformation path of Fuyang paper-cutting pattern elements in the context of modern design, puts forward strategic suggestions to promote the harmonious coexistence of traditional skills and modern design, emphasizes the dual importance of innovation in inheritance and inheritance in innovation, and provides useful references and inspirations for the living inheritance and sustainable development of intangible cultural heritage.

The aggregate gradation of asphalt mixture is one of the most important factors affecting the service life of asphalt pavement. In order to study the gradation of asphalt mixture with the best comprehensive performance, this study puts forward a new method of mineral aggregate gradation optimization based on the fuzzy analytic hierarchy process and comprehensive evaluation method, aiming at the multi-level and multi-index evaluation of the road performance of asphalt mixture. First, the orthogonal test design method is applied to design nine target gradations with coarse aggregate (>4.75 mm) and fine aggregate (<4.75 mm) of AC-20 (asphalt concrete) mixture serving as two factors and the upper, middle, and lower positions of the gradation curve as three levels, and then the road performance test research is carried out. Second, a comprehensive model for evaluation of road performance of mineral aggregate gradation is established. A fuzzy complementary judgment matrix is constructed, and the index weights of each level and the hierarchical total ranking weight are calculated. Then, the membership function is introduced into the comprehensive evaluation model for the road performance of mineral aggregate gradation, and the membership values of each index of asphalt mixture road performance are obtained. Finally, the fuzzy comprehensive evaluation method is used to find out the comprehensive evaluation value of the road performance of the nine graded asphalt mixtures, and the mineral aggregate gradation is optimized. The research results show that the 1# gradation of the asphalt mixture has the highest comprehensive road performance evaluation value, and the combination of the fuzzy hierarchical analysis process and comprehensive evaluation method can more objectively and comprehensively evaluate the comprehensive road performance of the asphalt mixture and provide a useful reference for the optimal selection of asphalt mixture mineral gradation.

With the rapid development of China's "Culture + Tourism" industry, tourism cultural and creative products have increasingly become a key factor in attracting tourists. However, the tourism cultural and creative products in Hetuala City have difficulty effectively attracting tourists and meeting diverse consumer demands. To address this issue, this paper proposes a user-centered consumption demand evaluation framework, aimed at providing systematic guidance and decision-making support for the design and development of tourism cultural and creative products in Hetuala City. Firstly, consumption demands for tourism cultural and creative products were collected through interviews, initially identifying 80 demand indicators. Expert interviews were then employed to further summarize and refine these into 29 core demand indicators. Based on the 29 demand indicators, a sample survey of 150 consumers was conducted using the KANO model. Data analysis identified five must-be needs, nine performance needs, and ten attractive needs, thereby constructing a demand evaluation system for tourism cultural and creative products. Secondly, the Analytic Hierarchy Process (AHP) was applied to calculate the weights and importance rankings of each demand indicator, ensuring alignment between product design objectives and users' core demands. The results indicate that the evaluated demand attributes significantly influence tourist satisfaction, with regional characteristics, historical culture, and practical functionality regarded as key indicators, while tourists' expectations for product storytelling were particularly prominent. The integrated application of the KANO model and AHP method facilitates more accurate identification and evaluation of the importance of tourist demands, rendering the design of tourism cultural and creative products more systematic and precise. This study offers targeted design recommendations and optimization directions for the development of tourism cultural and creative products.

Vegetation restoration in abandoned mines is crucial for ecosystem recovery and sustainable development. However, the assessment of restoration effectiveness and long-term sustainability through appropriate methods remains a significant challenge. This study aims to evaluate the vegetation restoration effectiveness of the Mianshan abandoned mine in Dongzhi County, China, three years after the completion of the restoration project, using the analytic hierarchy process (AHP) and fuzzy comprehensive evaluation (FCE) methods. Drone oblique photography and field survey transects were applied to determine vegetation growth and geological conditions across different habitats, including the base, terrace, and slope behind the terrace. An evaluation indicator system was developed to assess restoration effectiveness. Results indicated that the overall vegetation restoration was moderately effective, with vegetation coverage and recovery rate (restored-to-native vegetation coverage ratio) of 62.0% and 66.7%, respectively. The terrace habitat exhibited the highest, while the base and slope showed fair restoration effectiveness. Vegetation coverage was the highest on the terrace, but species diversity was the lowest. The base had lower coverage but greater species diversity, with more planted species and invasive species. The slope exhibited low coverage and species diversity, with poor growth of planted species. The terrace had more conservative species than the base and slope. Key factors influencing vegetation restoration effectiveness across habitats included topography (e.g., slope gradient), soil texture (clay or gravelly soil), soil moisture, species selection, and planting strategies. This study evaluated vegetation restoration effectiveness in the Mianshan mine using AHP and FCE methods, highlighting the influence of topography, soil conditions, and species selection on restoration outcomes across diverse habitats.

The subject of this study is the artistic aesthetics of the Sino-Russian "Great Tea Road" and its transformation into contemporary cultural and creative design. The aim of the study is to systematically identify the key aesthetic dimensions of the material heritage of the Tea Road and develop a scientifically grounded methodology for adapting it to create cultural and creative products. The methodology is based on an interdisciplinary synthesis of art history and artistic design. The analysis relies on material artifacts (tea bricks, trademarks, packaging, utensils, advertising posters, and vehicles) using Peirce's triadic semiotics and the concept of intercultural aesthetic adaptability. Results: A three-level structure of the aesthetics of the Tea Road has been established: material (a synthesis of Chinese ornamentation and Western design), communicative (ritualized forms of intercultural exchange), and spiritual (the values of fair trade and cultural inclusiveness). A logic of aesthetic transformation has been developed: "decoding symbols – aesthetic translation – reconstruction of functions – cultural translation." A theoretical framework for the cultural and creative design of "intercultural aesthetic symbioticity" is proposed. It includes four levels: the value core of symbiosis, the transformation of bicultural symbols through the "key + auxiliary symbols" model, functional adaptation to differentiated consumer scenarios, and a digital translation matrix. Scope: designing cultural and creative products for the Chinese-Russian market, intercultural artistic exchange, and cultural and tourism projects along the Tea Road. The novelty lies in the systematization of the aesthetic parameters of intercultural heritage through the analysis of authentic artifacts and the creation of an operationalizable design methodology that ensures a balance of cultural authenticity and contemporary adaptability. Conclusions: The contemporary inheritance of traditional intercultural heritage requires the integration of art history as the foundation of cultural continuity and artistic design as a tool for activating traditional aesthetics. Cultural and creative products serve as an effective medium for transmitting intercultural aesthetic values and facilitating Chinese-Russian cultural dialogue.

In the enduring tapestry of China’s rich and ancient civilization, the jade culture has unfolded hand in hand with the progression of Chinese society, with the art of jade carving representing its very essence. Through millennia of refinement, jade carving has reached a pinnacle of artistic expression. In today’s era characterized by the rapid advancement of artificial intelligence, the strategic utilization of AI technology and comprehensive data analysis has become pivotal in creating jade sculptures that resonate more deeply with contemporary tastes. In the present age, excessively traditional jade carving designs no longer fully meet the aesthetic demands of contemporary individuals, thus hampering the advancement of the jade carving industry. In order to effectively disseminate Chinese jade culture on a broader scale and foster the growth of the jade industry, it necessitates designers harnessing artificial intelligence technology and utilizing methodologies of big data analysis to create products infused with innovative cultural symbols and contemporary imprints. ade carving products embody distinctive traditional cultural attributes of China, where the key to modern jade carving creative design lies in seamlessly blending traditional cultural artistry with contemporary aesthetic values. Artificial intelligence technology offers excellent facilitative conditions for the innovation and advancement of jade carving. Only by striving for breakthroughs to meet the psychological consumption demands of the new era can we more effectively foster development. His paper, within the realm of artificial intelligence and based on the perspective of big data analysis, conducts a thorough examination and analysis of the existing cultural and creative products developed by the Henan Museum, utilizing elements from its collection of cultural relics. It summarizes the current status and challenges present in the design of cultural and creative jade carving products at the Henan Museum. Finally, it puts forth relevant opinions and recommendations addressing these issues. Furthermore, it aims to provide insights for the development and innovation of cultural and creative products in other museums, offering valuable experiences in this regard.

Through the analysis of the development and status quo of cultural creative product design and the analysis of the characteristics of national cultural concepts, the author tries to propose the key points of the national cultural creative product design method from the perspective of internationalization. Using the literature research method, it sorts out the development and current situation of the design concept of cultural and creative products; it also carries out functional classification of cultural and creative products; and it discriminates the concept of national culture; Finally, through the summary of the existing research directions and contents of the combination of national culture and creative product design, it is proposed that from the perspective of internationalization, designers can only accurately convey the image of national culture to users through creative products if they have a deep understanding of all aspects of national culture. Through the grasp of three aspects of emotion, inheritance and interactivity, it can help designers to effectively carry out innovative design of national cultural products from the perspective of internationalization.

In recent years, with the interaction and integration of modern cultural and creative industries with Chinese excellent traditional culture, various innovative cultural and creative products have been introduced, ushering in new opportunities for the inheritance and development of Chinese excellent traditional culture. In order to integrate Chinese cultural elements into the design of cultural and creative products. This paper draws on the characteristics of DNA inheritance and mutation in living organisms to construct a multi-objective optimization model of DNA elements, and by applying the model to the analysis stage of cultural and creative product design, the designed products can be more completely integrated into the elements of Chinese characteristic culture to effectively guide the design practice of cultural and creative products. This paper takes Dunhuang Tang Dynasty Feitian cultural elements as an example for practical research through the integration of Dunhuang Tang Dynasty Feitian cultural elements of a series of cultural and creative products for the satisfaction survey from the symbolic perception, beautiful shape, functional and practical, cultural connotations, innovation and novelty of the five dimensions of the design effect assessment, the furniture category of cultural and creative products scored the highest, the average value of 4.766, the cultural and creative products in the symbolic perception of the dimensions of the score is high. It shows that in the Dunhuang Tang Dynasty, Feitian cultural and creative products can be perceived as symbols of the characteristic culture of the period.

Increasing traffic volume and insufficient road lanes often require municipal roads to be reconstructed and expanded. Where a road passes under a bridge, the reconstruction and expansion project will inevitably have an impact on the bridge. To evaluate the safety impact of road engineering projects on bridges, this paper evaluates the safety of the roads and ancillary facilities of highway bridges involved in municipal road engineering projects. Based on a comprehensive analysis of the safety factors of municipal roads undercrossing existing bridges, a fuzzy comprehensive analytic hierarchy process (AHP) evaluation method for the influence of road construction on the safety of existing bridges is proposed. First, AHP is used to select 11 evaluation factors. Second, the target layer, criterion layer, and index layer of evaluation factors are established, then a safety evaluation factor system is formed. The three-scale AHP model is used to determine the weight of assessment indexes. Third, through the fuzzy comprehensive AHP evaluation model, the fuzzy hierarchical comprehensive evaluation is carried out for the safety assessment index system. Finally, the fuzzy comprehensive evaluation method is applied to the engineering example of a municipal road undercrossing an existing expressway bridge. The comprehensive safety evaluation of the existing bridge reflects the practicability and feasibility of the method. It is expected that, with further development, the method will improve the decision-making process in bridge safety assessment systems.

Using narrative design method to combine campus culture for campus cultural and creative product design practice, based on the narrative research method, summarise its design key points and combine it with specific case studies to analyse, combine narrative design and campus cultural and creative products to prove the feasibility of the design practice. With the help of narrative design methodology for campus cultural and creative design, campus emotions are used to create emotional resonance with consumers, with narrative design as the entry point, campus culture as the theme, and campus cultural and creative products to express the final effect. Using narrative design as the theoretical basis and shape grammar as the design method to create cultural and creative products with campus culture will touch consumers' hearts, which will help them to be brought into the constructed narrative scenario, feel the narrative theme, and cause emotional resonance with consumers.

With the progress of science and technology and the development of society, the emotional needs of users have been paid more and more attention by academia and industry. At the same time, the market has also put forward new requirements for the rapid iteration of intelligent cultural and creative products. The emotional design of intelligent cultural and creative products can endow intelligent cultural and creative products with emotional characteristics and bring users a beautiful and pleasant experience. A lot of research work has been carried out at home and abroad. This paper aims to study the reinforcement learning algorithm of intelligent cultural and creative product design based on data mining technology. This paper will firstly guide the content of industrial design in the information age, aiming at comfort and ease of use, briefly summarize the research of domestic and foreign scholars in the field of traditional industrial design of intelligent cultural and creative products, and take these research contents as For reference, study the design elements of intelligent cultural and creative from the aspects of shape, material and color, and analyze the influencing factors of related elements; and then study the intelligent cultural and creative system from the three dimensions of intelligent cultural and creative interaction, interactive content, and interactive behavior elements of interaction design. Secondly, design and practice the appearance of intelligent cultural and creative based on the elements of appearance design, analyze and research intelligent cultural and creative from the perspective of ergonomics and product aesthetics, design corresponding conceptual sketches, screen modeling and rendering to obtain plans, and evaluate corresponding design scheme and complete the physical construction of the scheme. Finally, based on the development trend of interaction design in the future, the interaction method and interaction content in this intelligent cultural and creative solution are designed, and an easy-to-use application product is designed based on the above design elements. Experiments have shown that the user satisfaction of intelligent cultural and creative products designed by algorithms has reached more than 90%.

The design research of cultural and creative products centering on Jiaoshan Stele Forest is aimed at enhancing tourists’ sense of participation, improving tourists’ tour experience, making tourists obtain more profound cultural experience, so as to resonate with the calligraphy and inscription art of Jiaoshan Stele Forest scenic spot and spread excellent calligraphy and inscription culture. From hornet’s nest, dianping.com, Meituan, ctrip and other major websites to obtain tourists’ evaluation of Jiaoshan stele-forest scenic spot, and through the use of ROST Content Mining6 software, specific analysis of the obtained network text; Combined with questionnaire survey and semi-structured interview, the first-hand information about Jiaoshan Stele Forest scenic spot and its tourists’ feelings are obtained. Using ASEB analysis method to analyze the obtained data, so as to understand the real needs of tourists. According to the design principles of ASEB analysis, the research on cultural and creative products in Jiaoshan Stele Forest scenic spot can improve users’ sense of experience and participation. ASEB analysis method is applied to the design and research of cultural and creative products. Combined with the characteristics of Jiaoshan forest of steles scenic spot, the design principles guiding cultural and creative design are summarized, so as to launch the design and research of cultural and creative products.

In recent years, the development of 5G communication technology and the Internet has progressed by leaps and bounds. The combination of the Internet and traditional industries has given birth to a new form of economic and social development - “Internet +”, which has accelerated the internetization of the entire industry. The integration of Internet thinking into the development of traditional metal craft cultural and creative products has become the key to people’s research. This paper aims to study the design method of cultural and creative products based on the fusion of 5G technology and traditional metal craftsmanship. This paper proposes the basic theoretical concepts of 5G technology and cultural and creative products. The experimental results of this paper show that the current traditional metal craft form score is between 3.9 and 5.2. The category score ranges from 4.8 to 6.1, and the creative score ranges from 3.8 to 5.3. It can be seen that the traditional metal craft not only faces the problem of a single form, but also faces the problem of lack of innovative thinking. Therefore, traditional cultural and creative products have not kept pace with the times. The research on cultural and creative product design that integrates 5G technology and traditional metal craftsmanship is very important.