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The Printing Culture in Shakespeare's Age as Reflected in the First Quartos of Venus and Adonis & The Rape of Lucrece

The title page for the six books on optics by Franciscus Aguilonius shows optics as a science in its own right, as the queen of mathematical sciences. It also offers a visual discussion on the importance of the science within the Jesuit belief and educational system. Drawing on a well-known visual language consisting of allegorical, mythological and architectural elements, Rubens elevates Optics to the status of a queen, while also emphasising the connection of vision, the passions and knowledge, especially spiritual knowledge. This connection is not only the key to understanding of Rubens’s title page, but it explains the awkward outdatedness of Aguilonius’s book, in that it does not touch upon Kepler’s latest theories. The book was nevertheless important for Jesuit teaching in the following decades. This article offers a reading of the Aguilonius title page in its historical context.

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2004 IEEE International Conference on Communications - title page

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2021 IEEE International Conference on Robotics, Automation and Artificial Intelligence (RAAI 2021) - Title page

Workshop on Principles of Advanced and Distributed Simulation - Title Page

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This article examines the play-text title page illustration of The Spanish Tragedy, offering a case study demonstrating how title page imagery and its circulation can contribute to our understanding of theatre culture in early modern London. In the process it addresses questions of intention, production and distribution. Illustrated title pages such as that for The Spanish Tragedy offered a compelling distillation of the play’s action and themes that served as a powerful marketing tool. In particular, this case study applies the approaches used in visual rhetoric to expand upon what we already know about how and what these images communicate, and enlarge our understanding of them and their importance. This illustration is especially valuable as it presents an artistic interpretation of the climactic sequence in the play that would have been especially resonant for an early modern viewer, whether that viewer had seen the play on stage or read the text.

Journal of Applied IchthyologyVolume 31, Issue S3 p. i-ii Title Page and Organizing Committee Title Page and Organizing Committee First published: 16 December 2015 https://doi.org/10.1111/jai.12984AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat No abstract is available for this article. Volume31, IssueS3Special Issue: Proceedings of the 10th International Conference on Artificial Reefs and Related Aquatic Habitats (CARAH) 23– 27 Septemer 2013 Izmir, TurkeyDecember 2015Pages i-ii RelatedInformation

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Title page - 28th Congress of the Spanish Liver Transplantation Society

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