A plea for Beauvoir's timeliness today has to assert itself in a field that has become confusing, both in terms of gender relations in Western societies and in the face of the diversity of feminisms. With regard to the real role of women, among many people there is an apologetic understanding that gender equality may not have been achieved but 'is well on its way' or 'improvements have been made.' Aggressive demonstrations against male supremacy, still remembered by some from the 1960s, have become rather rare in present Western societies and limited to single countries with regressive political tendencies (reversal of Roe in the USA, abortion ban by the Pis party in Poland). In contrast to the vaguely floating impression of growing equality, the trend in professions and family has already come to a stop some time ago. Correspondingly, on the level of cultural discourses, 'neoliberal feminism' and 'postfeminism' arose to point loudly towards achieved equality and freedom for women. Neoliberal feminists, like Cheryl Sandberg, emphasize women's increased opportunities under liberal capitalism, while postfeminists celebrate the women's male-like freedoms in gender relations or demonstrate it offensively ('female chauvinist pigs'). Postfeminists also defend commercial and amateur pornography as a liberating medium for women, clearly and shockingly a red rag for earlier feminists. Before trying to comment on the role Beauvoir may play, or has played, in different waves of feminism, a word on the usual distinctions is in order. The widespread historical classification of the different phases of feminism is primarily sociological. The so-called second wave of feminism from 1960 to 1980 centred on the political attempt of women to fight for equal legal and socioeconomic rights within bourgeois institutions in Western societies. The so-called third wave in the 1990s, in contrast, besides its emphasis on intersectionality, e.g. by Black feminists, was primarily devoted to a change in lifestyles, i.e. was private in addition to the publically political aims claimed earlier. The period since 2012, now called the fourth wave, clearly shows that it is contemporary challenges whose character undergirds the profile of the ever-changing feminism and determines its content. For, in accordance with the heterogeneous present, it is ubiquitous topics that are prominent in the fourth wave: The fight against sexual harassment, the inclusion of transgender groups, transnationalisation and the critique of postfeminism. The goals of the earlier waves, not surprisingly, have not been fulfilled, and so many of the earlier goals, adapted to changed circumstances, are still negotiable.
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