As representacoes relativas ao corpo com deficiencia se encontram vinculadas, em nossa sociedade, a doenca, a fragilidade e a algo que foge da “norma”. Os modos pelos quais esse corpo nao normativo tem sido representado em produtos culturais, e mais especificamente nos videogames , tem sido questionados por conta de sua abordagem frequentemente depreciativa. Com o objetivo de compreender de que formas o corpo com deficiencia e representado nos videogames e quais as possiveis implicacoes dessas representacoes, empreendemos uma revisao da literatura. O cenario atual vem, aos poucos, se modificando e comecam a surgir representacoes que ajudam a aumentar a representatividade e contribuem para a diminuicao de barreiras que se forjam nas relacoes da pessoa com deficiencia.

This article proposes to analyze the adventure electronic game rida from its potential of valorization and representativeness of the Brazilian Culture. The text initiates with an analysis of the game and its plot, starred by an afro descendant woman, set in the Brazilian backlands of the nineteenth century, and represented by a literary bias of a feuilleton narrative interwoven with cordis. In this part we investigated the intentions of the studio responsible for the gamethe AOCA Game Lab -, and the methods used by them in the creation and configuration of the characters and narrative. After that the article establish some reflections about the role of the digital games in the cultural formation of Brazilian Childs and adults, and about the fact that the Brazilian games market and industry are still massively marked by reproductions of eurocentered themes and narratives. Thus, we sought to demonstrate that, * Universidade Federal do Paran (UFPR).

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In this article, we propose to investigate the theme of death in Teixeira de Pascoaes' poetry.Taking into account his vast work, comprising five decades of literary production, between verse and prose (philosophical), we will take as object of analysis the work O Doido e a Morte, from 1913, with the objective of arguing that the existential finitude in Pascoaes' work, it emphasizes less a dialectic of death and more a "coincidentia oppositorum" between death and life, making the theme one of the main lines of force of his poetic-philosophical thought.With this, it will be necessary to place our investigation in a space of "in-between", between Philosophy and Literature, which helps us to delimit a philosophical-literary hermeneutics of death in Pascoaes.It is hoped, therefore, to demonstrate the ontological nature present in the poetry of this author who establishes himself as one of the most significant names in 20th century Portuguese literature.

Resenha do romance Eliete – A vida normal , da escritora portuguesa Dulce Maria Cardoso, publicado em 2018.

This study seeks to investigate variation in the use of prepositional phrases following noun phrases in spoken and written academic English. In order to do so, the British Academic Written English (BAWE) Corpus and the British Academic Spoken English (BASE) Corpus were used. The results of this analysis have revealed that there is a specific set of prepositions that control prepositional phrases (of, in, to, for). Nevertheless, contrary to previous studies the findings of this investigation show that prepositional phrases following nouns are more common in spoken registers than written registers. These results might be an indicator of different levels of expertise, or the use of genitives in spoken registers.

Este artigo nasce de uma pesquisa cujo objetivo e delinear o genero propaganda social e a relacao que ele estabelece com as redes do ciberespaco, para compreender sua competencia na evidenciacao de discursos de alteridade. Partindo, assim, da diferenciacao da propaganda social perante demais generos comunicacionais paralelos, mediante a otica dos estudos de genero, da filosofia da linguagem de Mikhail Bakhtin, pretende-se apontar as caracteristicas marcantes desse âmbito da comunicacao, atraves da discussao da campanha Desafio do Balde de Gelo , que tendo sido desenvolvida atraves da internet, possui, embora com algumas particularidades, um marcado discurso de alteridade – principal aspecto do genero a que este texto se dedica.

A Opera do malandro , de Chico Buarque, estreou no Teatro Ginastico, no Rio de Janeiro, em 26 de julho de 1978 e sua publicacao, em forma de livro, e desse mesmo ano. Com muito bom humor e com letras de musicas que se tornaram mais tarde parte da musica popular brasileira, a obra apresenta as relacoes no “mundo da malandragem” carioca. O presente estudo, com isso, se propoe a uma analise da peca teatral a partir do texto teorico de Antonio Candido, “A dialetica da malandragem” (1970). Os dois textos estao ligados nao apenas pelo titulo que evoca essa figura marginal e presente no imaginario nacional, mas se complementam, pois discutem – sob generos textuais diferentes – a mesma representacao do malandro na literatura brasileira.