ABSTRACT By considering reaction to revolution in Europe during the late eighteenth and early nineteenth centuries in relation to the rise of the Gothic Revival, this article offers a bold assessment of the interplay between responses to the Middle Ages and political culture. It examines the Church of Santa Maria delle Grazie (1801–05) at the Vaccheria of the royal site of San Leucio, Caserta, in southern Italy, with a view to exploring the reciprocity between what can be seen as a neo-Gothic ’revolution’, wider political and industrial upheaval, and the historic ties between southern Italy and Sicily within the Mezzogiorno . In focusing on this neglected church, which was commissioned by Ferdinand IV of Naples and III of Sicily, the article aims to transcend the tendency in modern scholarship to discount the Gothic Revival in Italy as merely a superficial matter of taste. Recognising revivalism’s political agency, it is argued that Santa Maria delle Grazie bore witness to a profound stylistic crisis as classicism’s absolutist hegemony waned amid the epochal crisis of monarchical absolutism during the period. In tracing architectural and urban experimentation with respect to reactionism, proto-industrialism and medievalism in southern Italy, both before and after late eighteenth-century revolutionary activity, the Gothic Revival is situated within its proper revolutionary context. By extending considerations to Sicily and situating Santa Maria delle Grazie within the Mezzogiorno — through resonances with its medieval histories, including Norman and Swabian rule, and with contemporary ambitions for cohesion between the Kingdoms of Naples and Sicily — the article argues for the reactionary yet transnational visual and political dimensions of neo-medievalism. In so doing, it elucidates a symbiosis between architecture and medievalism as a formidable conduit for expressing and enacting power in the Age of Revolutions.

George Entwistle, The Cottage in Interwar England: Class and the Picturesque (London: Lund Humphries, 2024), 248 pp. incl. 52 colour and 109 b&w ills, ISBN 9781848226982, £45 (hardback) - Volume 68

Johanna D. Heinrichs, Villa and Palace in the Venetian Renaissance: The Palladian House Between Country and City (Cambridge: Cambridge University Press, 2025), 372 pp. incl. 154 colour and b&w ills, ISBN 9781009492232, £100 (hardback); ISBN 9781009492256, £100 (ebook) - Volume 68

ABSTRACTThe Park Hill estate in Sheffield was one of the most monumental and experimental projects in twentieth-century British housing. Designed by two young architects, Jack Lynn and Ivor Smith, it was constructed between 1957 and 1961 under the city’s Labour-led council, one of the country’s most visionary post-war local authorities. The estate has been celebrated for its ’streets in the sky’ design, an architectural approach associated with Alison and Peter Smithson which sought to salvage and recreate patterns of working-class community and social life from the slums that were razed during the rebuilding of Britain’s cities. This article deconstructs mythologies that have come to dominate narratives about Park Hill and its approach to community. It shows that the design of the estate did not recreate the pattern of nineteenth-century housing which formerly stood on the site, nor was it conceived to recreate the working-class community which had existed there. In doing so, this article reassesses the supposed political radicalism of the British welfare state in the early post-war period. While Park Hill has been acclaimed as architecturally innovative, its politics were not straightforwardly progressive. Like much post-war reconstruction, it sprang from a dialogue with older liberal frameworks of welfare delivery.

Anna Sokolina, ed., The Routledge Companion to Women in Architecture (New York and London: Routledge, 2021), 436 pp. incl. 139 b&w ills, ISBN 9780367232344, £190 (hardback); ISBN 9780429278891, £27.99 (ebook) - Volume 66

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