Abstract In this essay I engage with the writings of the Argentine-Mexican Marxist philosopher Enrique Dussel for a multifaceted understanding of transmodernity and its value as a theoretical paradigm for reading and interpreting literary and cultural texts. Transmodernity, for Dussel, is a global phenomenon that subsumes and transcends European Modernity of the last five centuries and rejects the latter’s epistemological hegemony in favor of a vaster, more ancient imaginary that includes the nondominant, the exteriorized, and the neglected majority of the world. In contextualizing Eurocentric modernity and repudiating its hegemony and pernicious developmentalism, transmodernity zooms out of EuroAmerica to refocus attention on frameworks of contact and multiplicity that do not rely upon the hierarchization of modernities as dominant, on the one hand, and derivative, on the other. By disengaging from the center-periphery model, transmodernity foregrounds laterality, relationality, and adaptation as potential theorizations for how cultures and languages in contact emerge and function. The essay explores dimensions of transmodernity by examining four crucial terms in Dussel’s thought: people, exteriority, transversal, and analectical. Dussel’s lifelong commitment to the indigenous and the marginalized cultures of Latin America provides us, I argue, a model for imagining regional, South-South interculturalities that can be, on their own terms, fully modern.
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