Anita Zawisza (2023): Przez obiektyw kamery. Postacie osób duchownych i zakonnic w polskim filmie fabularnym [Through the Camera Lens. Characters of clergymen and nuns in Polish feature films
Religious issues, especially those related to the institutional work of the Catholic Church, are becoming more and more attractive in Poland, both for filmmakers and researchers.Film messages presenting the profiles of the clergy have recently become a kind of social manifesto of cultural people.At the same time, the public discourse related to this type of artistic statements engages not only film critics, viewers, representatives of the Church, but also experts in various fields of research.Anita Zawisza's monograph "Przez obiektyw kamery.Postacie osb duchownych i zakonnic w polskim filmie fabularnym," [Through the Camera Lens.Characters of clergymen and nuns in Polish feature films] based on the author's research, is an interesting addition to the academic discussion in the field of religious film research in Poland.The author, in her introduction, listing research works in this field, stresses that she has created a monograph that "meticulously and extensively [approaches] the study of the spiritual ministry of priests and nuns, and at the same time is [above all] devoted to the analysis of the characters of clergymen and nuns in films examined with the help of the categorization key -the main tool used in media studies."The book consists of four chapters divided into theoretical and analytical sections.The author decided to create descriptions of the protagonists of Polish feature films based on selected cinematographic works from 1961 to 2018.Thus, this is quite a wide period covering transformations not only in film production and film art, but also in socio-cultural areas.Anita Zawisza tries to show how the image of the clergy and, as she stresses, "the entire institution of the Catholic Church in Polish cinematography" has changed over the decades.The theoretical part introduces the reader to the historical context and tools for creating films.Chapter 1: "The Catholic Church and Film In 1961-1989 -History and Characteristics of Mutual Relations" describes the situation of Polish cinematography in the context of the relationship with the Catholic Church in Poland, whose caesura is the pontificate of John Paul II.Thus, we get synthesized information about the "Polish film school" in relation to religious cinema
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