All Research Papers Published In Experiment

Research Article
10.1163/2211730x-01101012

БРАКАДАБРА

Jan 01, 2005
Experiment
Николай Глeбов-Путиловский

Research Article
10.1163/2211730x-01101014

“ДОМ ПЕЧАТИ - ДЕЛО НАШЕ...”: Из дневников (1926-1927)

Jan 01, 2005
Experiment
Екатерина Серебрякова

Research Article
10.1163/2211730x-01101004

ДЯДЯ ПАНЯ

Jan 01, 2005
Experiment
Оксана Рыбакина

Research Article
10.1163/2211730x-01101027

ИМЕННОЙ УКАЗAТЕЛЬ

Jan 01, 2005
Experiment
Editors Experiment

Research Article
10.1163/2211730x04x00064

RUSSIAN DANCE STUDIOS IN THE 1910-1920s 1

Jan 01, 2004
Experiment
Elizaveta Sourits

Research Article
10.1163/2211730x04x00127

DANCING AND PERFORMING: JAPANESE ARTISTS IN THE EARLY 1920s AT THE DAWN OF MODERN DANCE

Jan 01, 2004
Experiment
Toshiharu Omuka

Research Article
1
10.1163/2211730x04x00145

MAJOR THEORIES OF GROUP MOVEMENT IN THE WEIMAR REPUBLIC

Jan 01, 2004
Experiment
Karl Toepfer

Audiences tend to see dance group movements as images of a community or larger social identity. Dance thus functions to define social identity through movement considered unique to "peoples" or social classes or cate- gories of identity shared by "many" bodies. But on the whole, dance culture over the centuries has favored narrow, conservative images of group identity, and even within the modernist dance aesthetics of the early twentieth century, the choreographic imagination was slow in pursuing opportunities to link group movement to a new, liberating, or at any rate modem projection of identity. Germany was the site of

Research Article
10.1163/2211730x03x00065

VASILII KANDINSKY AND NIKOLAI KUL'BIN

Jan 01, 2003
Experiment
John E Bowlt

Research Article
10.1163/2211730x03x00128

OSIP BRIK AND THE FORMALISTS: A STUDY OF DIFFERENCE*

Jan 01, 2003
Experiment
Natasha Kurchanova

Research Article
10.1163/2211730x02x00147

QUESTIONNAIRE (1920)1

Jan 01, 2002
Experiment
Vasilii Kandinsky