The issue of internationalizing academic works into English Scopus-indexed journals has been becoming a growing concern in Indonesia in the last few years. However, investigating rhetorical models of local research articles is still very limited in the Indonesian context to date, while finding this foundation that underpins the global issue may overcome and create awareness for Indonesian academics for the likelihood of publishing their academic papers into reputable journals. This paper attempted to investigate the rhetorical model of Indonesian Law RAIs because none has investigated it in this selected discipline. The purpose is to discover whether or not it is different from earlier findings in English and Indonesian models. The data in the present study are 15 Indonesian Law RAIs published in accredited Science and Technology Index journals (SINTA 2). For the analysis, the study employed a genre-based study using two rhetorical models as primary code analysis. The results revealed that the Indonesian Law RAIs in the present study have a different rhetorical model from the English model, the CARS model. The main difference is the ways of establishing a niche. This finding implies that it may become an obstacle for Indonesian authors in this discipline, on the one hand, but may become an opportunity for them to publish their academic works in reputable journals, on the other hand.

When the twentieth century was around the corner, the plurality of residents and newcomers grew in numbers, forming a dynamic and heterogeneous urban society in colonial Java. Augusta de Wit was one of the Dutch authors who wrote about Java during her stay there in her book form travelogue titled Java: Facts and Fancies. Her experience in Java had left an influence on her, which is shown in her fiction works. One of them is the short story Vijandschap that portrays mostly the rural and idyllic life of a coastal community, yet includes the participation of the town (Batavia) as a commercially promising place. This qualitative study aspires to illuminate how the rural beach community reconciled with the town and to confirm what she means by natural beauty by focusing on two chapters “The Town" and “On the Beach.” It is conducted by employing a close reading method and Torop’s chronotopical analysis consisting of topographical, psychological, and metaphysical chronotopes in Augusta de Wit’s perspective while considering the notion of tropicality. This study discovers that there is a relational function of town as a dynamic marketplace to the local folks on the beach and a “space of home” for the Europeans, while the beach as fruitful home to the native beach community and a soothing recreational place to de Wit. Moreover, natural beauty is not confined to nature solely, but includes the locals alongside their character and habits, who are an intrinsic tropical part of Java.