The bread making has an important place in the culinary culture of the societies. People have made observations to produce delicious and quality bread using the practical methods, they have tested the method of baking bread and the tools they used with different materials. Thus, they have developed technologies with observations and experimentations and used the most efficient ones of the methods they have identified. In this context, pilekis, which are baking materials consist of natural materials such as stone and terra-cotta, have reached the present day with thousands of years of use in the Turkish culinary culture. In this research, the usage culture of the Pilekis, which are made of terra-cotta, in Ardahan Sulakyurt village is examined. Although the tradition of baking bread in plekis in the village still exists, it is observed in the research that the pleki producing is fading away. With the field research, it is aimed to record the information about the tradition of bread baking in the terra-cotta pleki in the region.

The fast advent of technology resulted in cultural alienation of society and had an impact on its arts. Traditional handicrafts have been in a process of degeneration for a long time. Nevertheless, a few loom masters carry on with the 900-year tradition of brg (silk scarf) in the touristic province Beypazar, Ankara. smail Yank is one of these masters. He works in his own workshop. Brg is a traditional women's wear in the villages of Beypazar. Women wear the large head scarf when they go out. The size of the scarf allows the user to cover her body, and reaches down to knees. Bride scarves of old times are used as table clothes, bedspreads, and various home accessories. The findings of the research showed that cotton and silk threads were used to produced brg in the past, however filoselle and silvery threads are used today. This research is based on the silk brg master smail Yank's experience from his apprenticeship to his master years, and focuses on materials, tools, production procedures, and examples.

In the past, small bags used in daily life to put some goods in are called “kese” (purse). Women mostly kept their belongings such as jewellry, comb and mirror while men put their belongings like watch, tobacco, seal, money, golden coins and so on in it. It is known that purses have a prominent place in the trousseau packs in the traditions of earlier wedding ceremonies and you could find decorated purses in the gifts sent to the groom. Purses produced by knitting have a peculiar place among others. Produced by crochet hook, needles and shuttles, purses have a great variety in terms of their techniques, colours, motives and compositions. Purse that became less popular in the current time leaving its place to wallets and boxes are a significant part of handicraft arts and are exhibited in private collections and museums. One of the regions where old purses are still preserved and protected is the town of Gerede in the city of Bolu. In the town of Gerede which has a very early establishment, it is likely to encounter the purses that were produced by knitting and reflect the delicate taste and power of art. With the introduction and documentation of these purses, it is believed that we would make a contribution to the culture and art of the town. In the current study that was carried out in this sense, the usage purpose of the knitted purses in Gerede which are among the traditional values, tools and instruments, motive and design features were investigated.

Song-text collections carries a lot of information from various areas of Turkish music in the period which they are written to today. In this way, each of them is an important source of musicology. In a musical learning system based on memory, they became the greatest assistants of musicians. In this study, a song-text collection of the 20 th century recorded in the Konya Koyunolu Library Manuscripts Section with the number of 12970 was analyzed. The study was conducted with systematic musicology methodology and history methodologies. As a result of this review, the 94 maqams is determined to 573 song-texts, 26 rhythms, 101 composers names with such informations, this song-text collection is thought to be beneficial to other researches.

The excavations at the palace of the Kayseri Keykubadiye Palaces of the Anatolian Seljuk Empire have been carried out since 2015 by a team headed by Prof. Dr. Ali Ba on behalf of the Ministry of Culture and Tourism and Selcuk University. Various findings were obtained during the drilling work conducted in 2014 and excavations at 2015, 2016, 2017 in the year, respectively. The examples of pipes, brick and tandoor are our research topics from these findings. The examination of the aforementioned findings is important in terms of giving information about the palace architecture and the palace life of the period. In our article, which is a common study, the pipes Ezgi Temekolu, the bricks are Yunus Aslan, and tandoors were examined by Mevlt

"Sun" is the name given to the expression used in the Turkish Bookbinding Art and the "decoration motif in the form of the sun on the bookbinding". When the historical development of the Turkish Bookbinding Art, which dates back to centuries, is examined; it is seen that classical Turkish bookbindings ere dominated by sun techniques and sun motifs in various styles and these ornaments represent the characteristic feature of Turkish Bookbinding Art. Techniques of sun decoration seen on the manuscript works; in terms of qualitative characteristics such as the periods in which the works belong, the techniques of sun application and the motifs used in the suns, and ere referred to by different names. The "writing sun" technique, which is the subject of this study and is seen in the manuscript works; is a topical ornamentation technique applied to Turkish Bookbinding Art by "plastering gold on leather bookbinding covers or casting gilt gold gilt".This study was carried out in Republic of Turkey The Ministry of Culture and Tourism has been carried out in Raşit Efendi Manuscript Work Library. Within the scope of the study, the works in this manuscript work library have been studied on the historical background dating back to centuries and on the manuscript work bookbindings of the national heritage of Turkish Bookbinding Art and Turkish Ornamentation Art. Especially manuscript bookbinding of works adorned with the technique of "Writing Sun"; the materials used in making and decorating, the motif and composition characteristics used in the decoration, and the total of 10 manuscript works were documented with photographs. In addition, manuscript works included in the scope of the study; information about the qualifications such as the scope, the periods they belong to and the texts of the works, Republic of Turkey The Ministry of Culture and Tourism organized in accordance with the data available in Turkey Authoring Works Agency archives inventory and explained.

Keywords: Accordion Boots, Aydin, Efe, Zeibek, Boot
\n In this study, the history of the accordion boots, aesthetic properties, usage areas, reasons of preferences, materials and tools will be explained.
\n In addition to this, technical features such as the size and the number of accordions will be mentioned.The purpose of the study to ensure that the visual and technical specifications of the existing samples of the Aydin province accordion boots which are forgotten are determined and published. The study was taken from the data obtained from field research. Considering the printed and digital source examination related to the subject, source person narration from field research and examples of accordion boots that can be reached, the development of Aydin province bellows boots will be emphasized and solution
\nproposals will be made on behalf of future generations.

Traditional hand-woven carpets in Anatolia with different pattern and color characteristics have an important place in Turkish cultural heritage. The most important cultural carrier, are woven by hand of yuruks in many centers. Our carpet regions, which have not heard much of their name except for the centers with their woven characters in front, have formed a certain character in themselves but are existent all over Anatolia. Ktahya is one of these centers. In the region where the Karakeili yuruks have a dominant population, a unique pattern has formed a character, and a group of weaving called "akmak Carpet" around the province attracts attention. It is important to introduce these carpets that have developed within the Yrk life culture and have reached to the present day. In this study, the carpets found in the village of akmak were examined and technical analysis was carried out. Thus, it was tried to determine the location of the akmak carpet by revealing similar and dissimilar aspects in the Turkish carpet groups. We aim to contribute to the Turkish hand weaving carpentry literature and to increase its awareness, to determine the technical, design and composition properties and contribute to other scientific studies to be done in this issue by documenting these carpets.

Belgat kitaplar edeb sanatlarn muhassint- lafziyye ve ma'neviyye ad altnda rnekleriyle birlikte bed' blmnde akland kitaplardr. Bu kitaplarda mecz- mrsel, isti're, tebh, kinye gibi sanatlar beyn blmnde ele alnp aklanmtr

Village chambers, which are generally located in the vicinity of a village centre are built for outsiders to lodge and for villagers to meet and spend time conversing.Located in Bykincirli Village, the village chambers examined in this study are Tatargilin, evkeninin Hasan'n and ehrinin Ali'nin. Mudbrick, brick and stone were used as materials in the village chambers. The one-floored plan consists of a living room, stable division for horses and a hallway. We come across a furnace, one of the most important parts of village chambers, in all of these three chambers. In the Tatargilin and evkenin Hasan'n chambers, the side walls of the furnaces are furnished with wooden cabinets called yklk. There are no decorative elements except the parts called flower stand or lamp stand in Tatargilin and evkenin Hasan'n chambers.The aim of this study is to transfer the traditions of village chambers, which have recently decreased in number and lost significance due to technological developments, to next generations. The village chambers in Bykincirli Village in Yozgat were particularly chosen in the study as there have been no other studies conducted on this topic before.Primarily, the three village chambers in Yozgat Bykincirli Village were examined on-site, photographed and dated by collecting information from the present owners and the villagers. Then, the data on their construction, plan, frontage, decoration and present conditions were presented.In conclusion, despite being damaged, the chambers have survived until now. Nevertheless, the tradition of village chambers seems to be abandoned with today's changing conditions and modernization. Rather than gathering villagers together and hosting guests, the chambers have lost their significance and are mostly used as storerooms at present.