Previous articleNext article No AccessHearing Witness: The Wičhówoyake of Matȟó Nážiŋ’s Little Bighorn MuslinsRamey MizeRamey MizeAssistant Curator of American Art, Portland Museum of Art, Portland, Maine; PhD Candidate, Art History, University of Pennsylvania Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Metropolitan Museum Journal Volume 572022 Sponsored by the Metropolitan Museum of Art Article DOIhttps://doi.org/10.1086/723657 Views: 32Total views on this site © 2022 The Metropolitan Museum of Art, New York. All rights reserved.PDF download Crossref reports no articles citing this article.

Previous articleNext article FreeFront MatterPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreIllustration on p. 2. José Manuel de la Cerda. Tray (batea) with Turnus provoked into war by Aeneas, ca. 1764. See fig. 1, p. 41 Previous articleNext article DetailsFiguresReferencesCited by Metropolitan Museum Journal Volume 572022 Sponsored by the Metropolitan Museum of Art Article DOIhttps://doi.org/10.1086/723700 © 2022 The Metropolitan Museum of ArtPDF download Crossref reports no articles citing this article.

Previous articleNext article No AccessDirector’s ForewordMax HolleinMax HolleinMarina Kellen French Director, The Metropolitan Museum of Art Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Metropolitan Museum Journal Volume 562021 Sponsored by the Metropolitan Museum of Art Article DOIhttps://doi.org/10.1086/718032 Views: 28Total views on this site © 2021 The Metropolitan Museum of Art, New York. All rights reserved.PDF download Crossref reports no articles citing this article.