- Research Article
- 10.1353/ota.2022.0064
The Pentateuch: Exodus–Deuteronomy
- Oct 01, 2022
- Old Testament Abstracts
- Christopher T Begg + 2 more +2
The PentateuchExodus–Deuteronomy Christopher T. Begg, Brian J. Meldrum, and William J. Urbrock 2136. [An Intersectional Perspective on Resistance to Oppression in Exodus 1–15 and Southern Africa] Ndikho Mtshiselwa, "Resistance of Oppression in Exod 1–15 and Southern Africa: An Intersectional Perspective," OTE 34 (2, 2021) 503-29. This article investigates the oppression of people as well as resistance to such oppression in Exodus 1–15 and Southern Africa from an intersectional perspective. Female Zimbabwean migrant people embody the intersectional struggles of working-class people (class), women (gender), and immigrants (internationality) in Southern Africa. A similar scenario might also have been the case in the world of biblical texts. My study first outlines the lived experience of Zimbabwean migrant women in South Africa in order to highlight the multi-layered and international character of and resistance to their oppression. Second, I probe the theme of resistance to oppression in the Exodus narrative, with a specific focus on women in this narrative. Third and lastly, I show how the intersectionality theory assists us in drawing a broader and more relevant depiction of the oppression of women in Exodus 1–15 and in Southern Africa and resisting such oppression. [Adapted from published abstract—C.T.B.] 2137. [Exod 7:8–11:10] P. Joseph Titus, "God, Plagues in Egypt (Exodus 7:8–11:10) and Covid-19: A Biblical Perspective," Word & Worship 54 (1, 2021) 7-17. In his essay, T. seeks to develop a biblical perspective on the current pandemic from a reading of the account of the Ten Plagues in Exod 7:8–11:10. The essay's first part [End Page 793] focuses on the Exodus plague account for itself, while the second part draws three theological implications from that account, after which its third part offers a comparison of the biblical plagues and COVID-19. T.'s reading of the biblical plague account highlights the following points: God will plague us, as he plagued Pharaoh, in order to restore justice and balance to the universe, to re-adjust our values, and to free those who cannot free themselves. In the face of COVID-19, humans are called to recognize their sins, to submit to God, and to implore his grace. The pandemic is an opportunity to refocus our lives on God, our neighbors, and the cosmos. [Adapted from editor's editorial, pp. 2-3—C.T.B.] 2138. [Miriam's Timbrels and Dances in Exodus 15 and Beyond] Craig A. Evans, "Celebrating Victory from the Sea of Reeds to the Eschatological Battle Field: Miriam's Timbrels and Dances in Exodus 15 and Beyond," BTB 51 (4, 2021) 206-14. In 4Q285 frg. 7, the eschatological Branch of David defeats the Kittim (the Roman army) and puts to death the king of the Kittim (the Roman emperor). After the victory the women of Israel beat timbrels and dance, even as Miriam and the Israelite women did after the destruction of the Egyptian army in the Sea of Reeds (Exodus 15). Here, I propose that Miriam's action reflects a custom—of which it was perhaps even the origin—that is also witnessed in the Song of Deborah (Judges 5) and in the Song of Judith (Judith 16). I further propose that the figure of Miriam looms large in Israel's sacred history—inside and outside the literature that became the Israelite canon—and that her initiative involving timbrel, song, and dance is expected to be observed one final time in the aftermath of the anticipated great eschatological battle, as attested by the above Scrolls text. [Adapted from published abstract—C.T.B.] 2139. [Modern Jewish and Christian Commentaries on Exod 15:20-21] Camilla Hélena von Heijne, "The Victory Song of Miriam: A Comparative Analysis of Selected Modern Jewish and Christian Commentaries to Exodus 15," The Reception of Exodus Motifs, 11-35 [see #2501]. V. H.'s essay compares contemporary Jewish and Christian commentaries on the Song of Miriam in Exod 15:20-21. The methodological approach used by her focuses on synchronic interpretations of the present form of the text. Thus, the comparative criteria are three main theological...
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