- Research Article
- 10.1111/rest.12996
Caxton's Afterlife in Manuscript (c.1475‐c.1500)
- May 13, 2025
- Renaissance Studies
- Aditi Nafde
Abstract At least thirty‐five manuscript copies of Caxton's prints have been found so far. This article explores the implications of such manuscript copies of Caxton's prints and, interrupting the linear history of the book, considers Caxton's appeal beyond print in manuscript. It asks what persuaded scribes, and the patrons who commissioned these manuscripts, to produce identical or near‐identical hand copies of Caxton's books. It also explores how far Caxton was conscious of or anticipated his demand in manuscript, how he might have exploited the values associated with manuscripts to broaden his appeal not only as printer and publisher but also as book producer, and how, in turn, scribes exploited Caxton's appeal to extend the values associated with manuscripts produced after print. More broadly, it explores both Caxton's and scribes' careful thinking about the material and, moreover, immaterial qualities of manuscript and print and the values the book should represent.
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