Performance theory is one of the methods that can explain dynamic and unpredictable social phenomena. The basics of our research are to be found in the artistic practices that destroyed previous classical patterns in art, while overcoming its boundaries. Accordingly, performance as a practical phenomenon has become the basis for a theoretical explanation of different political processes with carnival nature that influence and change social reality. This article proves that the Maidan in Kiev had a performative nature as well, which developped spontaneously due to its active involvement of the human body and the release of unconscious elements. It is claimed that the use of performative practices inside the Maidan allowed to overcome the totalitarian vertical logic of power, realizing democratic ideals and overcoming nihilism. Therefore, we suggest that performative theory can be applied to similar carnival political, social, and cultural phenomena, revealing their procedural and creative substance.

Through a detailed case study of investigations on beauty, I demonstrate that a thoughtful consideration of empirical evidence can lead to the disclosure of the fundamental assumptions entrenched in a philosophical discipline. I present a contrastive examination of two empirically oriented approaches to art and beauty, namely, the anthropology of art and the anthropology of aesthetics. To capture these two different ways of interpreting the available evidence, I draw upon a debate between Alfred Gell and Jeremy Coote on the understanding of beauty and art in the Dinka community. Following Gell, I reveal that the Western-centric predilection of Coote, who uses traditional aesthetic categories, leads to his failure to grasp the functional and causal roles of beauty in the social relations of the Dinka. In more general terms, my study reveals the inherent limitations of aesthetics as developed in the Western tradition and its Kantian legacy. Being steadily driven towards purely abstract and speculative concepts, such as ‘work of art,’ Western aesthetics has lost the ability to account for the causal role of beauty in social relations. By contrasting this approach with Gell’s anthropological approach to art, I indicate those fundamental assumptions of aesthetics as a philosophical discipline that apparently confine it to a particular cultural context, compromising its ability to account for the universal human condition. As my study illustrates, this limitation could be overcome by a thoughtful and unprejudiced examination of empirical evidence.

The challenge faced with the proliferation of various kinds of cognitivism is the difficulty of providing a straightforward characterization of moral realism and antirealism. In light of this tension, I identified a problem in Sayre-McCord's way of specifying the criteria of moral realism. Furthermore, I provided a framework that characterized the moral realism beyond the features of cognitivism. Finally, I argue that any successful characterization of moral realism must capture its ontology robustly in order to separate it from other realist-like positions that espouse the idea of truth-value and objectivity.

This exposition focuses on purposeful behaviours as efforts toward self-actualization. I introduce habit as a set of value-based behaviours that is different than the typical habit of physical movements. Each of those praxis is controlled by cognition driven by values – both personal and societal, and their following habits are the result of complex learning. I will then elaborate on three important topics: (1) awareness and efficacy with respect to habit, (2) collective habit, and (3) implications of existential habit on the individual’s as well as the society’s wellbeing.

This paper will attempt a Hegelian reading of Derrida’s Beast and the Sovereign Vol 1 lectures to unpack certain apories and paradoxes in Ambedkar’s brief 1932 statement on modern India’s founding figure, Gandhi. In that small text Ambedkar is critical of Gandhi’s seemingly saintly attempt at fasting himself to death. Ambedkar diagnoses that Gandhi’s act of self-sacrifice conceals a type of subtle coercion of certain political decisions during India’s independent movement from British colonialism. In order to unpack philosophical assumptions in Ambedkar’s statement, this paper examines Derrida’s startlingly original insights into animality, law, and sovereignty in confronting two of the Western tradition’s giants in political philosophy, namely Hobbes and Schmitt. My intuition is that Derridean deconstruction can be expanded further by deploying certain Hegelian resources. My ultimate aim is to show how Western notions of man, soul, God, the sovereign, and the state begin to dissolve when examining the Hindu metaphysical cosmology of the caste system. My thesis and concluding reflections argue that only by destroying that cosmological system of politico-metaphysical inequality can a true democratic notion of the sovereign state emerge in the Indian context.