April 01 2020 Cow, Cunt, Crip: Toward a Transspecies, Anti-ableist Feminism Emily Watlington Emily Watlington Emily Watlington is assistant editor at Art in America. Search for other works by this author on: This Site Google Scholar Author and Article Information Emily Watlington Emily Watlington is assistant editor at Art in America. Online Issn: 2572-7338 Print Issn: 1091-711X © 2020 Emily Watlington2020Emily Watlington Thresholds (2020) (48): 170–175. https://doi.org/10.1162/thld_a_00720 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Emily Watlington; Cow, Cunt, Crip: Toward a Transspecies, Anti-ableist Feminism. Thresholds 2020; (48): 170–175. doi: https://doi.org/10.1162/thld_a_00720 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2020 Emily Watlington2020Emily Watlington Article PDF first page preview Close Modal You do not currently have access to this content.

April 01 2020 The Relocation of the Indigenous Community of South Indian Lake (1966-68): For an Alternative and Shared Inhabitation of Modern Architectural History Elisa Dainese Elisa Dainese Dr. Elisa Dainese is an architect, theorist, and historian. She works on issues of decolonization, global history, and modernism with a focus on the transoceanic exchange between African, European and American architecture. She has published widely in architectural books and magazines (JSAH, JA, and e-flux) and her research has received grants and awards from Columbia University, Bruno Zevi Foundation, CCA, SSHRC, GAHTC, and the Graham Foundation. Search for other works by this author on: This Site Google Scholar Author and Article Information Elisa Dainese Dr. Elisa Dainese is an architect, theorist, and historian. She works on issues of decolonization, global history, and modernism with a focus on the transoceanic exchange between African, European and American architecture. She has published widely in architectural books and magazines (JSAH, JA, and e-flux) and her research has received grants and awards from Columbia University, Bruno Zevi Foundation, CCA, SSHRC, GAHTC, and the Graham Foundation. Online Issn: 2572-7338 Print Issn: 1091-711X © 2020 Elisa Dainese2020Elisa Dainese Thresholds (2020) (48): 90–105. https://doi.org/10.1162/thld_a_00713 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Elisa Dainese; The Relocation of the Indigenous Community of South Indian Lake (1966-68): For an Alternative and Shared Inhabitation of Modern Architectural History. Thresholds 2020; (48): 90–105. doi: https://doi.org/10.1162/thld_a_00713 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2020 Elisa Dainese2020Elisa Dainese Article PDF first page preview Close Modal You do not currently have access to this content.

May 01 2019 Pendleton's Rainer Caroline A. Jones Caroline A. Jones CAROLINE A. JONES is professor in the History, Theory, Criticism section of the Department of Architecture at MIT. She studies modern and contemporary art, with a particular focus on its technological modes of production, distribution, and reception; her current research collaboration with historian of science Peter Galison examines patterns of occlusion and political contestation in seeing and unseeing the Anthropocene. Search for other works by this author on: This Site Google Scholar Author and Article Information Caroline A. Jones CAROLINE A. JONES is professor in the History, Theory, Criticism section of the Department of Architecture at MIT. She studies modern and contemporary art, with a particular focus on its technological modes of production, distribution, and reception; her current research collaboration with historian of science Peter Galison examines patterns of occlusion and political contestation in seeing and unseeing the Anthropocene. Online Issn: 2572-7338 Print Issn: 1091-711X © 2019 Caroline A. Jones2019Caroline A. Jones Thresholds (2019) (47): 217–219. https://doi.org/10.1162/thld_a_00691 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Caroline A. Jones; Pendleton's Rainer. Thresholds 2019; (47): 217–219. doi: https://doi.org/10.1162/thld_a_00691 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2019 Caroline A. Jones2019Caroline A. Jones Article PDF first page preview Close Modal You do not currently have access to this content.

May 01 2019 Atlas Unshrugged: Fifteen Theses on the Open Question of Architecture's Position in Society Mark Jarzombek Mark Jarzombek MARK JARZOMBEK is Professor of the History and Theory of Architecture at MIT. He works on a wide range of topics—both historical and theoretical. He is one of the country's leading advocates for global history. His most recent book is Digital Stockholm Syndrome in the Post-Ontological Age (University of Minnesota Press, 2016). Search for other works by this author on: This Site Google Scholar Author and Article Information Mark Jarzombek MARK JARZOMBEK is Professor of the History and Theory of Architecture at MIT. He works on a wide range of topics—both historical and theoretical. He is one of the country's leading advocates for global history. His most recent book is Digital Stockholm Syndrome in the Post-Ontological Age (University of Minnesota Press, 2016). Online Issn: 2572-7338 Print Issn: 1091-711X © 2019 Mark Jarzombek2019Mark Jarzombek Thresholds (2019) (47): 225–228. https://doi.org/10.1162/thld_a_00689 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Mark Jarzombek; Atlas Unshrugged: Fifteen Theses on the Open Question of Architecture's Position in Society. Thresholds 2019; (47): 225–228. doi: https://doi.org/10.1162/thld_a_00689 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2019 Mark Jarzombek2019Mark Jarzombek Article PDF first page preview Close Modal You do not currently have access to this content.

May 01 2019 Marcel Breuer through a Multi-Lens Window: Agency in the Afterlife of Images Pep Avilés Pep Avilés Pep Avilés is Assistant Professor at the College of Arts and Architecture at Penn State University and editor of the journal Faktur: Documents and Architecture. He is currently working on the reception of Antoni Gaudí's work in the postwar years. Search for other works by this author on: This Site Google Scholar Author and Article Information Pep Avilés Pep Avilés is Assistant Professor at the College of Arts and Architecture at Penn State University and editor of the journal Faktur: Documents and Architecture. He is currently working on the reception of Antoni Gaudí's work in the postwar years. An earlier version of the present essay was presented at the Temple Hoyne Buell Center for the Study of American Architecture in 2015. The author would like to thank Reinhold Martin and the organizers of the Dissertation Colloquium for providing the opportunity to discuss his work. He also would like to recognize Beatriz Colomina, Denise Costanzo, Spyros Papapetros, David Smiley, and Claire Zimmerman's contributions as key to strengthening and clarifying the argument. Finally, Barry Bergdoll's remarks have proven invaluable. Online Issn: 2572-7338 Print Issn: 1091-711X © 2019 Pep Avilés2019Pep Avilés Thresholds (2019) (47): 105–118. https://doi.org/10.1162/thld_a_00678 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Pep Avilés; Marcel Breuer through a Multi-Lens Window: Agency in the Afterlife of Images. Thresholds 2019; (47): 105–118. doi: https://doi.org/10.1162/thld_a_00678 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2019 Pep Avilés2019Pep Avilés Article PDF first page preview Close Modal You do not currently have access to this content.

May 01 2018 Drawing Below the Line: The Bible as Architectural Text Kyle Dugdale Kyle Dugdale Kyle Dugdale is a licensed architect and a critic at Yale School of Architecture. He holds a BA (Hons) from Corpus Christi College, Oxford, an MArch from Harvard's Graduate School of Design, and a PhD from Yale University. His first book, Babel's Present, was published in 2016. Search for other works by this author on: This Site Google Scholar Author and Article Information Kyle Dugdale Kyle Dugdale is a licensed architect and a critic at Yale School of Architecture. He holds a BA (Hons) from Corpus Christi College, Oxford, an MArch from Harvard's Graduate School of Design, and a PhD from Yale University. His first book, Babel's Present, was published in 2016. Online Issn: 2572-7338 Print Issn: 1091-711X © 2018 Kyle Dugdale2018Kyle Dugdale Thresholds (2018) (46): 16–35. https://doi.org/10.1162/thld_a_00026 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Kyle Dugdale; Drawing Below the Line: The Bible as Architectural Text. Thresholds 2018; (46): 16–35. doi: https://doi.org/10.1162/thld_a_00026 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2018 Kyle Dugdale2018Kyle Dugdale Article PDF first page preview Close Modal You do not currently have access to this content.

May 01 2018 Straight into Your Mailbox—The GDR Buildup on Postage Stamps Frederic Schnee Frederic Schnee Frédéric Schnee has a MSc in architecture from the RWTH Aachen University. Schnee is currently an assistant professor at the Institute for Architecture, Construction and Theory at TH Cologne University. He has worked at BeL in Cologne, C-LAB, Columbia University and INABA Inc. in New York and OBRA Architects in Beijing. Contributions to VOLUME magazine and ARPA Journal. Search for other works by this author on: This Site Google Scholar Author and Article Information Frederic Schnee Frédéric Schnee has a MSc in architecture from the RWTH Aachen University. Schnee is currently an assistant professor at the Institute for Architecture, Construction and Theory at TH Cologne University. He has worked at BeL in Cologne, C-LAB, Columbia University and INABA Inc. in New York and OBRA Architects in Beijing. Contributions to VOLUME magazine and ARPA Journal. Online Issn: 2572-7338 Print Issn: 1091-711X © 2018 Frederic Schnee2018Frederic Schnee Thresholds (2018) (46): 190–207. https://doi.org/10.1162/thld_a_00037 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Frederic Schnee; Straight into Your Mailbox—The GDR Buildup on Postage Stamps. Thresholds 2018; (46): 190–207. doi: https://doi.org/10.1162/thld_a_00037 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2018 Frederic Schnee2018Frederic Schnee Article PDF first page preview Close Modal You do not currently have access to this content.

November 01 2018 Unfit: Los Angeles and the Empty Glass Box Aaron Cayer, Aaron Cayer Aaron Cayer is currently a PhD candidate in Architecture at UCLA as well as a Senior Research Associate at cityLAB—an urban think tank within UCLA’s Department of Architecture and Urban design. Trained as an architect, Aaron holds graduate and undergraduate degrees in architecture and sociology from Norwich University in Vermont, and continues to practice architecture in a variety of settings. His research focuses on theories of practice within architecture, and his dissertation examines the economic and cultural forces surrounding the emergence of multi-firm architectural organizations in the 1970s and 1980s. Search for other works by this author on: This Site Google Scholar Dana Cuff Dana Cuff Dana Cuff is a professor, author, and practitioner in architecture. Her work focuses on affordable housing, modernism, suburban studies, the politics of place, and the spatial implications of new computer technologies. Cuff has written and edited a number of books, including Fast Forward Urbanism (with R. sherman, princeton Architectural press) and The Provisional City, and Architecture: The Story of Practice (both mIT press). In addition, she founded the urban research think-tank cityLAB in 2006, and has since concentrated her efforts around issues of the emerging metropolis. Most recently, Cuff headed a multi-disciplinary team in 2013 that has awarded a major grant from the Mellon Foundation called “The Urban Turn: Collective Life in Pacific Rim Megacities" to bring design and the humanities together at UCLA around the study of Los Angeles, Tokyo, Shanghai, and Mexico City. Search for other works by this author on: This Site Google Scholar Author and Article Information Aaron Cayer Aaron Cayer is currently a PhD candidate in Architecture at UCLA as well as a Senior Research Associate at cityLAB—an urban think tank within UCLA’s Department of Architecture and Urban design. Trained as an architect, Aaron holds graduate and undergraduate degrees in architecture and sociology from Norwich University in Vermont, and continues to practice architecture in a variety of settings. His research focuses on theories of practice within architecture, and his dissertation examines the economic and cultural forces surrounding the emergence of multi-firm architectural organizations in the 1970s and 1980s. Dana Cuff Dana Cuff is a professor, author, and practitioner in architecture. Her work focuses on affordable housing, modernism, suburban studies, the politics of place, and the spatial implications of new computer technologies. Cuff has written and edited a number of books, including Fast Forward Urbanism (with R. sherman, princeton Architectural press) and The Provisional City, and Architecture: The Story of Practice (both mIT press). In addition, she founded the urban research think-tank cityLAB in 2006, and has since concentrated her efforts around issues of the emerging metropolis. Most recently, Cuff headed a multi-disciplinary team in 2013 that has awarded a major grant from the Mellon Foundation called “The Urban Turn: Collective Life in Pacific Rim Megacities" to bring design and the humanities together at UCLA around the study of Los Angeles, Tokyo, Shanghai, and Mexico City. Online Issn: 2572-7338 Print Issn: 1091-711X © 2016 Aaron Cayer and Dana Cuff2016Aaron Cayer and Dana Cuff Thresholds (2016) (44): 43–58. https://doi.org/10.1162/thld_a_00114 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Aaron Cayer, Dana Cuff; Unfit: Los Angeles and the Empty Glass Box. Thresholds 2016; (44): 43–58. doi: https://doi.org/10.1162/thld_a_00114 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2016 Aaron Cayer and Dana Cuff2016Aaron Cayer and Dana Cuff Article PDF first page preview Close Modal You do not currently have access to this content.

November 01 2018 Properly Selling the Improper Shelly Ronen Shelly Ronen Shelly Ronen is a doctoral candidate at New York University in sociology. Her dissertation asks how the sex toy market became moral, and uses archival material, interviews and participant observation to trace how makers navigate the taboos of selling sex and how cultures of sexual normalcy and deviance are inscribed into sex commodities. Shelly's writing has appeared in academic and non-academic outlets and she has been interviewed for Buzzfeed's Internet Explorer and Boing Boing's Flash Forward. Shelly is also one half of object Solution's "Designing the Future of love," a design fiction collaboration satirizing technosolutionist inventions for relationships. Search for other works by this author on: This Site Google Scholar Author and Article Information Shelly Ronen Shelly Ronen is a doctoral candidate at New York University in sociology. Her dissertation asks how the sex toy market became moral, and uses archival material, interviews and participant observation to trace how makers navigate the taboos of selling sex and how cultures of sexual normalcy and deviance are inscribed into sex commodities. Shelly's writing has appeared in academic and non-academic outlets and she has been interviewed for Buzzfeed's Internet Explorer and Boing Boing's Flash Forward. Shelly is also one half of object Solution's "Designing the Future of love," a design fiction collaboration satirizing technosolutionist inventions for relationships. Online Issn: 2572-7338 Print Issn: 1091-711X © 2016 Shelly Ronen2016Shelly Ronen Thresholds (2016) (44): 117–130. https://doi.org/10.1162/thld_a_00119 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Shelly Ronen; Properly Selling the Improper. Thresholds 2016; (44): 117–130. doi: https://doi.org/10.1162/thld_a_00119 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2016 Shelly Ronen2016Shelly Ronen Article PDF first page preview Close Modal You do not currently have access to this content.

November 01 2018 Monument in Commemoration of Prof. Dr. A. de Froe, 1907–1992 Hans van Houwelingen Hans van Houwelingen Hans van Houwelingen (1957) was educated at the Minerva Art Academy in Groningen (Netherlands) and at the Rijksakademie van Beeldende Kunsten in Amsterdam. His work is internationally manifested in the form of interventions in public space, exhibitions, lectures and publications, in which he investigates the relations between art, politics and ideology. Van Houwelingen lives and works in Amsterdam. Search for other works by this author on: This Site Google Scholar Author and Article Information Hans van Houwelingen Hans van Houwelingen (1957) was educated at the Minerva Art Academy in Groningen (Netherlands) and at the Rijksakademie van Beeldende Kunsten in Amsterdam. His work is internationally manifested in the form of interventions in public space, exhibitions, lectures and publications, in which he investigates the relations between art, politics and ideology. Van Houwelingen lives and works in Amsterdam. Online Issn: 2572-7338 Print Issn: 1091-711X © 2015 Hans van Houwelingen2015Hans van Houwelingen Thresholds (2015) (43): 172–243. https://doi.org/10.1162/thld_a_00066 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Hans van Houwelingen; Monument in Commemoration of Prof. Dr. A. de Froe, 1907–1992. Thresholds 2015; (43): 172–243. doi: https://doi.org/10.1162/thld_a_00066 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2015 Hans van Houwelingen2015Hans van Houwelingen Article PDF first page preview Close Modal You do not currently have access to this content.