- Research Article
1
- 10.4467/20843844te.19.020.11200
Struktura Orlanda szalonego między eposem a romansem rycerskim
- Jan 01, 2019
- Terminus
- Alberto Roncaccia
The aim of this paper is, on the one hand, to show coherence within the thematic frame of Ludovico Ariosto's Orlando Furioso, and on the other, to give consideration to fragments commonly considered minor and only complementary. Roncaccia based his work both on sixteenth-century studies of Ariosto and on contemporary research. Scholars who study Ariosto have always been challenged by the issue of the narrative and structural unity of Orlando Furioso. Both contradictory patterns can be reduced to images of a complex maze of events and a complete structure built with architectonical precision. The still current opposition between the two different manners of interpretation can be considered in relation to the two fragments of the chivalric narrative that intertwine in Orlando Furioso: the adventure genre related to the Breton Arthurian cycle and the epic genre that undertakes the subject of the Carolingian Wars. This tendency to duality-clear at the narrative plane-can be overcome at the macrotext level. Roncaccia shows how the four "movements" alternately play a role in the overall structure of the poem (as if in a symphony): two of them are characterised by the dispersion of motifs characteristic of romance, while the other two concentrate them, as if in an epic poem. By virtue of this original device, Ariosto combines the two genres, proportioning them depending on his compositional intentions.
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