The autostereogram (ASG) was discovered in the 1840s and again in the 1960s. Itis acknowledged that Pete Stephens rediscovered the ASG serendipitously when heconstructed an image with a repetitive pattern manually in the late 1960s. But,the principle and application of the ASG were described by Lev Mogilev fromIrkutsk State University earlier in the 1960s.

In the Magic Wand effect, an overlying figure of the same color as its backgroundis revealed by the motion of a wand behind it. The occludingfigure is inferred by integration of the occluding edge information over time.The overlying figure is perceived by modal completion, while the wand and thebackground underneath are perceived by amodal completion. This illusion iscompared with its predecessor from nearly two centuries ago, the PlateauAnorthoscopic Illusion, in which an object is recognizable when moved behind aslit.

An increasing number of studies have investigated the relation between the processing of painful stimuli and rejection. Little was known, however, about the impact of the rejection sensitivity (RS) on the processing of painful pictures. This study addressed this issue using high temporal resolution event-related potential techniques. Thirty high RS (20 women and 10 men who scored in the top 20th percentile of the Rejection Sensitivity Questionnaire scores) and 30 low RS (20 women and 10 men who scored in the bottom 20th percentile) volunteers participated in the experiment. All volunteers performed a discrimination task of painful pictures in which they were asked to judge whether target pictures were painful or not. Behaviorally, participants exhibited shorter reaction times for painful than nonpainful pictures. For the P100 component, low RS participants showed stronger brain activities for painful than nonpainful pictures, suggesting vigilance toward painful pictures. High RS participants, however, exhibited no P100 amplitude differences between painful and nonpainful pictures, indicating an analgesia phenomenon. Furthermore, we found that there were larger amplitudes in the late late positive complex component for painful compared with nonpainful pictures, regardless of participants’ RS. This suggested a person’s further assessment for painful pictures. In short, our findings demonstrated that the level of RS influenced the pain processing at a very early stage of processing.

This study investigated how music tempo impacted drivers’ fatigue and quality of attention in a long-distance monotonous highway environment. Sixteen drivers were enrolled in four sessions of real-road driving tests under the following four music conditions: no music, slow tempo, medium tempo and fast tempo. Specifically, the drivers’ electroencephalogram parameters and eye movement parameters were recorded to measure their extent of fatigue and quality of attention, respectively. Of the three tempos, medium-tempo music is the best choice to reduce fatigue and maintain attention for a long-distance driving. Slow-tempo music can temporarily boost the quality of attention, but after a long period of driving, it significantly deteriorates the driver’s levels of fatigue and attention. Fast-tempo music helps relieve driver fatigue but significantly deteriorates drivers’ attention after an extended driving time. This study offered practical references for drivers regarding the use of music to avoid fatigue, maintain attention and improve their driving safety. Based on previous theories of music and driving, we have explored the underlying mechanism of how music tempo maintains the alertness of drivers.

Luminance noise is widely used as mask in Experimental Psychology. But can luminance noise also affect where we perceive an object or change the perceived distance between objects? In this study, I investigated the effect of a repeatedly flashed luminance noise pattern on the perceived separation between two bars. Indeed, compared to conditions without dynamic luminance noise, the spacing between the bars was overestimated when the pattern flashed on-and-off in the background. The cause for this remarkably stable effect remains unknown. Potential relations to apparent motion, masking, attentional biases, and other visual illusions are discussed.

Explicit or implicit assumptions about the source of illumination are a key determinant of perceived colours from the image of #TheDress. In addition, previous work showed that the extent of the processing of contextual cues in the image may be reduced in blue and black perceivers. This is a brief report of a questionnaire study which focused on the ambiguity of light direction as well as on the ambiguity of the content of #TheDress photograph itself. We replicated previous reports about the importance of perceived light direction: White and gold perceivers were more likely to report light from the back than sideways light. Descriptions of #TheDress image did not relate to perceived colour or light direction, but there were many erroneous reports and a high level of ambiguity. It is highly likely that the ambiguity of image content feeds into the importance of implicit factors that influence perceived illumination as determinants of dress colour.

[This corrects the article DOI: 10.1177/2041669519827974.].

The current study investigated whether small differences in the background colours between the lineup members would influence identification accuracy of own-race and other-race faces. Using the well-established 1-in-10 paradigm, half of the array faces had exactly the same backgrounds, and half were on backgrounds of slightly different hues of green. For target present arrays, participants were more accurate at identifying own-race faces when compared with the other-race faces when all backgrounds were the same. However, when backgrounds had slightly different hues, there was no difference in how accurate people were at identifying faces from both races. For target absent arrays, participants were more likely to incorrectly choose a face if the backgrounds were not all the same, regardless of the race of faces. Real-world implications from these findings are that using lineups where the backgrounds are slightly different hues may increase the likelihood of the false identification of innocent suspects.

Comparative research investigating how nonhuman animals generalize patterns of auditory stimuli often uses sequences of human speech syllables and reports limited generalization abilities in animals. Here, we reverse this logic, testing humans with stimulus sequences tailored to squirrel monkeys. When test stimuli are familiar (human voices), humans succeed in two types of generalization. However, when the same structural rule is instantiated over unfamiliar but perceivable sounds within squirrel monkeys’ optimal hearing frequency range, human participants master only one type of generalization. These findings have methodological implications for the design of comparative experiments, which should be fair towards all tested species’ proclivities and limitations.

We report two experiments on the role of mid-level processes in image segmentation and completion. In the primed matching task of Experiment 1, a cue→prime sequence was presented before the imperative stimulus consisting of target shapes with positive versus negative contour curvature polarity and one versus two axes of mirror symmetry. Priming shapes were included in two composite occlusion displays with the same T-junction information and different geometric features supporting a distinct balance between completion and mosaic solutions. A cue, either congruent or incongruent with targets, preceded the presentation of the composite priming display. Matching performance was affected by primes in the expected direction, while cue congruency participated only in a marginally significant three-way interaction, and prime duration had no effect. In Experiment 2, the cue→prime sequence was replaced by a fixation cross to control for the priming effect obtained in Experiment 1. The study confirmed that contour connectability and curvature polarity are effective structural factors capable of competing with symmetry in mid-level image segmentation and completion processes.