- Research Article
- 10.1080/13642529.2025.2493971
Drawing as alchemy: historical representations of King’s Cross
- Jan 02, 2026
- Rethinking History
- Anne Howeson
ABSTRACT In this practice-based contribution, using a language more poetic than academic, I discuss my drawings that reimagine found material – prints, drawings or photographs – and reflect on how historical images can be transformed, in a process both alchemical and mysterious, into personal stories or commentaries on contemporary life and politics. The Museum of London invited me to collaborate with their prints and drawings archives after seeing my exhibition Remember Me, commemorating architectural transition at King’s Cross (Guardian Media, London). Researching in their Archives, I chose urban figurative prints of King’s Cross and St Pancras, depicting ghosts, graveyards, death, health spas, foundling children and the built environment. Using these as starting points for my own stories about the passing of time, while erasing and re-drawing theirs, I became fascinated by a sense of walking in the earlier artists’ footsteps. This led to my exhibition Present in the Past, 2015 (Collyer Bristow, London, 2015). Photographic sources then replaced engravings as source material for Feet of Angels (Carey Blyth, Oxford, 2023), using mostly Fox Talbot photographs from the Talbot Catalogue Raisonné, Bodleian Libraries. This exhibition, while still exploring time and memory, used these historical photographs as a conduit to new narratives of war, dystopia and mortality.
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