- Research Article
- 10.30970/vas.26.2025.25-32
MYTHOLOGICAL FOUNDATIONS OF THE FUNCTIONING OF WIND INSTRUMENTS
- Jan 01, 2025
- Bulletin of the Lviv University. Series of Arts Studies
- Natalia Syrotynska
The article explores the deep symbolism of mythological thinking and its impact on the perception and functioning of wind instruments in the cult rites of ancient civilizations. The author examines the connections between Egyptian and ancient Greek mythological concepts and Old Testament texts, highlighting the significant role of breathing in the creation of humanity and the sacredness of air. During this time, wind instruments played an active role in ritual performances, underscoring the mystical significance of trumpet sounds in the Holy Scriptures. This practice led Moses to establish the offering of solemn sacrifices accompanied by trumpets and to create the Levite caste as ceremonial musicians. In the Greco-Hellenistic period, this inclination to equate air with the human soul continued in the beliefs of Greek philosophers such as Anaximenes, Anaxagoras, and Diogenes. They regarded air as synonymous with the human soul and the essence of human existence, which aligned with the mythological worldview of the ancient Greeks and their depictions of gods with instruments, including wind instruments. Thus, there is a continuous interpretation of wind instruments as a vital aspect of worldview and practical ritual application. This trend can also be observed in the Christian rite, where wind instruments are utilized differently. While their practical use was restricted in Orthodox liturgy, they can be found in the lexicon of liturgical texts. The expressiveness of brass sounds was transformed into poetic expressions often used to glorify saints, martyrs, and revered figures within the Christian church. This influence is evident in the ritual texts of Greco-Byzantine hymnography, which were translated from Greek into Church Slavonic as part of Ukraine’s adoption of the Christian rite. The frequent use of “brass” imagery in music also appears in non-musical notation, especially in the sign “kulisma with a trumpet”, as well as in melodies. Methodology: The author employed source analysis, historical research, musical theory, and cultural studies to conduct this investigation. Scientific novelty: This study traces the influence of metaphorical thinking on the sacralization of wind instruments and their evolving roles in ritual practices across different periods.
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