A Tone Mapping algorithm suited for analog-signal real-time image processing

Tone-mapping-operators (TMOs) provide a useful means for converting high dynamic range (HDR) images to low dynamic range (LDR) images so that they can be viewed on standard displays, but this may influence the visual quality of experience (QoE) of the end-user. There is a need to understand the impact of TMOs to inform the choice of TMO algorithms for different displays, especially for small-screen-devices (SSDs) such as those used in mobile phones. This is important, as mobile devices are becoming the primary means of consuming multimedia contents. However, few studies have been undertaken to assess the impact of TMOs and viewing devices (especially SSDs) on the visual QoE of the user when using. In this chapter, we evaluate subjectively and objectively, the commonly used TMOs in different displays and resolutions for colour and grey-scale HDR images. Our results show that viewing devices have an influence on the TMOs performance, suggesting the need for a careful choice of TMO to enhance the viewing-QoE of the end-user. As expected, the higher resolution, the better HDR-image quality. Surprisingly, there was no significant difference between the Mean of Opinion Score (MOS) scores for colour and grey-scale images in SSDs. The device and TMOs affect QoE for colour and grey HDR-image equally. We found Shannon entropy (SE) to be a good objective measure of quality for colour and grey HDR images, suggesting that entropy may find use in automated HDR quality control assessment schemes, while; HDR-VDP-2 is a good objective measure for colour HDR image only.

High dynamic range (HDR) photography is an emerging technology that has the potential to dramatically enhance the visual quality and realism of digital photos. One of the key technical challenges of HDR photography is displaying HDR photos on conventional devices through tone mapping or dynamic range compression. Although many different tone mapping techniques have been developed in recent years, evaluating tone mapping operators prove to be extremely difficult. Web2.0, social media and crowd-sourcing are emerging Internet technologies which can be harnessed to harvest the brain power of the mass to solve difficult problems in science, engineering and businesses. Paired comparison is used in the scientific study of preferences and attitudes and has been shown to be capable of obtaining an interval-scale ordering of items along a psychometric dimension such as preference or importance. In this paper, we exploit these technologies for evaluating HDR tone mapping algorithms. We have developed a Web2.0 style system that enables Internet users from anywhere to evaluate tone mapped HDR photos at any time. We adopt a simple paired comparison protocol, Internet users are presented a pair of tone mapped images and are simply asked to select the one that they think is better or click a "no difference" button. These user inputs are collected in the web server and analyzed by a rank aggregation algorithm which ranks the tone mapped photos according to the votes they received. We present experimental results which demonstrate that the emerging Internet technologies can be exploited as a new paradigm for evaluating HDR tone mapping algorithms. The advantages of this approach include the potential of collecting large user inputs under a variety of viewing environments rather than limited user participation under controlled laboratory environments thus enabling more robust and reliable quality assessment. We also present data analysis to correlate user generated qualitative indices with quantitative image statistics which may provide useful guidance for developing better tone mapping operators.

In this paper we present a new technique for the display of High Dynamic Range (HDR) images on Low Dynamic Range (LDR) displays. The described process has three stages. First, the input image is segmented into luminance zones. Second, the tone mapping operator (TMO) that performs better in each zone is automatically selected. Finally, the resulting tone mapping (TM) outputs for each zone are merged, generating the final LDR output image. To establish the TMO that performs better in each luminance zone we conducted a preliminary psychophysical experiment using a set of HDR images and six different TMOs. We validated our composite technique on several (new) HDR images and conducted a further psychophysical experiment, using an HDR display as reference, that establishes the advantages of our hybrid three-stage approach over a traditional individual TMO.

In this paper, we propose a tone mapping (TM) method using color correction function (CCF) and image decomposition in high dynamic range (HDR) imaging. The CCF in the proposed TM is derived from the luminance compression function with the color constraint under which the color ratios, between the three color channels of the radiance map and dynamic range compression term, are preserved and color saturation is controlled. The proposed CCF is developed to locally perform the luminance compression and color saturation control in local TM. For image decomposition, we use a bilateral filter and apply the adaptive weight to the base layer of the luminance. Computer simulations with various sets of real, low dynamic range images show the effectiveness of the proposed TM algorithm in terms of the visual quality as well the local contrast. It can be used for contrast and color enhancement in various display and acquisition devices.

A fixed-point tone mapping operation (TMO) instead of a floating-point TMO is proposed in this paper. A TMO generates a low dynamic range (LDR) image from a high dynamic range (HDR) image. Since pixel values of an HDR image are generally expressed in a floating-point data format, e.g. RGBE and OpenEXR, a TMO is also implemented in floating-point arithmetic in conventional approaches. However, it requires a huge computational cost, even though a resulting LDR image is expressed in simple integers. The proposed TMO is implemented with only fixed-point arithmetic. As a result, the proposed method reduces a computational cost. Experimental results shows the PSNR of LDR images in the proposed method are comparable to those of the conventional methods.

A number of successful tone mapping operators for contrast compression have been proposed due to the need to visualize high dynamic range (HDR) images on low dynamic range devices. They were inspired by fields as diverse as image processing, photographic practice, and modeling of the human visual systems (HVS). The variety of approaches calls for a systematic perceptual evaluation of their performance. We conduct a psychophysical experiment based on a direct comparison between the appearance of real-world scenes and HDR images of these scenes displayed on a low dynamic range monitor. In our experiment, HDR images are tone mapped by seven existing tone mapping operators. The primary interest of this psychophysical experiment is to assess the differences in how tone mapped images are perceived by human observers and to find out which attributes of image appearance account for these differences when tone mapped images are compared directly with their corresponding real-world scenes rather than with each other. The human subjects rate image naturalness, overall contrast, overall brightness, and detail reproduction in dark and bright image regions with respect to the corresponding real-world scene. The results indicate substantial differences in perception of images produced by individual tone mapping operators. We observe a clear distinction between global and local operators in favor of the latter, and we classify the tone mapping operators according to naturalness and appearance attributes.

Intelligent driver assistance systems are becoming increasingly popular in modern passenger vehicles. A crucial component of intelligent vehicles is the ability to detect vulnerable road users (VRUs) for an early and safe response. However, standard imaging sensors perform poorly in conditions of strong illumination contrast, such as approaching a tunnel or at night, due to their dynamic range limitations. In this paper, we focus on the use of high-dynamic-range (HDR) imaging sensors in vehicle perception systems and the subsequent need for tone mapping of the acquired data into a standard 8-bit representation. To our knowledge, no previous studies have evaluated the impact of tone mapping on object detection performance. We investigate the potential for optimizing HDR tone mapping to achieve a natural image appearance while facilitating object detection of state-of-the-art detectors designed for standard dynamic range (SDR) images. Our proposed approach relies on a lightweight convolutional neural network (CNN) that tone maps HDR video frames into a standard 8-bit representation. We introduce a novel training approach called detection-informed tone mapping (DI-TM) and evaluate its performance with respect to its effectiveness and robustness in various scene conditions, as well as its performance relative to an existing state-of-the-art tone mapping method. The results show that the proposed DI-TM method achieves the best results in terms of detection performance metrics in challenging dynamic range conditions, while both methods perform well in typical, non-challenging conditions. In challenging conditions, our method improves the detection F2 score by 13%. Compared to SDR images, the increase in F2 score is 49%.

Recently, the standardization of backward compatible JPEG image coding for high dynamic range (HDR) image has been undertaken to establish an international standard called “JPEG XT.” The JPEG XT consists of two layers: the base layer and the residual layer. The base layer contains tone mapped low dynamic range (LDR) image data and the residual layer contains the error signal used to reconstruct the HDR image. This paper gives the result of a study to evaluate the overall performance of tone mapping operators (TMOs) for this standard. The evaluation is performed using five HDR image datasets and six TMOs for profiles A, B, and C of the proposed JPEG XT standard. The Tone Mapped image Quality Index (TMQI) and no reference image quality assessment (NR IQA) are used for measuring the LDR image quality. The peak signal to noise ratio (PSNR) is used to evaluate the overall compression performance of JPEG XT profiles A, B, and C. In TMQI and NR IQA measurements, TMOs using display adaptive tone mapping and adaptive logarithmic mapping each gave good results. A TMO using adaptive logarithmic mapping gave good PSNRs.

International audience

High dynamic range (HDR) images are becoming pervasive due to capturing or rendering of a wider range of luminance, but their special display equipment is difficult to be popularized because of high cost and technological problem. Thus, HDR images must be adapted to the conventional display devices by applying tone mapping (TM) operation, which puts forward higher requirements for intellectual property protection of HDR images. As the robustness presents regional diversity in the low dynamic range (LDR) watermarked image after TM, which is different from the traditional watermarking technologies, a concept of watermarking activity is defined and used to distinguish the essential distinction of watermarking between LDR image and HDR image in this paper. Then, a novel robust HDR image watermarking algorithm is proposed against TM operations. Firstly, based on the hybrid processing of redundant discrete wavelet transform and singular value decomposition, the watermark is embedded by modifying the structure information of the HDR image. Distinguished from LDR image watermarking, the high embedding strength can cause more obvious distortion in the high brightness regions of HDR image than the low brightness regions. Thus, a perceptual brightness mask with low complexity is designed to improve the imperceptibility further. Experimental results show that the proposed algorithm is robust to the existing TM operations, with taking into account the imperceptibility and embedded capacity, which is superior to the current state-of-art HDR image watermarking algorithms.

We propose an integer tone mapping operator (TMO) for high dynamic range (HDR) images expressed in a floating-point data format. Two purposes are achieved by the proposed TMO. The first purpose is to implement a TMO with less memory space. The second purpose is to give an important step to realize a fixed-point TMO. The proposed TMO is available for HDR images in the OpenEXR format. The OpenEXR format has two numerical representations (the normalized number and the denormalized number) which are not in other HDR formats such as RGBE. These two numerical representations cause a problem in applying an integer TMO. The proposed method enables us to avoid the problem by using the intermediate format. Moreover, the exponent part and the mantissa part are processed separately as two integer numbers. As a result, an integer TMO with less numerical range is achieved by our method. The experimental results show that the proposed method can generate high-quality low dynamic range (LDR) images with less memory space.

This paper presents an investigation and a correction technique for fixed pattern noise in wide dynamic range image sensor with on the focal plane Reinhard tone mapping. The Human eye is capable of capturing images over a wide dynamic range of illumination; however, typical CMOS image sensors have limited ability to capture dynamic range available in nature. Even when wide dynamic range images are captured, they need to be displayed on conventional media with limited ability to display WDR scenes. Hence, the image has algorithmically transformed by mathematical operators called tone mapping operators to fit the limited dynamic range. In this paper, we report our research on a pixel, which captures a scene with inbuilt tone mapping operator, particularly, the Reinhard photographic mapping operator, which is a monotonically increasing function. However, the inherent Fixed pattern noise(FPN) limits the performance of image sensors. This is mainly due to the variations between the responses of individual pixels within an array of pixels. A simple procedure has been adapted to reduce FPN in which parametric response of the pixel is used, with FPN modeled as variations in the individual parameters. The parameters of each individual pixel are measured, recorded and then used to correct their response.

In this paper, we present a Double-Anchoring Based Tone Mapping (DABTM) algorithm for displaying high dynamic range (HDR) images. First, two anchoring values are obtained using the double-anchoring theory. Second, we use the two values to formulate the compressing operator, which can achieve the aim of tone mapping directly. A new method based on accelerated K-means for the decomposition of HDR images into groups (frameworks) is proposed. Most importantly, a group of piecewise-overlap linear functions is put forward to define the belongingness of pixels to their locating frameworks. Experiments show that our algorithm is capable of achieving dynamic range compression, while preserving fine details and avoiding common artifacts such as gradient reversals, halos, or loss of local contrast.

Tone mapping operators (TMOs) that convert high dynamic range (HDR) images to standard low dynamic range (LDR) images are highly desirable for the visualization of these images on standard displays. Although many existing TMOs produce visually appealing images, it is until recently validated objective measures that can assess their quality have been proposed. Without such objective measures, the design of traditional TMOs can only be based on intuitive ideas, lacking clear goals for further improvement. In this paper, we propose a substantially different tone mapping approach, where instead of explicitly designing a new computational structure for TMO, we search in the space of images to find better quality images in terms of a recent objective measure that can assess the structural fidelity between two images of different dynamic ranges. Specifically, starting from any initial image, the proposed algorithm moves the image along the gradient ascent direction and stops until it converges to a maximal point. Our experiments show that the proposed algorithm reliably produces better quality images upon a number of state-of-the-art TMOs.

Tone mapping operators (TMO) are functions that map high dynamic range (HDR) images to a standard dynamic range (SDR), while aiming to preserve the perceptual cues of a scene that govern its visual quality. Despite the increasing number of studies on quality assessment of tone mapped images, current subjective quality datasets have relatively small numbers of images and subjective opinions. Moreover, existing challenges in transferring laboratory experiments to crowdsourcing platforms put a barrier for collecting large-scale datasets through crowdsourcing. In this work, we address these challenges and propose the RealVision-TMO (RV-TMO), a large-scale tone mapped image quality dataset. RV-TMO contains 250 unique HDR images, their tone mapped versions obtained using four TMOs and pairwise comparison results from seventy unique observers for each pair. To the best of our knowledge, this is the largest dataset available in the literature for quality evaluation of TMOs by the number of tone mapped images and number of annotations. Furthermore, we provide a content selection strategy to identify interesting and challenging HDR images. We also propose a novel methodology for observer screening in pairwise experiments. Our work does not only provide annotated data to benchmark existing objective quality metrics, but also paves the path to building new metrics for tone mapping quality evaluation.