HDR image multi-bit watermarking using bilateral-filtering-based masking

Tone-mapping-operators (TMOs) provide a useful means for converting high dynamic range (HDR) images to low dynamic range (LDR) images so that they can be viewed on standard displays, but this may influence the visual quality of experience (QoE) of the end-user. There is a need to understand the impact of TMOs to inform the choice of TMO algorithms for different displays, especially for small-screen-devices (SSDs) such as those used in mobile phones. This is important, as mobile devices are becoming the primary means of consuming multimedia contents. However, few studies have been undertaken to assess the impact of TMOs and viewing devices (especially SSDs) on the visual QoE of the user when using. In this chapter, we evaluate subjectively and objectively, the commonly used TMOs in different displays and resolutions for colour and grey-scale HDR images. Our results show that viewing devices have an influence on the TMOs performance, suggesting the need for a careful choice of TMO to enhance the viewing-QoE of the end-user. As expected, the higher resolution, the better HDR-image quality. Surprisingly, there was no significant difference between the Mean of Opinion Score (MOS) scores for colour and grey-scale images in SSDs. The device and TMOs affect QoE for colour and grey HDR-image equally. We found Shannon entropy (SE) to be a good objective measure of quality for colour and grey HDR images, suggesting that entropy may find use in automated HDR quality control assessment schemes, while; HDR-VDP-2 is a good objective measure for colour HDR image only.

In this paper, we propose a bit-depth scalable lossless coding method for high dynamic range (HDR) images based on a reversible logarithmic mapping. HDR images are generally expressed as floating-point data, such as in the OpenEXR or RGBE formats. Our bit-depth scalable coding approach outputs base layer data and enhancement layer data. It can reconstruct the low dynamic range (LDR) image from the base layer data and reconstructs the HDR image by adding the enhancement layer data. Most previous two-layer methods have focused on the lossy coding of HDR images. Unfortunately, the extension of previous lossy methods to lossless coding does not significantly compress the enhancement layer data. This is because the bit depth becomes very large, especially for HDR images in floating-point data format. To tackle this problem, we apply a reversible logarithmic mapping to the input HDR data. Moreover, we introduce a format conversion to avoid any degradation in the quality of the reconstructed LDR image. The proposed method is effective for both OpenEXR and RGBE formats. Through a series of experiments, we confirm that the proposed method decreases the volume of compressed data while maintaining the visual quality of the reconstructed LDR images.

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High dynamic range (HDR) images are becoming pervasive due to capturing or rendering of a wider range of luminance, but their special display equipment is difficult to be popularized because of high cost and technological problem. Thus, HDR images must be adapted to the conventional display devices by applying tone mapping (TM) operation, which puts forward higher requirements for intellectual property protection of HDR images. As the robustness presents regional diversity in the low dynamic range (LDR) watermarked image after TM, which is different from the traditional watermarking technologies, a concept of watermarking activity is defined and used to distinguish the essential distinction of watermarking between LDR image and HDR image in this paper. Then, a novel robust HDR image watermarking algorithm is proposed against TM operations. Firstly, based on the hybrid processing of redundant discrete wavelet transform and singular value decomposition, the watermark is embedded by modifying the structure information of the HDR image. Distinguished from LDR image watermarking, the high embedding strength can cause more obvious distortion in the high brightness regions of HDR image than the low brightness regions. Thus, a perceptual brightness mask with low complexity is designed to improve the imperceptibility further. Experimental results show that the proposed algorithm is robust to the existing TM operations, with taking into account the imperceptibility and embedded capacity, which is superior to the current state-of-art HDR image watermarking algorithms.

This paper proposes a High Dynamic Range (HDR) image Tone Mapping (TM) approach converting HDR images into Low Dynamic Range (LDR) images so as the tone mapped HDR images ensure good visual quality on LDR display devices in accordance with the observers’ assessment. The proposed algorithm adjusts the logarithm luminance distribution of the HDR image according to a perceptual quantizer with respect to the Human Visual System (HVS) using a piecewise linear function. The parameters’s approximation are induced by L M -norms (l 1 , l 2 , l ∞ ) and the performance of the proposed algorithm is discussed. Simulation results provide good results, both in terms of visual quality and TMQI metric, compared to existing competitive TM approaches.

A fixed-point tone mapping operation (TMO) instead of a floating-point TMO is proposed in this paper. A TMO generates a low dynamic range (LDR) image from a high dynamic range (HDR) image. Since pixel values of an HDR image are generally expressed in a floating-point data format, e.g. RGBE and OpenEXR, a TMO is also implemented in floating-point arithmetic in conventional approaches. However, it requires a huge computational cost, even though a resulting LDR image is expressed in simple integers. The proposed TMO is implemented with only fixed-point arithmetic. As a result, the proposed method reduces a computational cost. Experimental results shows the PSNR of LDR images in the proposed method are comparable to those of the conventional methods.

A number of successful tone mapping operators for contrast compression have been proposed due to the need to visualize high dynamic range (HDR) images on low dynamic range devices. They were inspired by fields as diverse as image processing, photographic practice, and modeling of the human visual systems (HVS). The variety of approaches calls for a systematic perceptual evaluation of their performance. We conduct a psychophysical experiment based on a direct comparison between the appearance of real-world scenes and HDR images of these scenes displayed on a low dynamic range monitor. In our experiment, HDR images are tone mapped by seven existing tone mapping operators. The primary interest of this psychophysical experiment is to assess the differences in how tone mapped images are perceived by human observers and to find out which attributes of image appearance account for these differences when tone mapped images are compared directly with their corresponding real-world scenes rather than with each other. The human subjects rate image naturalness, overall contrast, overall brightness, and detail reproduction in dark and bright image regions with respect to the corresponding real-world scene. The results indicate substantial differences in perception of images produced by individual tone mapping operators. We observe a clear distinction between global and local operators in favor of the latter, and we classify the tone mapping operators according to naturalness and appearance attributes.

Recently, the standardization of backward compatible JPEG image coding for high dynamic range (HDR) image has been undertaken to establish an international standard called “JPEG XT.” The JPEG XT consists of two layers: the base layer and the residual layer. The base layer contains tone mapped low dynamic range (LDR) image data and the residual layer contains the error signal used to reconstruct the HDR image. This paper gives the result of a study to evaluate the overall performance of tone mapping operators (TMOs) for this standard. The evaluation is performed using five HDR image datasets and six TMOs for profiles A, B, and C of the proposed JPEG XT standard. The Tone Mapped image Quality Index (TMQI) and no reference image quality assessment (NR IQA) are used for measuring the LDR image quality. The peak signal to noise ratio (PSNR) is used to evaluate the overall compression performance of JPEG XT profiles A, B, and C. In TMQI and NR IQA measurements, TMOs using display adaptive tone mapping and adaptive logarithmic mapping each gave good results. A TMO using adaptive logarithmic mapping gave good PSNRs.

This paper addresses the conversion problem of High Dynamic Range (HDR) images into Low Dynamic Range (LDR) images. The aim of this conversion is to ensure a good visual rendering of the displayed Tone Mapped (TM) HDR images in accordance with the observers' assessment. To do so, the proposed algorithm adjusts a piecewise linear function to the logarithm luminance distribution of the HDR image to adapt this transformation to the perceptual quantizer in accordance with the Human Visual System (HVS). The computation of the slope value of the piecewise linear transformation is simplified. Indeed, it is given by the ratio between the probability and the logarithm luminance distance in the sampling bin. This leads to histograms which tend to be flat, thus inducing a contrast enhancement of the tone mapped HDR images in both under-exposed and overexposed areas. Simulation results provide good results, both in terms of visual quality and TMQI metric, compared to existing competitive TM approaches.

Recently, various deep learning-based high dynamic range (HDR) imaging methods have been proposed to overcome the performance limitation of simply merging or fusion of multiple low dynamic range (LDR) images. However, early deep learning-based methods did not fully exploit the inter-image relationship between different exposures. T o consider inter-image features without the dataset dependency, this paper presents a novel HDR method using three-dimensional residual dense network (3D RDN). We first reconstruct a set of differently exposed LDR images in video format. Next, we take the reconstructed video as an input to the 3D RDN, which generates an HDR image as output. Experimental results show that the proposed method provides higher score compared with state-of-the-arts HDR methods. To the best of authors knowledge, the proposed work first adopted the 3D RDN in the field of HDR imaging using more than three LDR images without any additional pre-or post-processing.

In this paper, we propose a tone mapping (TM) method using color correction function (CCF) and image decomposition in high dynamic range (HDR) imaging. The CCF in the proposed TM is derived from the luminance compression function with the color constraint under which the color ratios, between the three color channels of the radiance map and dynamic range compression term, are preserved and color saturation is controlled. The proposed CCF is developed to locally perform the luminance compression and color saturation control in local TM. For image decomposition, we use a bilateral filter and apply the adaptive weight to the base layer of the luminance. Computer simulations with various sets of real, low dynamic range images show the effectiveness of the proposed TM algorithm in terms of the visual quality as well the local contrast. It can be used for contrast and color enhancement in various display and acquisition devices.

In this paper we present a new technique for the display of High Dynamic Range (HDR) images on Low Dynamic Range (LDR) displays. The described process has three stages. First, the input image is segmented into luminance zones. Second, the tone mapping operator (TMO) that performs better in each zone is automatically selected. Finally, the resulting tone mapping (TM) outputs for each zone are merged, generating the final LDR output image. To establish the TMO that performs better in each luminance zone we conducted a preliminary psychophysical experiment using a set of HDR images and six different TMOs. We validated our composite technique on several (new) HDR images and conducted a further psychophysical experiment, using an HDR display as reference, that establishes the advantages of our hybrid three-stage approach over a traditional individual TMO.

This paper presents a novel High Dynamic Range (HDR) tone mapping (TM) system based on sub-band architecture. Standard wavelet filters of Daubechies, Symlets, Coiflets and Biorthogonal were used to estimate the proposed system performance in terms of Low Dynamic Range (LDR) image quality and reconstructed HDR image fidelity. During TM stage, the HDR image is firstly decomposed in sub-bands using symmetrical analysis-synthesis filter bank. The transform coefficients are then rescaled using a predefined gain map. The inverse Tone Mapping (iTM) stage is straightforward. Indeed, the LDR image passes through the same sub-band architecture. But, instead of reducing the dynamic range, the LDR content is boosted to an HDR representation. Moreover, in our TM sheme, we included an optimization module to select the gain map components that minimize the reconstruction error, and consequently resulting in high fidelity HDR content. Comparisons with recent state-of-the-art methods have shown that our method provides better results in terms of visual quality and HDR reconstruction fidelity using objective and subjective evaluations.

Feature Point (FP) detection is a fundamental step in computer vision tasks. Although FP detectors are mostly designed to support Low Dynamic Range (LDR) images as input, interest in High Dynamic Range (HDR) images has increased recently due to their higher precision to register overexposed and underexposed areas in an image. As the detection of FPs is strongly dependent on the illumination of the scene, HDR images have the potential to be more robust than LDR images during FP detection. Known FP detectors, however, do not use the full potential of HDR images. In addition, few works have evaluated the performance of HDR images in this context. In this paper, we propose a modification of FP detectors aiming to improve FP detection on HDR images. To this end, we design a local mask based on the Coefficient of Variation (CV) of sets of pixels, creating thus a new step in FP detection. We compare our approach with popular FP detection methods using a standard evaluation metric, Repeatability Rate (RR) of FPs, and also Uniformity as a proposed new criterion. A dataset of images from scenes affected by camera transformations and substantial illumination changes was used as input. Experimental results show that our proposed algorithms give better Uniformity and RR in most HDR images from the dataset when compared to standard FP detectors. Moreover, they indicate that HDR images present a great potential to be explored in applications that rely on FP detection.

In this work, we proposed a novel depth adaptive tone mapping scheme for stereo HDR imaging and 3D display. We are interested in the case where different exposures are taken from different viewpoints. The scheme employed a new depth-adaptive cross-trilateral filter (DA-CTF) for recovering High Dynamic Range (HDR) images from multiple Low Dynamic Range (LDR) images captured at different exposure levels. Explicitly leveraging additional depth information in the tone mapping operation correctly identify global contrast change and detail visibility change by preserving the edges and reducing halo artifacts in the synthesized 3D views by depth-image-based rendering (DIBR) procedure. The experiments show that the proposed DA-CTF and DIBR scheme outperforms state-of-the-art operators in the enhanced depiction of tone mapped HDR stereo images on LDR displays.