Tone mapping with contrast preservation and lightness correction in high dynamic range imaging

Recording video in high dynamic range (HDR) scenes usually suffers from the trouble of getting poor contrast videos. In this paper, an integrated signal processing system, which remaps the image to enhance video visibility, is presented. The system extracts pixel local contrasts and nonlinearly stretches the dynamic range of pixel contrast values through histogram equalization. Undesired artifacts in the contrast map are then smoothed by a similar filter, which averages the pixel luminance values only when colors of neighboring pixels are similar to the central one. The luminance value for a pixel is then replaced by the geometric mean of its original value and smoothed contrast value. Finally, the photographic tone reproduction algorithm normalizes pixel values such that the average of log luminance values in the entire video frame is around 18% gray tone. The proposed approach shows better performance in both tone and color reproduction compared with other popular approaches.

Images from high dynamic range (HDR) scenes must be obtained with minimum loss of information. For this purpose it is necessary to take full advantage of the quantification levels provided by the CCD/CMOS image sensor. LinLog CMOS sensors satisfy the above demand by offering an adjustable response curve that combines linear and logarithmic responses. This paper presents a novel method to quickly adjust the parameters that control the response curve of a LinLog CMOS image sensor. We propose to use an Adaptive Proportional-Integral-Derivative controller to adjust the exposure time of the sensor, together with control algorithms based on the saturation level and the entropy of the images. With this method the sensor’s maximum dynamic range (120 dB) can be used to acquire good quality images from HDR scenes with fast, automatic adaptation to scene conditions. Adaptation to a new scene is rapid, with a sensor response adjustment of less than eight frames when working in real time video mode. At least 67% of the scene entropy can be retained with this method.

Under-Display Camera (UDC) has been widely exploited to help smartphones realize full-screen displays. However, as the screen could inevitably affect the light propagation process, the images captured by the UDC system usually contain flare, haze, blur, and noise. Particularly, flare and blur in UDC images could severely deteriorate the user experience in high dynamic range (HDR) scenes. In this paper, we propose a new deep model, namely UDC-UNet, to address the UDC image restoration problem with an estimated PSF in HDR scenes. Our network consists of three parts, including a U-shape base network to utilize multi-scale information, a condition branch to perform spatially variant modulation, and a kernel branch to leverage the prior knowledge of the PSF. According to the characteristics of HDR data, we additionally design a tone mapping loss to stabilize network optimization and achieve better visual quality. Experimental results show that the proposed UDC-UNet outperforms the state-of-the-art methods in quantitative and qualitative comparisons. Our approach won second place in the UDC image restoration track of the MIPI challenge. Codes and models are available at https://github.com/J-FHu/UDCUNet.KeywordsUnder display cameraImage restoration

In this paper, we propose a tone mapping (TM) method using color correction function (CCF) and image decomposition in high dynamic range (HDR) imaging. The CCF in the proposed TM is derived from the luminance compression function with the color constraint under which the color ratios, between the three color channels of the radiance map and dynamic range compression term, are preserved and color saturation is controlled. The proposed CCF is developed to locally perform the luminance compression and color saturation control in local TM. For image decomposition, we use a bilateral filter and apply the adaptive weight to the base layer of the luminance. Computer simulations with various sets of real, low dynamic range images show the effectiveness of the proposed TM algorithm in terms of the visual quality as well the local contrast. It can be used for contrast and color enhancement in various display and acquisition devices.

A fixed-point tone mapping operation (TMO) instead of a floating-point TMO is proposed in this paper. A TMO generates a low dynamic range (LDR) image from a high dynamic range (HDR) image. Since pixel values of an HDR image are generally expressed in a floating-point data format, e.g. RGBE and OpenEXR, a TMO is also implemented in floating-point arithmetic in conventional approaches. However, it requires a huge computational cost, even though a resulting LDR image is expressed in simple integers. The proposed TMO is implemented with only fixed-point arithmetic. As a result, the proposed method reduces a computational cost. Experimental results shows the PSNR of LDR images in the proposed method are comparable to those of the conventional methods.

High dynamic range (HDR) scenes are known to be challenging for most cameras. The most common artifacts associated with bad HDR scene rendition are clipped bright areas and noisy dark regions, rendering the images unnatural and unpleasing. This paper introduces a novel methodology for automating the perceptual evaluation of detail rendition in these extreme regions of the histogram for images that portray natural scenes. The key contributions include 1) the construction of a robust database in Just Objectionable Distance (JOD) scores, incorporating annotator outlier detection 2) the introduction of a Multitask Convolutional Neural Network (CNN) model that effectively addresses the diverse context and region-of-interest challenges inherent in natural scenes. Our experimental evaluation demonstrates that our approach strongly aligns with human evaluations. The adaptability of our model positions it as a valuable tool for ensuring consistent camera performance evaluation, contributing to the continuous evolution of smartphone technologies.

A method is proposed to obtain accurate disparity maps for high dynamic range (HDR) scenes using stereo image pairs acquired under different exposure times and viewpoints. In HDR scenes, saturated pixels such as too‐dark or too‐bright pixels are inevitable because of the limited bit‐depth representations of images. These saturated regions include little information for matching images and harm the performance of conventional stereo matching methods. To address this problem, a method is proposed that generates a new cost volume by fusing cost volumes obtained using different stereo image pairs taken under different exposure times as well as different points of view. In addition, the directional semi‐global matching method is proposed to efficiently optimise the cost volume. Experimental results show that the proposed method generates more accurate results for saturated regions than existing methods on various datasets.

Tone-mapping-operators (TMOs) provide a useful means for converting high dynamic range (HDR) images to low dynamic range (LDR) images so that they can be viewed on standard displays, but this may influence the visual quality of experience (QoE) of the end-user. There is a need to understand the impact of TMOs to inform the choice of TMO algorithms for different displays, especially for small-screen-devices (SSDs) such as those used in mobile phones. This is important, as mobile devices are becoming the primary means of consuming multimedia contents. However, few studies have been undertaken to assess the impact of TMOs and viewing devices (especially SSDs) on the visual QoE of the user when using. In this chapter, we evaluate subjectively and objectively, the commonly used TMOs in different displays and resolutions for colour and grey-scale HDR images. Our results show that viewing devices have an influence on the TMOs performance, suggesting the need for a careful choice of TMO to enhance the viewing-QoE of the end-user. As expected, the higher resolution, the better HDR-image quality. Surprisingly, there was no significant difference between the Mean of Opinion Score (MOS) scores for colour and grey-scale images in SSDs. The device and TMOs affect QoE for colour and grey HDR-image equally. We found Shannon entropy (SE) to be a good objective measure of quality for colour and grey HDR images, suggesting that entropy may find use in automated HDR quality control assessment schemes, while; HDR-VDP-2 is a good objective measure for colour HDR image only.

Recently, the standardization of backward compatible JPEG image coding for high dynamic range (HDR) image has been undertaken to establish an international standard called “JPEG XT.” The JPEG XT consists of two layers: the base layer and the residual layer. The base layer contains tone mapped low dynamic range (LDR) image data and the residual layer contains the error signal used to reconstruct the HDR image. This paper gives the result of a study to evaluate the overall performance of tone mapping operators (TMOs) for this standard. The evaluation is performed using five HDR image datasets and six TMOs for profiles A, B, and C of the proposed JPEG XT standard. The Tone Mapped image Quality Index (TMQI) and no reference image quality assessment (NR IQA) are used for measuring the LDR image quality. The peak signal to noise ratio (PSNR) is used to evaluate the overall compression performance of JPEG XT profiles A, B, and C. In TMQI and NR IQA measurements, TMOs using display adaptive tone mapping and adaptive logarithmic mapping each gave good results. A TMO using adaptive logarithmic mapping gave good PSNRs.

International audience

A number of successful tone mapping operators for contrast compression have been proposed due to the need to visualize high dynamic range (HDR) images on low dynamic range devices. They were inspired by fields as diverse as image processing, photographic practice, and modeling of the human visual systems (HVS). The variety of approaches calls for a systematic perceptual evaluation of their performance. We conduct a psychophysical experiment based on a direct comparison between the appearance of real-world scenes and HDR images of these scenes displayed on a low dynamic range monitor. In our experiment, HDR images are tone mapped by seven existing tone mapping operators. The primary interest of this psychophysical experiment is to assess the differences in how tone mapped images are perceived by human observers and to find out which attributes of image appearance account for these differences when tone mapped images are compared directly with their corresponding real-world scenes rather than with each other. The human subjects rate image naturalness, overall contrast, overall brightness, and detail reproduction in dark and bright image regions with respect to the corresponding real-world scene. The results indicate substantial differences in perception of images produced by individual tone mapping operators. We observe a clear distinction between global and local operators in favor of the latter, and we classify the tone mapping operators according to naturalness and appearance attributes.

Intelligent driver assistance systems are becoming increasingly popular in modern passenger vehicles. A crucial component of intelligent vehicles is the ability to detect vulnerable road users (VRUs) for an early and safe response. However, standard imaging sensors perform poorly in conditions of strong illumination contrast, such as approaching a tunnel or at night, due to their dynamic range limitations. In this paper, we focus on the use of high-dynamic-range (HDR) imaging sensors in vehicle perception systems and the subsequent need for tone mapping of the acquired data into a standard 8-bit representation. To our knowledge, no previous studies have evaluated the impact of tone mapping on object detection performance. We investigate the potential for optimizing HDR tone mapping to achieve a natural image appearance while facilitating object detection of state-of-the-art detectors designed for standard dynamic range (SDR) images. Our proposed approach relies on a lightweight convolutional neural network (CNN) that tone maps HDR video frames into a standard 8-bit representation. We introduce a novel training approach called detection-informed tone mapping (DI-TM) and evaluate its performance with respect to its effectiveness and robustness in various scene conditions, as well as its performance relative to an existing state-of-the-art tone mapping method. The results show that the proposed DI-TM method achieves the best results in terms of detection performance metrics in challenging dynamic range conditions, while both methods perform well in typical, non-challenging conditions. In challenging conditions, our method improves the detection F2 score by 13%. Compared to SDR images, the increase in F2 score is 49%.

This paper presents a novel High Dynamic Range (HDR) tone mapping (TM) system based on sub-band architecture. Standard wavelet filters of Daubechies, Symlets, Coiflets and Biorthogonal were used to estimate the proposed system performance in terms of Low Dynamic Range (LDR) image quality and reconstructed HDR image fidelity. During TM stage, the HDR image is firstly decomposed in sub-bands using symmetrical analysis-synthesis filter bank. The transform coefficients are then rescaled using a predefined gain map. The inverse Tone Mapping (iTM) stage is straightforward. Indeed, the LDR image passes through the same sub-band architecture. But, instead of reducing the dynamic range, the LDR content is boosted to an HDR representation. Moreover, in our TM sheme, we included an optimization module to select the gain map components that minimize the reconstruction error, and consequently resulting in high fidelity HDR content. Comparisons with recent state-of-the-art methods have shown that our method provides better results in terms of visual quality and HDR reconstruction fidelity using objective and subjective evaluations.

In this paper we present a new technique for the display of High Dynamic Range (HDR) images on Low Dynamic Range (LDR) displays. The described process has three stages. First, the input image is segmented into luminance zones. Second, the tone mapping operator (TMO) that performs better in each zone is automatically selected. Finally, the resulting tone mapping (TM) outputs for each zone are merged, generating the final LDR output image. To establish the TMO that performs better in each luminance zone we conducted a preliminary psychophysical experiment using a set of HDR images and six different TMOs. We validated our composite technique on several (new) HDR images and conducted a further psychophysical experiment, using an HDR display as reference, that establishes the advantages of our hybrid three-stage approach over a traditional individual TMO.

High dynamic range (HDR) images are becoming pervasive due to capturing or rendering of a wider range of luminance, but their special display equipment is difficult to be popularized because of high cost and technological problem. Thus, HDR images must be adapted to the conventional display devices by applying tone mapping (TM) operation, which puts forward higher requirements for intellectual property protection of HDR images. As the robustness presents regional diversity in the low dynamic range (LDR) watermarked image after TM, which is different from the traditional watermarking technologies, a concept of watermarking activity is defined and used to distinguish the essential distinction of watermarking between LDR image and HDR image in this paper. Then, a novel robust HDR image watermarking algorithm is proposed against TM operations. Firstly, based on the hybrid processing of redundant discrete wavelet transform and singular value decomposition, the watermark is embedded by modifying the structure information of the HDR image. Distinguished from LDR image watermarking, the high embedding strength can cause more obvious distortion in the high brightness regions of HDR image than the low brightness regions. Thus, a perceptual brightness mask with low complexity is designed to improve the imperceptibility further. Experimental results show that the proposed algorithm is robust to the existing TM operations, with taking into account the imperceptibility and embedded capacity, which is superior to the current state-of-art HDR image watermarking algorithms.