- Supplementary Content
- 10.6342/ntu202100181
麥可‧翁達傑《身著獅皮》中的創傷與皮膚
- Feb 22, 2021
- Hsing-Shu Lee + 1 more +1
In the studies of Michael Ondaatje’s In the Skin of a Lion, few critics have addressed the issue of personal trauma. The thesis suggests that the protagonist’s trauma must be seen, and proposes that with the help of the concept of skin, the novel presents the protagonist’s trauma and his possible recovery. I take Didier Anzieu’s theory of the Skin-ego as a point of departure to discuss the protagonist’s trauma, which can be divided into three dimensions of the body, the psyche, and the narrative. The novel shows traumatization of the skin, breach of the psychical skin, and holes in the Skin-ego, and these traumatic representations can be discussed correspondingly with Anzieu’s concepts of wrapping of suffering, film of dreams, and skin of words. In Anzieu’s theory, the three concepts all have therapeutic potential. On the bodily dimension, the protagonist demonstrates his trauma through self-inflicted wounds and wraps himself in suffering. Through feeling the suffering and being touched, he can affirm his bodily feelings and feel alive. On the psychical dimension, trauma causes the breach of the protagonist’s psychical skin and his post-traumatic dreams. The novel is full of dreams and images, which constitute a film of dreams that helps to repair his breached psychical skin. On the narrative dimension, the protagonist’s traumatic childhood creates the holes in his Skin-ego and his habit of keeping silent. However, he gradually develops the ability to articulate himself. By telling his traumatic experience, the protagonist creates a skin of words and repairs the traumatic hole. By discussing different dimensions of trauma and the Skin-ego theory, this thesis argues that In the Skin of a Lion demonstrates the protagonist’s trauma and his possible recovery.
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