Research Article10.1353/not.2026.a983494Topics in Music Pricing: Implications of AI in Music CollectingMar 01, 2026NotesElizabeth BerndtCiteListenSave
Research Article10.1353/not.2026.a983504Weep, Shudder, Die: On Opera and Poetry by Dana Gioia (review)Mar 01, 2026NotesCiteListenSave
Research Article10.1353/not.2026.a983522Books Recently PublishedMar 01, 2026NotesJames Procell + 1 more +1CiteListenSave
Research Article10.1353/not.2025.a974609Robert Schumann’s Leipzig Chamber Works: Music in the Great Stream of Time by Julie Hedges Brown (review)Dec 01, 2025NotesLaura TunbridgeCiteListenSave
Research Article10.1353/not.2025.a974631Forbidden Music Regained (review)Dec 01, 2025NotesMatthew VestCiteListenSave
Research Article10.1353/not.2025.a966789The Oxford Handbook of Video Game Music and Sound ed. by William Gibbons and Mark Grimshaw-Aagaard (review)Sep 01, 2025NotesJeremy W SmithCiteListenSave
Research Article10.1353/not.2025.a966779The Bastard Instrument: A Cultural History of the Electric Bass by Brian F. Wright (review)Sep 01, 2025NotesPandel CollarosCiteListenSave
Research Article10.1353/not.2025.a966768Offenbach's Blues: The Sunday Question and the CentennialSep 01, 2025NotesTimothy SestrickAbstract: When Jacques Offenbach visited the United States in 1876, the country was both celebrating its hundredth anniversary and debating the Sunday question, the role of longstanding Sunday-closing laws in the life of the growing nation. Much to his annoyance, Offenbach was engulfed in the Sunday question during his time in New York City and at the Centennial Exposition in Philadelphia, which had been the focus of fierce arguments over hours of operation on the Sabbath. This article explores Offenbach's experience with the Sunday question and related blue laws and examines events at the Offenbach Garden in Philadelphia during and after his time in the country.Read moreCiteListenSave
Research Article10.1353/not.2025.a966798Books Recently PublishedSep 01, 2025NotesJames Procell + 1 more +1CiteListenSave
Research Article10.1353/not.2025.a966801Ostersonate by Fanny Hensel, and: Gartenlieder, op. 3 by Fanny Hensel (review)Sep 01, 2025NotesTyler OsbourneCiteListenSave